Template:Portal:Theory/Featured Lesson

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'''[https://www.guitarmasterclass.net/wiki/index.php/Extending_Scales_Using_Relatives Extending Scales Using Relatives]'''
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An interesting lesson by member ''Mike Dix'': <br>
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''"It is possible to vastly extend, for example, a Natural Minor Scale by using its Relative Major Scale as an extension. I feel that this is often over-looked by guitar teachers and is an excellent way of providing a system where students can start soloing quickly, without having to learn ALL the scales and modes first! "''
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----
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[[Image:Andrew_cockburn.jpg|thumb|right|200px]]
[[Image:Andrew_cockburn.jpg|thumb|right|200px]]
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<u> ''' [[Modal Pentatonics (lesson) |Modal Pentatonics]] ''' </u>
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<u> ''' [[Harmonics (lesson) |Harmonics]]''' </u>
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'' "Modal Pentatonics are a very different way of recycling and re-using your old pentatonic patterns in a new context to get a fresh sound without learning a lot of new scales. Although the theory behind them is a little complex if you aren't familiar with the major modes, by the end of the lesson we will have a list of rules for the use of Modal Pentatonics, so that you can work out which scales work in which context..." ''[[Modal Pentatonics (lesson) |(more)]]
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Want to learn the theory behind harmonics? Check out Andrew's [[Harmonics (lesson) |lesson]].
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''Natural harmonics, pinch harmonics, artificial harmonics, tapped harmonics - what are they? What is a harmonic anyway? Lets see ..." ''[[Harmonics (lesson) |(more)]]
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[[Image:Andrew_cockburn.jpg|thumb|right|200px]]
[[Image:Andrew_cockburn.jpg|thumb|right|200px]]
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<u> ''' [[Triads (lesson) |Triads]] ''' </u>
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<u> ''' [[Cadences (lesson) |Cadences]]''' </u>
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''"Hi all, if you have been following along so far, you now know about the degrees of the scale and intervals. We're now going to start putting this to work for us in part 3 of the series - triads.
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Cadences can be seen as 'musical punctuation'.
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''First of all, what is a triad? Well, its the simplest type of chord, one consisting of 3 distinct notes. Another way to look at it is as 2 intervals stacked on top of each other, sharing the middle note of the three. Basic chords such as C, F, G, E etc all qualify as triads, because although you may be able to play them on all 6 strings in some cases, there are only 3 distinct notes, some of which may be repeated. As the simplest of chords, triads are probably among the first chords you learnt as a beginner. In fact, triads are very versatile, and you can go a long way with them..."[[Triads (lesson)|(more)]]''
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A cadence is a formula that signifies the end of a musical phrase, like punctuation in written language. For our purposes a cadence may be regarded as a harmonic formula, usually consisting of a pair of chords, that also often has the important function of defining the key of the music.
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Cadences give phrases a distinct finish, which can, for example, show the listener whether the piece is to be continued or concluded..." ''[[Cadences (lesson) |(more)]]
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[[Image:Andrew_cockburn.jpg|thumb|right|200px]]
[[Image:Andrew_cockburn.jpg|thumb|right|200px]]
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<u> ''' [[Harmonics (lesson) |Harmonics]]''' </u>
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<u> ''' [[The Harmonic Minor (lesson) |The Harmonic Minor]]''' </u>
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Want to learn the theory behind harmonics? Check out Andrew's [[Harmonics (lesson) |lesson]].
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''The Harmonic minor scale is a variation of the minor scale in which the 7th degree is sharpened compared to the natural minor (which make is a major 7th instead of a flattened 7th).''
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''Natural harmonics, pinch harmonics, artificial harmonics, tapped harmonics - what are they? What is a harmonic anyway? Lets see ..." ''[[Harmonics (lesson) |(more)]]
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''
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The resulting scale sounds a little odd and exotic, since the introduction of the major 7th leaves a 3 semitone gap which is a little unusual in western music. In contemporary music, this scale is beloved of neoclassical guitarists and is an important weapon in any one's arsenal. It is a very defined sound and can be overused, but used sparingly it can lend a very exotic feel to an otherwise normal piece..." ''[[The Harmonic Minor (lesson) |(more)]]
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[[Image:Andrew_cockburn.jpg|thumb|right|200px]]
[[Image:Andrew_cockburn.jpg|thumb|right|200px]]
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<u> ''' [[Cadences (lesson) |Cadences]]''' </u>
