More Styles

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Difficulty 3 of 10

Mixing Major and Minor Boxes in Blues - Part 2

By Ivan Milenkovic


Part 2 of Mixing Major and Minor Boxes in Blues - let's get mixing!

Difficulty 4 of 10

Triads & Comping

By Stephane Lucarelli


Triads are very useful and ideal for comping - easy to finger, for chordal enrichment and great to create some melodic movement in your comping.

Difficulty 3 of 10

Interval Series - Diatonic 7ths

By Pedja Simovic


This Interval Series lesson covers diatonic 7ths and how to use them to create jazz chords.

Difficulty 5 of 10

Pedal Point

By Vasilije Vukmirovic


Using a melody line as a reference point in building licks!

Difficulty 4 of 10

Jazz Notes 13: Looking For The Jazz Sound With Diatonic Arpeggios

By Jerry Arcidiacono


Exercise to learn diatonic arpeggios of C major key over the neck. Analysis of chord extension using arpeggios to get a jazzy sound.

Difficulty 5 of 10

Pentatonic Swing Licks In 5/4

By Vasilije Vukmirovic


Pentatonic licks with application of string skipping and rhythm displacement.

Difficulty 3 of 10

Latin Rhythms: Bolero & Cha-cha-cha

By Gerardo Siere


Rhythm patterns for your right hand suitable for Bolero and Cha-cha-cha

Difficulty 4 of 10

Afro-Cuban Rhythm Patterns

By Gerardo Siere


Afro-Cuban patterns presented the way they are used in pop music.

Difficulty 3 of 10

Bossa (and Samba) Rhythms 2

By Gerardo Siere


Patterns covering bossa-nova comping. Bass pattern root-fifth. All examples over typical harmony progression of the style.

Difficulty 3 of 10

Bossa (and Samba) Rhythms 1

By Gerardo Siere


Typical and short harmony progressions played with stylish patterns. Patterns usable for bossa and samba depending on the tempo you choose.

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