Difficulty 3 of 10
Mixing Major and Minor Boxes in Blues - Part 2
Part 2 of Mixing Major and Minor Boxes in Blues - let's get mixing!
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More Styles
Difficulty 3 of 10 Mixing Major and Minor Boxes in Blues - Part 2Part 2 of Mixing Major and Minor Boxes in Blues - let's get mixing! Difficulty 4 of 10 Triads & CompingTriads are very useful and ideal for comping - easy to finger, for chordal enrichment and great to create some melodic movement in your comping. Difficulty 3 of 10 Interval Series - Diatonic 7thsThis Interval Series lesson covers diatonic 7ths and how to use them to create jazz chords. Difficulty 4 of 10 Jazz Notes 13: Looking For The Jazz Sound With Diatonic ArpeggiosExercise to learn diatonic arpeggios of C major key over the neck. Analysis of chord extension using arpeggios to get a jazzy sound. Difficulty 5 of 10 Pentatonic Swing Licks In 5/4Pentatonic licks with application of string skipping and rhythm displacement. Difficulty 3 of 10 Latin Rhythms: Bolero & Cha-cha-chaRhythm patterns for your right hand suitable for Bolero and Cha-cha-cha Difficulty 4 of 10 Afro-Cuban Rhythm PatternsAfro-Cuban patterns presented the way they are used in pop music. Difficulty 3 of 10 Bossa (and Samba) Rhythms 2Patterns covering bossa-nova comping. Bass pattern root-fifth. All examples over typical harmony progression of the style. Difficulty 3 of 10 Bossa (and Samba) Rhythms 1Typical and short harmony progressions played with stylish patterns. Patterns usable for bossa and samba depending on the tempo you choose.
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