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<u> ''' [[Suspended, Added Tone Chords (lesson) |Suspended, Added Tone Chords]]''' </u>
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Cadences can be seen as 'musical punctuation'.
+
''In this lesson, we are taking our understanding of chords to the next level! We have looked at triads, sevenths and even extended chords, but there is more! Once again, we can modify the combinations of notes in our chords in some ways that are different again to get more cools sounds!''
-
A cadence is a formula that signifies the end of a musical phrase, like punctuation in written language. For our purposes a cadence may be regarded as a harmonic formula, usually consisting of a pair of chords, that also often has the important function of defining the key of the music.
+
''
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+
Until now we have been following a simple principle of stacking notes on top of each other. That lead first to triads, then 7th chords, and finally into the world of extended chords such as 9ths, 11ths and 13ths. In this lesson, we are going to reign back the stacking a little and look at other ways of combining chords principally by adding and substituting notes rather than just plain stacking..." ''[[Suspended, Added Tone Chords (lesson) |(more)]]
-
Cadences give phrases a distinct finish, which can, for example, show the listener whether the piece is to be continued or concluded..." ''[[Cadences (lesson) |(more)]]
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----
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[[Image:Andrew_cockburn.jpg|thumb|right|200px]]
[[Image:Andrew_cockburn.jpg|thumb|right|200px]]
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<u> ''' [[Minor Scales Revisited (lesson) |Minor Scales Revisited]]''' </u>
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<u> ''' [[Moving the boxes (lesson) |Moving the boxes]]''' </u>
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Want to learn more about Minor Scales. Then check out Andrew's lesson [[Minor Scales Revisited (lesson) |Minor Scales Revisited]].
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'' "So you know all the boxes in a C major scale because that's what was in your theory book, but you need to write a solo in A. What do you do? How do you apply all of your scale knowledge to writing in a particular key? How do you take something written by someone else and change its key? In this lesson we will look at how to do all of the above.''
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''In the natural minor scale lesson, we briefly touched on the fact that there were a number of different scales. The reasons for this are fascinating, and we now have enough theory to understand a bit more about why this might be. In adition, we have also spoken about various modes of the major scale being minor in nature. Lets pull all of this together and look a little more into minor scales..." ''[[Minor Scales Revisited (lesson) |(more)]]
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''
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For the record, transposing means changing the key of a sequence of notes without affecting their harmonic relationship - we will look into that as it is closely related to scale selection and moving boxes around the neck to get the scale you want...[[Moving the boxes (lesson) |(more)]]"''
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[[Image:Andrew_cockburn.jpg|thumb|right|200px]]
[[Image:Andrew_cockburn.jpg|thumb|right|200px]]
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<u> ''' [[Intervals (lesson) |Intervals]]''' </u>
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<u> ''' [[The Melodic Minor (lesson) |The Melodic Minor]]''' </u>
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''In part one of this series we learned about degrees of the scale. We are now ready to take the next step, and talk about intervals. Intervals are the building blocks of chords and harmonies, and we will introduce some language that lets us describe the relationship between any notes, and in the next lesson we will be able to move onto chord construction..." ''[[Intervals (lesson) |(more)]]
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'' "The Melodic minor scale was an attempt to "fix" the problem caused by the large 3 step interval in the harmonic minor without sacrificing the leading tone (for more details on this see my lesson on Minor Scales Revisited). The resulting scale is a harmonic minor with a sharpened 6th (meaning it reverts back to a major 6th). This means we end up with what is basically a major scale but with a flattened 3rd. Since the 3rd is the truly important indicator of major vs minor, this works out reasonably well in practice, and is better suited to melody than the harmonic minor, at least in classical terms..." ''[[The Melodic Minor (lesson) |(more)]]
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[[Image:Andrew_cockburn.jpg|thumb|right|200px]]
[[Image:Andrew_cockburn.jpg|thumb|right|200px]]
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<u> ''' [[Reading Scale Diagrams (lesson) |Reading Scale Diagrams]]''' </u>
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<u> ''' [[Degrees of the Scale (lesson) |Degrees of the Scale]]''' </u>
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Seen scale diagrams but don't understand them? Try reading Andrew's lesson on [[Reading Scale Diagrams (lesson) |Reading Scale Diagrams]].
