Sorry man! I didn't mean to not answer you.. I usually try not to bring each modes to its major scale relative, because doing so can make your improvisation too linear.. What I mean by that is that all the caracteristical notes of the mode played over aren't the main focus of your playing. I recoment avoiding bringing all the modes to a same major scale.. But learn all the modes and see them as an entire new scale. Yes, all modes are "taken out" of a major scale. But in modern music, modes should be seen as whole new systems.
Now for that lesson, the first part which was in G Phrygian is taken out of the E flat major scale. The notes of G Phryggian scale are the same as E flat Major. Harmonyzing E flat major would give us:
E flat Maj 7 F min 7 G min 7 A flar Maj 7 B flat 7 C min 7 D min 7 (flat 5)
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