Rock
Difficulty 4 of 10
By
Ivan Milenkovic
In this lesson we have two main tonalities. The first is based around E blues intro riff, and for that we use good old dorian mode, involving some blue notes required to play some blues licks that Jimi was famous for (he was influenced strongly by the blues).
Difficulty 6 of 10
By
KMC Metal
Oh my god - is this the first collaboration lesson at gmc or what? We believe it is! Let's go through the clean and distorted rhythm guitars, covering verse and chorus. From there you will see how things develop into a "duel" kind of solo.
Difficulty 2 of 10
By
Dejan Farkas
An exercise I developed recently for the left hand, a drill for the little finger, pinky (hammer-on till the dawn). It can be practiced on all levels (beginner, intermediate and advanced) depending on the speed.
Difficulty 3 of 10
By
Pablo Vazquez
Inspired by bands like Kansas and Rush, but you can also hear similar stuff in Dream Theater or Liquid Tension songs, and many progressive rock groups.
Difficulty 4 of 10
By
Muris Varajic
Scale wise I tried to keep it as simple as possible - just B major scale with a little bit of B major pentatonic scale. Techniques: alternate picking, tapping, legato, sweeping, bends etc.
Difficulty 4 of 10
By
Jerry Arcidiacono
As innovative as Jimi was, his style is often a mix between rhythm and solo. This approch is one of his trademarks, and if you want to use your scales as a springboard for rhythmic ideas, this is for you!
Difficulty 4 of 10
By
David Wallimann
Today's lesson will help you memorize the 5 positions of the pentatonic scale. This scale has a relative minor pentatoinic scale, which means that both of these scales share the same notes and positions.What makes one sound major or minor depends on the chords in the background.
Difficulty 4 of 10
By
Ivan Milenkovic
Are you sometimes stuck in those pentatonic boxes? Don`t know how to connect them and move up and down the neck? Why not try legato slides? The most important thing is to carefully execute the slides. Practise them very slowly until you become very comfortable playing them fast.
Difficulty 4 of 10
By
Pablo Vazquez
Vai breaks the rules and shows us new playing possibilities. I composed this lesson using E pentatonic minor scale and E mixolidian scale, and I recorded it using a wah-wah effect.
Difficulty 3 of 10
By
Jerry Arcidiacono
Rhythm patterns using a crunch sound! This type of playing is often used in a pop-rock context. The strumming is quite similar to the drum rhythm. With your right hand you can play lower strings while the drum is playing the kick drum, and you can play higher strings for the snare drum.
|
|
|
You must log in to access your bookmarks!
|
|