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'' "In this multi part lesson we are going to build on our knowledge of the major scale, and start looking at a couple of key concepts around chord and harmony construction. When we are done, you'll be able to understand complex relationships between notes, harmonize a lead line, construct a B augmented chord, and leap tall buildings in a single bound ..." ''[[Degrees of the Scale (lesson) |(more)]]
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'' "A first look at a scale diagram can be daunting, but don't worry, they are very easy to read and understand and also particularly useful for practicing!...[[Reading Scale Diagrams (lesson) |(more)]]"''
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[[Image:Andrew_cockburn.jpg|thumb|right|200px]]
[[Image:Andrew_cockburn.jpg|thumb|right|200px]]
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<u> ''' [[Seventh Chords (lesson) |Seventh Chords]]''' </u>
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<u> ''' [[Simple Harmonies (lesson) |Simple Harmonies]]''' </u>
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Learnt about power chords and triads, but don't know where to go next? Check out Andrew's lesson on [[Seventh Chords (lesson)|Seventh Chords]].
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'' "Today we are going to look at how we can put the knowledge we have so far to good use and learn a little about harmonization. This is a fascinating subject, and we are going to look at the basics in this lesson, and then some more complex ideas in a later lesson.''
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'' "Power chords and triads are both relatively simple types of chords, yet they account for the majority of chords in use in popular music with one exception; that of the 7th chord. In this lesson we are going to look into the various types of 7th chord, and then in the next lesson move on a step to look at extended chords which are used a lot in Jazz..." ''[[Seventh Chords (lesson) |(more)]]
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''A lot of you probably know what harmonization is when you hear it but how to explain what it actually is? Well, in simple terms it is enhancing a melody line by playing notes at the same time either higher or lower than the melody note itself. OK, that is a simple explanation and not exact by any means, but it gets us started. The next question is which notes? Will any notes do? For harmonization, no, we have some specific ways of picking out the notes we use - they all have a very definite relationship to the melody we are harmonizing..." ''[[Simple Harmonies (lesson) |(more)]]
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[[Image:Andrew_cockburn.jpg|thumb|right|200px]]
[[Image:Andrew_cockburn.jpg|thumb|right|200px]]
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<u> ''' [[Chords for Scales (lesson) |Chords for Scales]]''' </u>
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<u> ''' [[Modal Pentatonics (lesson) |Modal Pentatonics]] ''' </u>
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Ever wondered what chords fit with what scales? Check out Andrew's lesson on [[Chords for Scales (lesson) |Chords for Scales]].
+
'' "Modal Pentatonics are a very different way of recycling and re-using your old pentatonic patterns in a new context to get a fresh sound without learning a lot of new scales. Although the theory behind them is a little complex if you aren't familiar with the major modes, by the end of the lesson we will have a list of rules for the use of Modal Pentatonics, so that you can work out which scales work in which context..." ''[[Modal Pentatonics (lesson) |(more)]]
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'' "In this lesson we're going to take a look at how we match chords to scales, to give you an instant boost when writing songs or solos, and help you pick out musical sounding progressions..." ''[[Chords for Scales (lesson) |(more)]]
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[[Image:Andrew_cockburn.jpg|thumb|right|200px]]
[[Image:Andrew_cockburn.jpg|thumb|right|200px]]
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<u> ''' [[Extended Chords(lesson) |Extended Chords]]''' </u>
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<u> ''' [[Triads (lesson) |Triads]] ''' </u>
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Want to learn some cool jazzy chords? Check out Andrew's lesson on [[Extended Chords (lesson) |Extended Chords]].
+
''"Hi all, if you have been following along so far, you now know about the degrees of the scale and intervals. We're now going to start putting this to work for us in part 3 of the series - triads.
-
'' "So far we have looked at triads made by stacking 3rd notes on top of each other, then we took it a step further and added a 4th note to get some flavour of 7th chord. So, what do we get if we take this notion of adding 3rds to the next level? Well we can carry on doing this to create a family of what are called "extended chords" - and some of them are beautiful sounding and quite jazzy chords. We'll have a look at these Extended chords in this lesson..." ''[[Extended Chords(lesson) |(more)]]
+
''First of all, what is a triad? Well, its the simplest type of chord, one consisting of 3 distinct notes. Another way to look at it is as 2 intervals stacked on top of each other, sharing the middle note of the three. Basic chords such as C, F, G, E etc all qualify as triads, because although you may be able to play them on all 6 strings in some cases, there are only 3 distinct notes, some of which may be repeated. As the simplest of chords, triads are probably among the first chords you learnt as a beginner. In fact, triads are very versatile, and you can go a long way with them..."[[Triads (lesson)|(more)]]''
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Current revision

