Bluegrass Lesson
Hi all and welcome to this little bitta Bluegrassy Chet Atkins viberoony thing! For those not familiar with Chet Atkins, well he was bit of a pioneer in this style of music and he was a self-taught player from way back in the 1950s. He actually learned how to play in a log-cabin miles away from civilization, just like Johnny B. Goode :)! A real fairytale story his, and what a player he was - unfortunately no longer with us.
Now in this piece, the right-hand is not using a thumbpick in alternate picking style as the amazing Mr. Atkins was prone to. But the chord style and the overall feel is definitely in that Bluegrassy/Atkins territory.
This tune is easy enough to play once you get the components in position. Namely the righthand picking pattern (repetitive) and then the simple lefthand partial chords. Basically the same righthand pattern is used throughout, just changing the emphasis (or loud/softness) on certain notes.
I've added a great exercise which helps to get this picking pattern off - it's video number 7. It involves simply muting the strings with the lefthand and running the pattern with the righthand. This is a great method to use to learn any picking pattern.
Lots of open strings are used to get that flavor too. On the electric, use a clean sound using the middle and bridge pickup together. I use this configuration, but I also put in a switch on my Strat which allows me to add in the neck pickup too. This gives the classic Telecaster sound of Neck pickup and Bridge with the middle thrown in (out of phase).
On a Humbucking 3 way switch style guitar such as a Gibson Les Paul Standard or an Ibanez and so on, try it on each pickup and see which sounds best. This will depend a lot on your personal technique - how hard you pick and fret the strings, your amp setup and your feel in general. You might have to work a little harder to get the sound on this one. But it is do-able. Not to mention you can use an emulator like the cool Line 6 Pod and the likes.
This piece and similar type of stuff sounds equally at home on the electric and acoustic guitar. Although the bend may be not be possible on the acoustic - just replace the bend with a slide from the 7 to a 9 on the G string instead, and add the B string fret 8 note to make a diad (2 note chord).
I used a clean sound running through delay (my trusty Boss DD3), and a "Large Vocal Plate" reverb on a Quadraverb. I ran the Strat through a Sansamp into the desk.
There's a little backing track added to the lesson which is a handy little tune to practice Bluegrass/Country lead too, as well as the main parts. Oh and don't forget the pre-requisite "yee-har" to get the full effect hee-hee, and hope you enjoy and pickup something new from it.
Pull it out at parties on an Acoustic and stay fashionable :)!
David
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Vid 1: Here's the complete tune in slo-mo. As you see and hear it's basically the same righthand pattern throughout.
Here's the *righthand fingering with the traditional legend included - p.i.m.a., (useful to know).
Th = Thumb (p)
1 = index finger (i)
2 = 2nd finger (m)
3 = 3rd finger (a)
The righthand picking pattern throughout is: Th, 1, 2, Th, 3, Th, 1, 2
Basically it's broken up into 5 parts for the lesson.
The intro chords
Section one to the C chord
Section 2 from the A to the country/bluegrass lick
Country Bluegrass lick
End chords outro at fret 12
Once you get the righthand rolling, the lefthand chord and partial chords are very easy to do.
* Common Fingering Legend
(P) = Pulgar = Thumb
(I) = Indice = Fore Finger
(M) = Medio = Middle Finger
(A) = Anular = Ring Finger |
Diminished Intro Chords - Slow/Normal Speed
The opening chords are 'Diminished 7" chords which are made up of the tones 1 b3 b5 bb7. The Diminished 7 chord is a very special case - here are a few odd things about this chord:
It repeats itself every four frets (inclusive) on the guitar. Each time you move the shape up 4 frets, it plays the same chord but with the notes rearranged.
The diminished 7th chord can be named after any of the notes used. So each note can function as the "root" of the chord.
Here's the chord shapes used, although remember that you can play the chord on other sets of strings too of course. But this is most common shape used.
E||--6-----9-----12-------------------|
B||--5-----8-----11-------------------|
G||--6-----9-----12-------------------|
D||--5-----8-----11-------------------|
A||--x-----x-----x--------------------|
E||--x-----x-----x--------------------|
The final chord played at the 11th fret is then moved down chromatically (fret by fret) and lands on the previous inversion.
So for example, you could name the first chord from the note on the D sting 5th fret which is G. So we have G diminished 7 (Gdim7).
Shake the whole guitar to get vibrato on the chords. You could use a whammy bar to achieve this effect - it's subtle not dive-bomb I mean :). |
Run 1 Fast and Slow
The first run is a simple affair which just frets the D and G strings, and uses the open B and hi E strings as "drones". Drones are strings which are left ringing in the background.
Then it goes to a standard C chord and then C7.
E||--0---0---0---0---0---0----0---|
B||--0---0---0---0---1---1----1---|
G||--6---5---4---0---0---0----3---|
D||--5---4---3---3---2---2----2---|
A||--x---x---x---x---3---3----3---|
E||--x---x---x---x---x---x----x---|
That righthandpicking pattern once again is:
Th, 1, 2, Th, 3, Th, 1, 2
The basic chord progression used is the following.
A7 / / / : / / /
D7 / / / : / / /
G7 / / / : / / /
C / / / : C7 / / /
These basic chords are further embellished by using the open strings and this adds in 9s and other flavors to them. Her's the first part from the video:
|------------------------|
|------------------0-----|
|---------------6--------|
|------------5--------5--|
|------------------------|
|------------------------|
--0-----------------------|--0-------------------------|
-----------0--------0-----|-----------0----------0-----|
--------6--------6--------|--------6----------5--------|
-----5--------5--------5--|-----5----------4--------4--|
