Here is a tune I wrote for the guitar course I will be doing for Swedish "Studio32". The whole idea was to get a melodic solo which contains som fancy techniques - without sounding like a bunch of exercises put together. In order to do this, it is important to end the faster licks with a strong note or a little melody. Otherwise the whole thing becomes an excuse to play fast.
I believe the coolest songs are the simplest ones, consequently "The Motto is Oops" only contains three chords (!!). Since there is no change in key, it would be possible to stay in the E minor/Aeolian scale. However, If you want your solos to stand out, and not sound like the year was 1950 and you just discovered the pentatonic scale, you should try to land on the stronger, chord tones (see below).
Chord progression:
|_Em_|_Em_|_C_|_C_|_B_|
Em: E-G-B
C: C-E-G
B: B-D#-F#
Bar
e|--------------|
b|--------------|
g|---3----------|
d|--------------|
a|--------------|
e|--------------|
If you have a whammy bar, try pressing the bar before hitting the string with the left-hand middle
finger. Once you have produced the harmonic, realease the bar and let the harmonic "pitch away".
Try hitting (with the left-hand middle finger) at different spots within the third fret. This may sound strange, but a single millimiter up or down can produce a different harmonic.
This lick is played over the Em chord, and has the b5 ( 8th fret d-string) in it. Don't miss the palm muted notes (notated as pm) which have a subtle but important effect.
I like adding palm muted notes like this - it adds a unexpected staccato effect.
T
e|-17p-14p11----------------------------------------------------|
b|-----------12-----------------16--16--------------------------|
g|--------------11--------------14b-14b-------------------------|
d|-----------------13-------------------------------------------|
a|--------------------14-12-14----------------------------------|
e|--------------------------------------------------------------|
Here is a B7 dominant arpeggio (played over the B chord). I play the fast part of the lick without any picking.
In order to this you need to be able to fret the string very hard with your left hand.This requires a lot of practice - but it's a very cool technique to use, and creates a distinctive sound (Allan Holdsworth is the master of this technique).
A bluesy lick played in the standard E minor pentatonic box at the twelfth fret, played over the Em chord.
E minor pentatonic scale:
T T T T
e|--------------------------------------------------------------|
b|-------------------------------------13h15-17p15--------------|
g|-------------------------12h14-17p14--------------------------|
d|-------------12h14-17p14--------------------------------------|
a|-12h15-17p15--------------------------------------------------|
e|--------------------------------------------------------------|
T T T T
e|-12h15-17p15p12h15-19p15p12h15-20p15p12h15-22bp15-------------|
b|--------------------------------------------------------------|
g|--------------------------------------------------------------|
d|--------------------------------------------------------------|
a|--------------------------------------------------------------|
e|--------------------------------------------------------------|
Two handed tapping! In order to play this you need to (once again) hammer-on extremely hard with your left hand. This is especially hard with the left hand index finger.
Notice the left hand string muting (notated as "x" in the tab) - touch the strings lightly with your left hand to achieve the "muffled" sound.
To create a "scream" effect out of the first bend ("15br") you can try to bend both the E and B string at the same time (as illustrated in the main video).
If this isn't working for you, start by playing this to a metronome (sixteenth notes = four notes per beat), with strictly alternate picking (up & down).
This kind of smooth sounding lick is achieved by pulling off and hammering on. Picking every note would be very challenging - because of the "speed bursts" and uneven rhythmic patterns.
Good job Hey I had to ask something.. Kriss could you tell me where I can see live guitar lesson version from this lesson? So I see your fingers better when your playing and practice going to be easier.
Hey kris, not sure if you'll see this now or not, but I really like this solo. It oozes originality to me, and this plus your curious coincidence and fusion lesson are your best ones IMO