Extending Scales Using Relatives

An interesting lesson by member Mike Dix:
"It is possible to vastly extend, for example, a Natural Minor Scale by using its Relative Major Scale as an extension. I feel that this is often over-looked by guitar teachers and is an excellent way of providing a system where students can start soloing quickly, without having to learn ALL the scales and modes first! "


Harmonics

Want to learn the theory behind harmonics? Check out Andrew's lesson.

Natural harmonics, pinch harmonics, artificial harmonics, tapped harmonics - what are they? What is a harmonic anyway? Lets see ..." (more)



Cadences

Cadences can be seen as 'musical punctuation'.

A cadence is a formula that signifies the end of a musical phrase, like punctuation in written language. For our purposes a cadence may be regarded as a harmonic formula, usually consisting of a pair of chords, that also often has the important function of defining the key of the music.

Cadences give phrases a distinct finish, which can, for example, show the listener whether the piece is to be continued or concluded..." (more)




The Harmonic Minor

The Harmonic minor scale is a variation of the minor scale in which the 7th degree is sharpened compared to the natural minor (which make is a major 7th instead of a flattened 7th).

The resulting scale sounds a little odd and exotic, since the introduction of the major 7th leaves a 3 semitone gap which is a little unusual in western music. In contemporary music, this scale is beloved of neoclassical guitarists and is an important weapon in any one's arsenal. It is a very defined sound and can be overused, but used sparingly it can lend a very exotic feel to an otherwise normal piece..." (more)



Suspended, Added Tone Chords

In this lesson, we are taking our understanding of chords to the next level! We have looked at triads, sevenths and even extended chords, but there is more! Once again, we can modify the combinations of notes in our chords in some ways that are different again to get more cools sounds!

Until now we have been following a simple principle of stacking notes on top of each other. That lead first to triads, then 7th chords, and finally into the world of extended chords such as 9ths, 11ths and 13ths. In this lesson, we are going to reign back the stacking a little and look at other ways of combining chords principally by adding and substituting notes rather than just plain stacking..." (more)




Moving the boxes

"So you know all the boxes in a C major scale because that's what was in your theory book, but you need to write a solo in A. What do you do? How do you apply all of your scale knowledge to writing in a particular key? How do you take something written by someone else and change its key? In this lesson we will look at how to do all of the above.

For the record, transposing means changing the key of a sequence of notes without affecting their harmonic relationship - we will look into that as it is closely related to scale selection and moving boxes around the neck to get the scale you want...(more)"



The Melodic Minor

"The Melodic minor scale was an attempt to "fix" the problem caused by the large 3 step interval in the harmonic minor without sacrificing the leading tone (for more details on this see my lesson on Minor Scales Revisited). The resulting scale is a harmonic minor with a sharpened 6th (meaning it reverts back to a major 6th). This means we end up with what is basically a major scale but with a flattened 3rd. Since the 3rd is the truly important indicator of major vs minor, this works out reasonably well in practice, and is better suited to melody than the harmonic minor, at least in classical terms..." (more)



Degrees of the Scale

"In this multi part lesson we are going to build on our knowledge of the major scale, and start looking at a couple of key concepts around chord and harmony construction. When we are done, you'll be able to understand complex relationships between notes, harmonize a lead line, construct a B augmented chord, and leap tall buildings in a single bound ..." (more)




Simple Harmonies

"Today we are going to look at how we can put the knowledge we have so far to good use and learn a little about harmonization. This is a fascinating subject, and we are going to look at the basics in this lesson, and then some more complex ideas in a later lesson.

A lot of you probably know what harmonization is when you hear it but how to explain what it actually is? Well, in simple terms it is enhancing a melody line by playing notes at the same time either higher or lower than the melody note itself. OK, that is a simple explanation and not exact by any means, but it gets us started. The next question is which notes? Will any notes do? For harmonization, no, we have some specific ways of picking out the notes we use - they all have a very definite relationship to the melody we are harmonizing..." (more)



Modal Pentatonics

"Modal Pentatonics are a very different way of recycling and re-using your old pentatonic patterns in a new context to get a fresh sound without learning a lot of new scales. Although the theory behind them is a little complex if you aren't familiar with the major modes, by the end of the lesson we will have a list of rules for the use of Modal Pentatonics, so that you can work out which scales work in which context..." (more)



Triads

"Hi all, if you have been following along so far, you now know about the degrees of the scale and intervals. We're now going to start putting this to work for us in part 3 of the series - triads.

First of all, what is a triad? Well, its the simplest type of chord, one consisting of 3 distinct notes. Another way to look at it is as 2 intervals stacked on top of each other, sharing the middle note of the three. Basic chords such as C, F, G, E etc all qualify as triads, because although you may be able to play them on all 6 strings in some cases, there are only 3 distinct notes, some of which may be repeated. As the simplest of chords, triads are probably among the first chords you learnt as a beginner. In fact, triads are very versatile, and you can go a long way with them..."(more)