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More Styles
Difficulty 4 of 10 Little Jazz Workshop Lesson 1 - ChordsIn this series we will go through some main stages of making a good sounding jazz composition. Many people think that scales and arpeggios are what are most important, but chords are actually the most important thing. 
Difficulty 8 of 10 Country Picking - AdvancedTechniques involved: alternate picking, "chicken" picking, use of open strings, bends. 
Difficulty 5 of 10 Por Eso by Alejandro PineroToday I'll share a song of my own. In this lesson the melody is contained by triads. 
Difficulty 4 of 10 Bluegrass Country RhythmWe will practice chords, alternate picking, and muting strings. The most important is the right hand and the Down-Down-Up pattern that is played in all the rhythms. 
Difficulty 2 of 10 I Got Rhythm Guitar 6 - Funk Basics IBy Joe Kataldo Funk is an American musical style that originated in the mid- to late-1960s when African American musicians blended soul music, soul jazz and R&B into a rhythmic, danceable new form of music. 
Difficulty 5 of 10 In the Style of Stevie Ray VaughanThe goal in these types of lessons are to incorporate a new style into your own musical vocabulary. Stevie Ray tunes a half step down, just like many blues players do. But to simplify, we'll play in standard tuning in the key of Eb. 
Difficulty 4 of 10 Clean Solo In A MajorCarlos Carrillo here and this is my first lesson. I recorded a clean solo where we will work on aspects like rhythm, scale uses, and different techniques as legato, alternate picking, Vibrato, Slides harmonics and arpeggios in A. 
Difficulty 3 of 10 I Got Rhythm Guitar 4 - Bossa StudyBy Joe Kataldo In terms of harmonic structure, Bossa Nova has a great deal in common with jazz, in its sophisticated use of seventh and extended chords. Bossa Nova is most commonly performed on the nylon-string classical guitar, played with the fingers rather than with a pick. 
Difficulty 3 of 10 I Got Rhythm Guitar 3 - Ford Blues StyleBy Joe Kataldo This part is in the style of Robben Ford, and will prepare you for a virtual band situation. Playing with an hammond player, you have to create a complementary guitar parts that will melt with the other instruments, with out interfering with the piano/key part. 
Difficulty 3 of 10 Modern Blues ThemeBy Dejan Farkas A slow modern blues, similar to styles of Gary Moore, Steve Vai and Joe Satriani. In this lesson I combined the following techniques: bend, bend/release, slide, hammer-on, pull-off and vibrato. It is in A Minor key with some additions of F9 and E9+ chords.
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