Evil Scales
enlo22
Jan 4 2012, 03:19 AM
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I had a question about what scales I could learn and use in solos to make them sound more "evil" i know it's kind of a generic question but i mean examples of bands like Dissection and things liek that.

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Ben Higgins
Jan 4 2012, 11:01 AM
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Hey it's a good question smile.gif

I would explore the following scales:

Diminished Scale
Whole Tone Scale (very disorientating, which I like to use for evil sounds)
Melodic Minor Scale
Phrygian Dominant (also known as Phyrgian Major)

The Melodic Minor is quite difficult to put into place sometimes but the major7th can sound very weird and spooky over a minor chord. For example, take an Em chord.. then play a Major 7th over it.. weird or what ??

In my opinion, a crucial element of making something sound evil is to make something sound confusing, unexpected because this has the effect of creating chaos and fear. Enjoy creating evil ! cool.gif

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PosterBoy
Jan 4 2012, 11:33 AM
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Also do the George Lynch trick and add in the b5 to your pentatonics and land on it a lot

Just ignore them when they say they don't know theory or could show a major scale, because they suddenly talk about the b5 and major 3rd

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Ben Higgins
Jan 4 2012, 11:48 AM
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QUOTE (PosterBoy @ Jan 4 2012, 10:33 AM) *
Also do the George Lynch trick and add in the b5 to your pentatonics and land on it a lot


Yeah I'd also agree with that wink.gif

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TesttubeMammoth
Jan 4 2012, 02:23 PM
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This one is pretty odd - sometimes I use it for short runs when I am trying to make techy rhythms.
Probably makes things sound more disjointed than evil.
I have absolutely no idea what it is though - just sort of stumbled across it...

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This post has been edited by TesttubeMammoth: Jan 4 2012, 02:23 PM


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quadrium
Jan 4 2012, 04:26 PM
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Maybe Locrian mode? Also known as devil's scale biggrin.gif

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Ivan Milenkovic
Jan 4 2012, 07:47 PM
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Very cool examples, this last one is also neat. It's diminished7th arpeggio.

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Ben Higgins
Jan 4 2012, 09:25 PM
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QUOTE (TesttubeMammoth @ Jan 4 2012, 01:23 PM) *



This one is pretty odd - sometimes I use it for short runs when I am trying to make techy rhythms.
Probably makes things sound more disjointed than evil.
I have absolutely no idea what it is though - just sort of stumbled across it...


Yes, these are diminished runs ! Just like the lick I first talked about in my Practice Journal smile.gif

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Ivan Milenkovic
Jan 4 2012, 10:34 PM
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Ben has the natural ability to squeeze happiness out of the most diminished of runs out there cool.gif

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enlo22
Jan 5 2012, 07:39 AM
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thanks for everyones advice! it'll be hard to get used to these the hamonic minor has a cool sound but it's kind of hard for me

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TesttubeMammoth
Jan 5 2012, 08:39 AM
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QUOTE (enlo22 @ Jan 5 2012, 06:39 AM) *
thanks for everyones advice! it'll be hard to get used to these the hamonic minor has a cool sound but it's kind of hard for me


It is hard, its the giant stretch smile.gif it is like a natural minor with a sharpened 7. if it is any help, this is the way I try to think about the harmonic minor modes, like the modes of the major scale but with small alterations - rather than trying to remember a bunch of new patterns...

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Nihilist1
Jan 5 2012, 08:58 PM
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Research the Byzantine scale. It is pretty evil.

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Sinisa Cekic
Jan 5 2012, 10:04 PM
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QUOTE (Nihilist1 @ Jan 5 2012, 08:58 PM) *
Research the Byzantine scale. It is pretty evil.


+1 .. wink.gif, that's the secret path !

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Nihilist1
Jan 6 2012, 12:14 AM
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QUOTE (Sinisa Cekic @ Jan 5 2012, 09:04 PM) *
+1 .. wink.gif, that's the secret path !


As a black metal guitarist, I gotta know this stuff!

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SirJamsalot
Jan 6 2012, 01:03 AM
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QUOTE (PosterBoy @ Jan 4 2012, 02:33 AM) *
Also do the George Lynch trick and add in the b5 to your pentatonics and land on it a lot

Just ignore them when they say they don't know theory or could show a major scale, because they suddenly talk about the b5 and major 3rd



Lynch has such a muddy tone in this video. He's a really humble guy isn't he? Always loved his guitarwork!

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