--------------------------|----------------------------|
--------------------------|----------------------------|
--0-----------------------|--0-------------------------|
-----------0--------0-----|-----------0----------0-----|
--------5--------5--------|--------5----------4--------|
-----4--------4--------4--|-----4----------3--------3--|
--------------------------|----------------------------|
--------------------------|----------------------------|
--0-----------------------|--0-------------------------|
-----------0--------0-----|-----------0----------1-----|
--------4--------0--------|--------0----------0--------|
-----3--------3--------3--|-----3----------------------|
--------------------------|----------------3--------3--|
--------------------------|----------------------------|
--0-----------------------|--0-----------------------|
-----------1--------1-----|-----------1--------------|
--------0--------3--------|--------3-----------------|
--------------------------|--------------------------|
-----3--------3--------3--|-----3--------------------|
--------------------------|--------------------------|
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Run 2 - Slow/Norm Speed
Next it moves onto section 2 which is easy on the lefthand too. The first chord used is a standard A minor 7 shape which uses an open A string as the bass note. Then you switch back to the open D string with an open hi-E going throughout the next 2 chords. Here's the shapes/chords.
E||--0-----0-----0-------|
B||--2-----7-----6-------|
G||--0-----5-----4-------|
D||--2-----0-----0-------|
A||--0-----x-----x-------|
E||--x-----x-----x-------|
Righthand = Th, 1, 2, Th, 3, Th, 1, 2
Here's the full section for video 4:
|--------------------------|
|--------------------2-----|
|-----------------0--------|
|--------------------------|
|--------------0--------0--|
|--------------------------|
--0-----------------------|--0-----------------------|
-----------2--------2-----|-----------2--------7-----|
--------0--------0--------|--------0--------5--------|
--------------------------|--------------0--------0--|
-----0--------0--------0--|-----0--------------------|
--------------------------|--------------------------|
--0-----------------------|--0-----------------------|
-----------7--------7-----|-----------7--------6-----|
--------5--------5--------|--------5--------4--------|
-----0--------0--------0--|-----0--------0--------0--|
--------------------------|--------------------------|
--------------------------|--------------------------|
--0-----------------------|--0-----------------------------|
-----------6--------6-----|-----------6--------------------|
--------4--------4--------|--------4-----------------------|
-----0--------0--------0--|-----0--------------------------|
--------------------------|--------------------------------|
--------------------------|--------------------------------|
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The run here is a typical Bluegrass/Country style one. It uses the Major Pentatonic scale in the key of C.
E||----------------------8---------|
B||----------------------8---------|
G||----------------5--7--7b(9)-----|
D||------------5-7-----------------|
A||-----5h6h7----------------------|
E||--8-----------------------------|
Finishing off nicely with a G string bend, while holding down the B and E at the 8th fret. Add vibrato to suit.
The thumb is used to play the notes and the little finger holds down the B and E during the G string bend.
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Outro - Slow/Normal Speed
Here are the partial chords used for the outro run - it's just drops a fret each time chromatically, but the open strings of course stay the same, which gives you that typical Bluegrassy type sound.
E||--0-----0-----0-----------|
B||--0-----0-----0-----------|
G||--12----11----10----------|
D||--11----10----9-----------|
A||--x-----x-----x-----------|
E||--x-----x-----x-----------|
The ending chord used is a C13 - it gets its root note from the low or hi E-string. The index finger and 2nd finger are used to mute the unwanted A string. The little finger holds down 2 strings.
E||-----10--------------|
B||-----10--------------|
G||-----9---------------|
D||-----8---------------|
A||-----x---------------|
E||-----8---------------|
C13
This chord takes a little practice to get used to if you are new to it, but it's well worth learning as it can be used in Jazz, Blues, Country and even Gospel/Pop type tunes.
Here's the complete outro:
-------------------------|-----------------0-------------|
-------------------------|----------0-----------------0--|
-------------------------|------12----------------12-----|
-------------------------|--11---------11-----11---------|
-------------------------|-------------------------------|
-------------------------|-------------------------------|
-----------------0-------------|---------------0------------|
----------0-----------------0--|---------0---------------0--|
------11----------------11-----|-----10--------------10-----|
--10---------10-----10---------|--9---------9-----9---------|
-------------------------------|----------------------------|
-------------------------------|----------------------------|
--------------10--------||
--------------10--------||
---------------9--------||
---------------8--------||
------------------------||
----8----------8--------||
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Right-hand Picking Exercise
This is a great little exercise to use when working on righthand fingerpicking patterns. Just mute the strings and pluck away.
I would suggest to use a metronome in the beginning set at say *100 b.p.m. using 8th notes to practice. Count it 1 + 2 + 3 + 4 +.
When you get comfortable with that you can increase the speed. If you already feel ok with that speed, try doubling up to 16th notes at 100 b.p.m. counting:
1 e + a, 2 e + a, 3 e + a, 4 e + a
*b.p.m. = beats per minute |
Lesson Questions, Feedback & Comments |
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Ryan |
8th June 2007 |

