Difficulty 6 of 10
Building Complex Melody Lines
Using string skipping technique and jazz arpeggios to create complex melody lines.
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Jazz Guitar Lessons
Difficulty 6 of 10 Building Complex Melody LinesUsing string skipping technique and jazz arpeggios to create complex melody lines. Difficulty 5 of 10 The Bebop Dominant ScaleThe Bebop Dominant Scale is basically a Mixolydian mode with an extra note : a natural 7th. Used in Jazz of course, but also in Jazz Fusion, to add interesting colors to your improvisations. Difficulty 3 of 10 Triads in Major Scale Series - Part 3In this 3rd part we will focus on 2nd inversions of triads. We will use interval of diatonic 2nd as harmonizing tool. Difficulty 6 of 10 Jazz Notes 14: Looking For The Jazz Sound With ChromaticismA solo over the chord progression of Gershwin's "I got rhythm" using chromatic lines to get the typical Jazz sound. Difficulty 3 of 10 Triads in Major Scale Series - Part 1In this 1st part of the series, we will focus on root inversion triads in major scale. We will use interval of diatonic 2nd as harmonizing tool. Difficulty 3 of 10 Triads in Major Scale Series - Part 2In this 2nd part we will focus on 1st inversions of triads. We will use interval of diatonic 2nd as harmonizing tool. Difficulty 4 of 10 Latin Swing ThingSwing tune using some latin rhythm shapes and harmonies, application on chord substitution min9 instead of dominant 7#9. Difficulty 5 of 10 Minorizing Over Altered Dominant ChordBy Emir Hot This lesson is about thinking of minor modes while improvising over altered dominant chord. If you are interested in jazz theory you might find this one useful.
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