I Feel Stupid! |
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I Feel Stupid! |
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Jul 1 2007, 06:13 AM |
http://youtube.com/watch?v=mjTztfsJxCQ theres a 12bar blues if you're not 100% sure how its played.
Improvising blues looks quite easy I guess, but it requires practice aswell as shredding. I hope I could help. |
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Jul 1 2007, 06:54 AM |
Can you solo over the 12 bar blues with modes?? And if you can. Will it sound right?
-------------------- “Obey the principles without being bound by them.”
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Jul 1 2007, 03:21 PM |
Yeah, you can solo over anything with any scale, and it will sound right if you do it right There's no "right" scale for various kinds of music. Some scales (say, wholetone) just require more thought than others (say, pentatonic scales), and some lend themselves easier to the sound of the genre (like minor pentatonic with an added flattened 5th for blues), but will also more easily sound like cliches. However, if you are having problem getting basic 12 bar to click, I would ignore anything other than basic pentatonic until you get the feel for it. Its great that you have the knowledge of modes and such - hold it in reserve though until you get the basic vibe and the basic blues going, then as Kaneda says, the sky is the limit! Regarding your earlier question - Open Estring and 2nd fret A string gives you a power chord of E5. Combine that with a A5 and B5 and you have the chords for a 12 bar progression. If you play the E minor pentatonic over the top of that (I would suggest the box with the root note of E on the 12th fret of the bottom E string) you are all set. Keep it simple - restrict yourself to that one box - you should be able to get a decent solo out of just that box if you are doing it right. When you have that down, you can think about adding other boxes and passing notes for variety. Keep working it until you get something that sounds bluesy! Let us know if you need any more inspiration - and maybe even post a recording on the members upload board so we cn help you along in the right direction! This post has been edited by Andrew Cockburn: Jul 1 2007, 03:23 PM -------------------- Check out my Instructor profile
Live long and prosper ... My Stuff: Electric Guitars : Ibanez Jem7v, Line6 Variax 700, Fender Plus Strat with 57/62 Pickups, Line6 Variax 705 Bass Acoustic Guitars : Taylor 816ce, Martin D-15, Line6 Variax Acoustic 300 Nylon Effects : Line6 Helix, Keeley Modded Boss DS1, Keeley Modded Boss BD2, Keeley 4 knob compressor, Keeley OxBlood Amps : Epiphone Valve Jnr & Head, Cockburn A.C.1, Cockburn A.C.2, Blackstar Club 50 Head & 4x12 Cab |
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Jul 2 2007, 01:18 PM |
Alright thanks andrew, and kaneda!!! I shall do that. I was just wondering is there a lesson on passing notes?? Because i understand that they are the passage from one scale to the next or something to that effect, but i really dont understand what notes to use i guess you could say!! Are they notes outside of the scale your using now?? Or are they just certain notes that are in the scale that combine with the next scale?? Or what?? Maybe I jsut ahve this passing note thing all wrong i dont know!! Notes outside the scale that you just throw in. In Pentatonic, the b5 is such a common passing note that the Pentatonic Scale plus the b5 is called the Blues Scale. You can throw in any extra note you want really, I often throw in chromatic notes between notes in the pentatonic as hammerons/pulloffs to speed up my playing. -------------------- Check out my Instructor profile
Live long and prosper ... My Stuff: Electric Guitars : Ibanez Jem7v, Line6 Variax 700, Fender Plus Strat with 57/62 Pickups, Line6 Variax 705 Bass Acoustic Guitars : Taylor 816ce, Martin D-15, Line6 Variax Acoustic 300 Nylon Effects : Line6 Helix, Keeley Modded Boss DS1, Keeley Modded Boss BD2, Keeley 4 knob compressor, Keeley OxBlood Amps : Epiphone Valve Jnr & Head, Cockburn A.C.1, Cockburn A.C.2, Blackstar Club 50 Head & 4x12 Cab |
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Jul 3 2007, 02:05 AM |
Ok, thanks a bunch Andrew!!
-------------------- “Obey the principles without being bound by them.”
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