Member

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Not my cup of tea...but good job
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christian |
8th June 2007 |

Member

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This is a really cool lesson, the sound is incredibly blue grass. I also love the way that you finger pick
Thanks alot
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The Uncreator |
8th June 2007 |

Fire Up The Blades, Moderator

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Man this is just cool, this is why i love GMC, i just got done Learning some Speed Metal riffs, and now i can go straight into some bluegrass, excellent lesson man, great sound and excellent fingerpicking technique.
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stratman33 |
8th June 2007 |

Member

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Not my style at all, but i like how you fingerpick.
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David OToole |
8th June 2007 |

Instructor

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Hey thanx guys. It was a fun lesson to do! Ok it is heavy on the Bluegrass vibe for some I'm sure, but that right hand picking exercise in vid 7 is useful to learn finger picking to suit any style I reckon.
Like even at another extreme, a heavily chorused fingerpicking intro for say an Ozzy sorta song, where a strong righthand is essential - I find this exercise is a great way to get something like that under your fingers.
I've even used it for practicing some bits while I was watching T.V  . It's great for "programming" in a pattern you need, or are working on.
On the Bluegrass subject, anyone into Eric Johnson out there? I think he's a fine player and overall musician. The reason I mention him here is that he's actually a huge Chet Atkins fan and incorporates a lot of this "style" into his stuff. So it can be changed around a bit.
Can't ever see Ozzy playing Bluegrass Country to be honest though, but ya knowharimean  !
D
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Andrew Cockburn |
8th June 2007 |

Theory Instructor & Moderator

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Eric Johnson - yes! I just heard Manhattan for the first time a couple of weeks ago and it blew me away
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Marcus Lavendell |
8th June 2007 |

Instructor

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Absolutely brilliant! Great job David!
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Kristofer Dahl |
8th June 2007 |

GMC Founder & Rocker

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It's my cup of tea - and I love it!
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Robin |
8th June 2007 |

Member

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Awesome, great job.
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MickeM |
8th June 2007 |

Born of NWOBHM, Moderator

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Very good lesson! I just got to learn how to do that simply because not knowing this stuff at all it will improve my playing a lot.
And for anyone in doubt about Ozzy, listen to "Diary of a madman" from the album with the same name.
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ezravdb |
8th June 2007 |

Member

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i like bluegrass.
also the fast bluegrass like buckethead does
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lefty01 |
9th June 2007 |

Member

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I miss Chet:(
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shredmandan |
10th June 2007 |

Member

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Good lesson
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sanders4617 |
11th June 2007 |

Member

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I like the lesson.. just not exactly the best representation on Chet Atkins style of picking, which is FAR more complex. Then again, you've got to start slow.
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David OToole |
19th June 2007 |

Instructor

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Well I was careful to mention at the start that it was more in the feel and area of Bluegrass/Mr. Atkins, and not an exact copy of his style, which is indeed ... well it's Chet innit  .
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David OToole |
19th June 2007 |

Instructor

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re: MickeM/"Diary of a madman"
Great album that!
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kebsis |
26th June 2007 |

Member

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another good blue grass, but more banjo esque, is Buckethead's "Hog Bitch Stomp" which is done using finger picking and sounds back woods whacky if you ask me.
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David OToole |
19th July 2007 |

Instructor

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Some player that Buckethead isn't he? I have one of his tracks faved up at YouTube - great tune called 'Nottingham Lace'. Big tribute typa thing to Hendrix, with his own stuff in there of course. Have to dig out a few more.
Yeh some of those lesson licks are on the banjoesquey side alright - is that a word  ?
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Carlos Carrillo |
25th March 2008 |

Instructor

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nice David!!!
well done!!!
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