Difficulty 2 of 10
Nirvana: In Bloom
In this lesson we'll study one of Nirvana's classic tracks. Let's get grungy!
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Punk Guitar Lessons
Difficulty 2 of 10 Nirvana: In BloomIn this lesson we'll study one of Nirvana's classic tracks. Let's get grungy! Difficulty 6 of 10 Offspring Style Riffs Medley5 examples of Offspring style riffs. Offspring is a well known California Punk band. This lesson is influenced by their album - Smash - that has reached a cult status by now. Lots of fast riffs and palm muting. Difficulty 5 of 10 Foo Fighters Style LessonThis band demonstrates in every new album that they are one of the most important and original bands in their style. They guitar work is always interesting and their compositions very original and powerful. Difficulty 3 of 10 Alice in Chains Style LessonJerry Cantrell is the guitarist and main composer of Alice in Chains. His style is a combination of obscure rock riffs, rocker licks and amazing guitar and vocal harmonisations in thirds and fifths. Difficulty 5 of 10 Janes Addiction Style LessonDave Navarro is a creative guitar player with an amazing style and unique sound. The funky/ Hendrix /rock/ metal/ alternative combination found in Navarro's style is a must for every rock guitar player! Difficulty 5 of 10 Stoner Rock 2Gabriel gives a new Stoner Rock Lesson! The main difference in this one is a different tuning called Dropped D. This tuning makes you get a lower and heavier sound that is one of the most important Stoner's qualities. Difficulty 5 of 10 Stoner Rock LessonThe stoner rock is a style that has its roots in the early Black Sabbath albums (with Ozzy). The first band that has been catalogued like Stoner was the Californian band called Kyuss.. Difficulty 7 of 10 Collection of Sins Guitar SoloThis rock 'n roll solo is a scary mix of artificial harmonics, two-note-per-srting speed picking and double stops. You will often find that over an A5 powerchord it is common to play the note A (also called the root note) or the note E (called the "fifth" - when played over A). This could be described as an arpeggio approach - which simply mean playing the same note as in the backing chord.
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