Difficulty 4 of 10
Acoustic Blues Workshop - Level 1 - Delta Blues
Delta blues is a very distinctive blues style, one of the first blues styles known. In this lesson we will do some simple fingerstyle Delta Blues licks.
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More Styles
Difficulty 4 of 10 Acoustic Blues Workshop - Level 1 - Delta BluesDelta blues is a very distinctive blues style, one of the first blues styles known. In this lesson we will do some simple fingerstyle Delta Blues licks.
Difficulty 3 of 10 Standard Blues - BeginnersBeginners will learn how they could play and improvise the standard blues. Includes bends, tremolos, vibes, harm notes, palm muting, slides.
Difficulty 3 of 10 Wah-wah Beginner ExercisesWe are going to cover the basics of wah wah playing on the guitar. This lesson contains wah wah pedal use, right leg exercises, coordination of hands and right leg.
Difficulty 3 of 10 Blues PhrasingPhrasing is very important when you improvise. It's just like when you talk and tell a story, you use silences, intonation, and form to tell a story. The same things should happen when you play.
Difficulty 7 of 10 Improvisation LessonBy Nick Kellie How to improvise, what scales to use, where to get ideas? I will be talking you through my mental and theoretical approach to improvisation which will include thematic development and interval stacking.
Difficulty 7 of 10 Little Jazz Workshop Lesson 3 - SoloJazz soloing, blues and jazz licks, use of beebop scale, use of chromatic passages, alternate and economy picking combined and more!
Difficulty 4 of 10 C Major Pentatonic and Triads LessonWe will work with triads but first we´ll talk about the major pentatonic scale. The idea is to practice the five different pentatonic boxes, and learn to play the melody and improve using the major pentatonic scale using all the neck.
Difficulty 3 of 10 12-bar Blues ShuffleBy Dejan Farkas The 12-bar blues is one of the most popular chord progressions in modern music. Add some drive and let's shuffle!
Difficulty 3 of 10 I Got Rhythm Guitar 9 - Funk Basics IVBy Joe Kataldo We will start scratching (ghost note) all sixteenth-notes (four per beat) with a constant down/up strumming, muting the strings laying lightly an E9 chord (the James Brown Chord), and adding pressure to play different accents.
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