Difficulty 6 of 10
Silent Bluesy Bebop Night
It's Christmas! To celebrate the occasion, I decided to work on the ending section of my version of Silent night. The section should inspire you to create some bluesy bebop lines over the Mixolydian mode.
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More Styles
 Difficulty 4 of 10 Blue Christmas SongBy Piotr Kaczor A Christmas lesson in the blues style, based on an old Polish Christmas carol. Difficulty 6 of 10 Dominant Series Pt. 4This is the fourth and last lesson of the series that show how many different scales can we play over a dominant chord.   Difficulty 4 of 10 Bossa Nova Song Part 2Let's look at the solo part of the bossa nova lesson. As you see, it's pretty slow, nevertheless it covers all parts of the harmony.  Difficulty 7 of 10 Al Di Meola StyleWe will study a piece in the style of Al Di Meola using a Phrygian and Phrygian dominant scale.  Difficulty 5 of 10 Fusion Melodic BlocksHow to build some simple fusion melodic ideas with short licks that you can use as a starting point while composing.  Difficulty 6 of 10 Bach's Minuet in G major (Part II)The second part of the tapping arrangement of the Minue in G by Bach. The same rules of the arrangement of the first part applies to this lesson.  Difficulty 4 of 10 Take Control of Your BendsBending with precision is a great way to add flavor to your leads. This lesson will take you through the process.  Difficulty 5 of 10 Motive Development Solo in Bb MajorThis lesson uses motives as primary source for building solos. Repetition is applied in rhythm.
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