More Styles

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Difficulty 5 of 10

Wes Montgomery Style Jazz

By Pedja Simovic


This lesson is about melody. It is played in style of Wes Montgomery using octaves only. Modal harmony, repetition, motive development, rhythmic development and modes are used.

Difficulty 5 of 10

Double Thumb Lesson

By Ramiro Delforte


This technique is used by bass players like Victor Wooten but also guitar players can make use of it.

Difficulty 5 of 10

Jazz Notes 7: Finding Voicings

By Jerry Arcidiacono


A quick way to find alternative voicing for chords.

Difficulty 6 of 10

Chorinho Style

By Ramiro Delforte


Brazilian kind of music.

Difficulty 5 of 10

Single Note Funkin'

By Jerry Arcidiacono


Funky licks using single notes and dead notes.

Difficulty 4 of 10

23 Turnarounds in the style of Marcelo Villegas (1/3)

By Gerardo Siere


A series of typical harmonic progressions with several purposes.

Difficulty 7 of 10

Approximation Notes

By Ramiro Delforte


There are two kinds of approximation and they are both chromatic, the approach above and the approach below the note that is considered the melody.

Difficulty 4 of 10

Chromatic Dorian

By David Wallimann


Uses the Dorian scale in the key of A with some added chromatic notes to create a jazzy bebop type of improvisation. Using chromatic notes can expand your playing in a fabulous way.

Difficulty 6 of 10

Jazz Guitar Comping

By Joe Kataldo


The rhythm study presents several comping examples in the key of C major, based around a II-V-I.

Difficulty 4 of 10

Chord Progression Analisys (Part 2)

By Alejandro Pinero


In this part we analyze the chorus and we can listen to the complete song.

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