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Difficulty 4 of 10

Walking Bass Lesson

By Jerry Arcidiacono


Jerry explains how to play a chord progression with fingerstyle technique, with a set of chords common in jazz music. Play lower notes with your right thumb and you can obtain a kind of "walking bass" effect.

Difficulty 7 of 10

Bluesy Country Jam

By Roo


Roo gives a jam lesson that can sound good played dry, without rhythm guitar. There is a lot of double notes and with clean sound you can create a bluesy-rock feeling.

Difficulty 6 of 10

Funk Soloing Lesson

By Muris Varajic


Muris gives the second part of his funk lesson, which means LEAD playing. Includes B Dorian, Bm Pentatonic, B Blues Scale, Alternate Picking Runs, Sweep Picking Arpeggios, String Skipping, Chromatic Runs, Palm Muting and much more...

Difficulty 5 of 10

Funk Rhythm Lesson

By Muris Varajic


This first gmc funk rhythm lesson includes: B Dorian - funk feel groove - octave licks - palm muting - left hand muting - cool chords for funk and much more. You will also find great patterns for blues...

Difficulty 5 of 10

Swingy Fingerpicking

By Muris Varajic


Muris shows you some interesting patterns for right hand fingering in this lesson. It's also great memory lesson,to remember when to play which pattern. And now we have pinky in action!

Difficulty 5 of 10

Arpeggio Phrasing

By David Wallimann


Can someone show me a jazz scale?". There is no easy answer to get the jazz sound - but here in important ingredient for sure: Playing arpeggio based runs is an effective way of escaping a typical scalar sound.

Difficulty 2 of 10

Double Notes 6ths Lesson

By David OToole


Intervals are basically just a way of measuring the distance between notes in a scale. In this lesson, 6ths are used over a blues progression. This is an easy and effecient tool that you can start using today!

Difficulty 4 of 10

Chord Inversions Lesson

By David OToole


Not only is the chord played in a different position, but the note order is changed around. This results in different sounds from the chords as different notes are emphasized. It's also used in soloing, but that's at a later stage and is somewhat 'Jazzy' in approach.

Difficulty 6 of 10

Playing Outside the Box

By David Wallimann


Playing outside of the original key can be used to add tension and interest to your improvisations. David Wallimann shows us how using C Dorian. This technique can be used in any style of music.

Difficulty 6 of 10

Blues Bending Lesson

By Muris Varajic


In this lesson Muris shows you some of the most common bending techniques: semi tone, whole tone, whole and semi, 2 whole tones, pre-bends etc. The lesson has a blues chord progression and feel to it...

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