Exercises & Theory
Difficulty 4 of 10
By
David Wallimann
The secret of sweeping is to synchronize your right hand with your left hand. What you need to do is to place a finger of your left hand on the desired note at the same time than you are playing that note with your pick. As you do so, the next note needs to be placed on the adjacent string in the same direction as your pick is going.
Difficulty 4 of 10
By
Joe Kataldo
This part is a modern rock/progressive arrangement that uses muted arpeggios and substitutions, to create background harmony and rhythmic value.
Difficulty 3 of 10
By
Joe Kataldo
This part is in the style of Robben Ford, and will prepare you for a virtual band situation. Playing with an hammond player, you have to create a complementary guitar parts that will melt with the other instruments, with out interfering with the piano/key part.
Difficulty 10 of 10
By
Muris Varajic
In this one we'll try to achieve accuracy and tightness while skipping strings, all with alternate picking. And it's not only about moving vertical, but horizontal as well.
Difficulty 4 of 10
By
Dejan Farkas
A combination of hammer-ons and pull-offs with an open string. This technique was used by Angus Young in AC/DC's Thunderstruck. Moving from the beginning to the middle of the neck can improve the orientation on the neck to change positions quickly.
Difficulty 3 of 10
By
Joe Kataldo
This part takes a step back to the basics of Rock/Metal Rhythm Guitar, a technique that every whythm guitar player should know: Palm Muting.
Difficulty 4 of 10
By
Muris Varajic
No licks and chops here, instead it's about understanding timing. From 4th to 32th and all triplets in between. I programmed drums and bass to guide you, all you have to do it to listen to the backing track, hi-hat mostly.
Difficulty 6 of 10
By
Muris Varajic
It's all about alternate picking! I added some palm muting, string skipping and a nice trick regarding fingering. It's in key of C minor, tempo is 160bpm, all 16th notes, 2 patterns grouping wise.
Difficulty 7 of 10
By
David Wallimann
Time to help with your alternate picking chops and review the 7 church modes with 3 notes per string patterns.The track will go from one mode to the other without stoping, so make sure to be familiar with the following position.
Difficulty 5 of 10
By
Muris Varajic
A workout played only on the B string covering all 7 boxes. This is a good way to understand the relation between semi and whole notes in any major scale.
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