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Kristofer Dahl12th July 2008Excellent David - useful and fresh theory combined wth killer practical illustrations! Thanks for inspiring! 
PacmanProductions Reborn12th July 2008argh. Kris, is it impossible to post before you??? Hahaha well David, you have expertise in sure a wide variety of styles that its incredible. Great Job!
DeepRoots12th July 2008Thanks for the new concepts!
Marcus Lavendell12th July 2008Very nice Dave!
Marcus Siepen12th July 2008great lesson and an awesome solo, I love it
Very lovely solo David 
Joe Kataldo12th July 2008Really Inspiring
Muris Varajic12th July 2008Great lead and theory inside,
well done David. 
Bogdan Radovic12th July 2008Excellent job David !
chmilew12th July 2008Sounds so fresh to me Love it !
Ivan Milenkovic12th July 2008Nice modes series David
Gerardo Siere12th July 2008nice lesson
Andrew Cockburn12th July 2008Beautiful David - a really interesting way at looking at note selection, and forcing jumps and semi-arpeggios that move you away from purely scalic thinking!
Gabriel Leopardi12th July 2008It's amazing the way you use the pentatonic scales. Very inspirin. Thank you David.
ItsMe12th July 2008that sounds really nice
David Wallimann12th July 2008Thanks a lot folks! :-)
Pi3812th July 2008Oh, man, this is truly inspiring. I love how perfectly all of the notes fit together. It's just one of those songs where all of the notes go exactly where they're supposed to. Amazing, beautiful, awesome.
Hisham Al-Sanea13th July 2008nice lesson David.
Nick32513th July 2008nice way to combine major scale and pentatonic
Ian Bushell13th July 2008Great lesson really melodic, thank you!
Pablo Vazquez13th July 2008Beautiful lesson!
Danilo Capezzuto14th July 2008Really nice lesson!
Caelumamittendum14th July 2008Very good lesson! Keep them coming, David!
Carlos Carrillo14th July 2008really great lesson!!
very nice David!!!
Lian Gerbino15th July 2008cool david I love it!!!
In the previous lesson we discussed how we could use the pentatonic formula and apply it to the modes. Today we will use that concept over an A Ionian scale and combine that pentatonic scale with the full Major scale to create a melodic solo.
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