The music and the solo in D.N.A.F.T were written for Gustav Almöfs CD "SPIDER" 2003 with the band constellation called Juggernaut. Gustav had made some drum grooves on this track and the mission for me was to create some rock licks and progressive stuff up on it. I play the guitars and the bass on the original track. Andreas Söderin from Seventh Wonder plays the keyboard. The solo in this song is my favorite part to play.
The whole solo is played in C minor with some pentatonic minor notes in the end. I usually like to combine easy melodies with more bluesy stuff. When I do rock solos I improvise a lot and catch and keep the parts that make the melody sounds interesting and dynamic. My goal is often to reach some kind of climax near the end. The main thing is however to complete a general rhythmic melody suitable for the background music.
The solo begins with an easy melody. Note that I use both my hands to mute the strings around the strings I play. The reason for that is to get a clear sound without noise from other strings. To combine the palm muting technique with the fretting hand muting technique is according to my opinion actually the most difficult thing to learn in the beginning.
After the jumping octave notes the whammy bar vibrato comes. For getting this to sound nice I put the fingers from my left hand to mute all the strings apart from the A#-note. If you don’t have a vibrato bar I strongly recommend the Floating system that allowing you to not only bend downward to lower the pitch of sound, but also to pull upward to raise the pitch of sound.
With different kind of vibratos you can get an easy melody to sound more interesting.
I think vibrato is one of the most important technique for a guitarist to master and I recommend that you spend some time look and listening on every note I play in the solo and practice note by note and later on put them together.
There are basically two ways to achieve vibrato. By bending a string up and down, or by using sideways motion back and forth. The up and down motion is the most common method among guitarists and generally the vibrato I use. Some use a wide, slow, up and down motion. Others use a faster, narrower motion. After many hours practicing vibrato it comes naturally and give you a unique vibrato to your own sound and playing. The sideways motion is the method most commonly used by classical instrument players.
I normally don’t pick every note as you can see. I use some hammer-on and pull-off technique. By hitting or "hammering on" the string with your finger and by pulling your finger off the string, you get next note to sound without picking it. Using a slight sideways motion when you pull off helps the next note sound louder.
In the end I use my 3rd finger (ring finger) to bend the sting a Whole-step Bend by pushing the string up and raise the pitch of the note from a E to a F# and than adding some vibrato to it. There are many types of bends and its fun to explore and try out different kinds. It is important that you use your ears so that you hit the right note.
It could help to use the 2nd finger to help push. The same effect can be accomplished by pulling down on the string.
The run is basically a C minor scale played up and down with the pattern I come up with. It could be tempting to play it really fast at the first time you try it. The most important in this case is to play it slow and after on increase the speed. The main thing about this picking technique is that I use alternate picking (both up and down strokes). Only by using alternate picking, can you achieve the speed and freedom to truly play what you feel. Don’t just play the scale fast, try to feel the rhythm and the get the attack in different notes.
Tapping involves using the right hands fingers to sound notes by hammering-on and pulling-off. The whole lick is plays without the pick with legato phrasing and combines hammer-on and pull-offs in a way that I often use. The third note is tapped with the third finger of my right hand. The tapping is a technique that works best with lots of sustain and distortion, using an electric guitar like I do.
After the fast tapping lick this pleasing slide-lick will cool the solo down before the last notes of the solo. After a note is sounded, you leave your finger on the string and move up or down to the next note.
To finish the solo I put some bluesy stuff to it. This lick features many common elements of blues playing including bends, release and vibrato. This was actually the most difficult part to translate to tab because this is more a feeling than a note pattern for me. I often do it in different ways. Anyway this includes the techniques I already talked about and finishes this solo instruction in a good way.
Good luck - and wellcome to my site! www.larssonmusic.com
I remember learning this lead when it first came out. I still play it from time to time. It really flows well and fits the beat nicely. It is harder to play than it appears on the video. Johan makes it look easy.