Difficulty 5 of 10
Evening Blues Lesson
Marcus shows you how to effectively use the volume knob to create a dynamic blues solo improvisation. Scale wise, if you use the B Dorian and Blues scale - you can't go wrong.
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Country & Blues
Difficulty 5 of 10 Non-shuffle Blues RhythmWe continue to explore the different blues rhythms with Gabriel Leopardi. As opposed to the last lesson, we now use 8th notes played without shuffle. Contains Steve Ray Vaughan style riffs. 
Difficulty 5 of 10 SRV - Stevie Ray VaughanMuris presents a lesson in style of SRV, and combines both riffing and soloing in his style. The lesson contains SRV "raking" style, 12 bars blues progression, bends and double bends, left hand muting. 
Difficulty 7 of 10 Bluesy Country JamBy Roo Roo gives a jam lesson that can sound good played dry, without rhythm guitar. There is a lot of double notes and with clean sound you can create a bluesy-rock feeling. 
Difficulty 5 of 10 Swingy FingerpickingMuris shows you some interesting patterns for right hand fingering in this lesson. It's also great memory lesson,to remember when to play which pattern. And now we have pinky in action! 
Difficulty 2 of 10 Double Notes 6ths LessonBy David OToole Intervals are basically just a way of measuring the distance between notes in a scale. In this lesson, 6ths are used over a blues progression. This is an easy and effecient tool that you can start using today! 
Difficulty 6 of 10 Blues Bending LessonIn this lesson Muris shows you some of the most common bending techniques: semi tone, whole tone, whole and semi, 2 whole tones, pre-bends etc. The lesson has a blues chord progression and feel to it... 
Difficulty 8 of 10 Roo's Mad FarmBy Roo This one is a Metal-Country mix, so not a genuine country lesson... The lesson contains open strings, hammer-ons, pull-offs, chicken picking, double stops, palm muting... 
Difficulty 7 of 10 Neoclassical Blues Funk Lesson... this type of playing is really fun! and it's more tricky to play than it might appear. The pitch has to be close to perfect most of the time, and that's quite a challenge. The basic chords are the same as in the standard blues but I also added F7, A#7 C7 which adds a somewhat lazy and cool feeling to it 
Difficulty 4 of 10 Blues - get that Shuffe 2!The main purpose of this lesson is to learn every position and inversion of the dominant 7th triads. These triads are a great tool to use when you are soloing and also when you are playing a blues rhythm.
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