Difficulty 8 of 10
Roo's Mad Farm
By Roo
This one is a Metal-Country mix, so not a genuine country lesson... The lesson contains open strings, hammer-ons, pull-offs, chicken picking, double stops, palm muting...
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More Styles
  Difficulty 3 of 10 Phrygian to Ionian ModulationIn this lesson we will study an improvisation that will use the Phrygian mode, and the Ionian mode (aka Major scale). The key is in G and the track modulates from G Phrygian to G major. The following licks are not very technical, but are there to show you how to build musical ideas that are built around the chords.  Difficulty 7 of 10 Neoclassical Blues Funk Lesson... this type of playing is really fun! and it's more tricky to play than it might appear. The pitch has to be close to perfect most of the time, and that's quite a challenge. The basic chords are the same as in the standard blues but I also added F7, A#7 C7 which adds a somewhat lazy and cool feeling to it  Difficulty 4 of 10 Blues - get that Shuffe 2!The main purpose of this lesson is to learn every position and inversion of the dominant 7th triads. These triads are a great tool to use when you are soloing and also when you are playing a blues rhythm.  Difficulty 6 of 10 Bluegrass LessonBy David OToole Welcome to this little bitta Bluegrassy Chet Atkins viberoony thing! This tune is easy enough to play once you get the components in position. Namely the righthand picking pattern (repetitive) and then the simple lefthand partial chords. Basically the same righthand pattern is used throughout, just changing the emphasis (or loud/softness) on certain notes.  Difficulty 4 of 10 Country/Blues LessonBy David OToole Time for some tasty Country/Blues style licks. The first piece utilizes a cool string bending technique that simultaneously bends two notes. One up and one down which produces a sound very reminiscent of a Pedal-Steel Guitar lick or a B-String Bender. This technique can be expanded on a lot and we'll look at some similar but more advanced uses of it in a later lesson.  Difficulty 4 of 10 Blues - get that shuffleWe need a strong rhythm if we want to have a good blues solo. You should feel it when you are playing rhythm, as well as when you are soloing. The shuffle is the most common rhythm in blues. It uses the first and the last note of a eighteenth note triplet to create the blues feeling. Accentuating the first note of each triplet is the most common way to play it and make it sound natural.  Difficulty 7 of 10 Jazz Licks LessonBy Ben Howell This lesson is an introduction to 'jazz'. A scary word to some people - but it really isn't that hard once you get used to it. Much of jazz is based around the ii-V-I progression. This ii-V-I progression is in the key of C major, so we have the chords Dmin 7, G7 and Cmaj7  Difficulty 4 of 10 Blues Licks 3I composed this solo for GMC students in order to incorporate the Steve Ray Vaughan style in your playing and his most important influences (Buddy Guy, Jimi Hendrix. etc). We are going to focus on his rhythm guitar work and his chord melody style.  Difficulty 4 of 10 Blues Licks 2In this lesson we will continue studying the most used Scales and Arpeggios for Blues Improvisation. This is also a good exercise for practicing bendings, vibrato and legatos. The chord progression is the same as blues licks lesson 1.
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