Lcsdds (monte Stevens)/ Jesse Mtp Thread, Hi Jesse!! Lets get going |
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Lcsdds (monte Stevens)/ Jesse Mtp Thread, Hi Jesse!! Lets get going |
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Jan 10 2009, 07:38 PM |
*BUMP*
-------------------- Don't just play it. Feel it!
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Jan 11 2009, 04:34 PM
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Timer... Like an egg cooker timer thingy? Oh well, I'll just look at the clock! Can't wait for the new technique lesson/excercise! My fingers are itching! Timer would be best but you can use the clock if you want. I like to set the timer and when it beeps I know it is time to move on. OK, I have 3 guitar pro files for you and this is what they consist of. -SLIDING DIATONIC SCALES: These are all played starting from A. That way you can hear the difference between A Ionian and A Phrygian etc. Notice I tabbed them with all legato and that you use slides to do the position changes, hence the name sliding diatonics. Also when playing say the Ionian mode I want you to compare it to your Diatonic boxes and notice that the shape played on the Low E and A are the same as your Diatonic Ionian box shape. So when you play the A Phrygian sliding shape notice that the Low E and A have the same fingering form as the Low E and A in the C# Phrygian box shape. This is true off all the Sliding shapes when comparing them to the box shapes I gave you. Remember I said you would already know these shapes. For this week you are responsible to know the Ionian, Dorian, Phrygian and Lydian boxes and Sliding Shapes. -SLIDING PENTATONIC SCALES: These have the Same relationship to the box shapes as the diatonics. I labeled them modally and I want you to learn them that way. I will go into why I labeled them that way later. For now just learn the shapes and see if you can figure out which sliding shapes and box shape go together. These are all played starting from A as well. You are responsible for the first two pentatonic box shapes and the Aeolian and Ionian sliding shapes this week. TECHNIQUE TAB: I have given you one lick to memorize in each of the follow techniques: -TAPPING: This is a pretty basic shape and I want you to note two things here. For the Ascending portion of this lick you are doing left hand hammer on's when changing strings. This will take some time to get used to but work at it and you will get it. I want you to tap with your middle finger, even if you normally do it with your index finger now. I also want you to ALWAYS HOLD THE PICK when you are practicing tapping, even if you are not going to use it. Later on we are going to learn how to do what I call "fretboard sweeping" while tapping and you will need your pick handy when doing this so I want you to hold your pick when practicing this shape even though you are not using it at this point. Trust me on this please. -ALTERNATE/ECONOMY PICKING: I picked this shape for your picking because it lends itself to economy picking as well as alternate picking. I have tabbed out the pick stroke directions for the economy picking part. The alternate picking is self explanatory. I would practice this shape alternate picking one day and economy picking the other day. If you don't know what economy picking is let me know and I will explain it to you. -LEGATO: This is pretty self explanatory. Let me know if you have any questions on this lick. -SWEEP PICKING: This is a simple repeating 3 string sweep shape using a suspended triad and a major triad. Pay close attention to the fingering and the pick stroke directions. I want a video from you by sunday of next weekend demonstrating that you know all these shapes. For the technique all I want you to do is be able to play them and pay attentions to the note groupings. Next week we will start working with a metronome on these licks to start building your speed and accuracy. Work hard and let me know if you have any questions. Monte
Attached File(s)
Jesse_MTP_Technique.gp5 ( 3.27K )
Number of downloads: 118
Sliding_Diatonics__Modal_.gp5 ( 4.67K ) Number of downloads: 119 Sliding_pentatonics__modal_.gp5 ( 3.5K ) Number of downloads: 122 |
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Jan 11 2009, 05:49 PM |
Oh that's cool:D Gonna be tricky, tapping with middle finger WHILE holding pick. I normaly just keep te pick between my teeth:P
-------------------- Don't just play it. Feel it!
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Jan 11 2009, 06:02 PM
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Jesse,
I want to give you a couple more things to think about this next week and I also want to give you a little excercise to do. When you think of the diatonic scale and its corresponding modes I want you to use the following thought process. Diatonic scale>>7 notes>>7 Triads built off of each note=3 major (I-IV-V), 3 minor (ii-iii-vi), 1 diminished (vii) Diatonic scale>>7 notes>>7 modes derived from each note=3 major sounding (I-IV-V), 3 minor sounding (ii-iii-vi), 1 diminished sounding (vii) From now on I want you to think of the diatonic scale as 3 major, 3 minor and 1 diminished with respect to modes and triads found within each diatonic scale. I want you to think of the modes as either sounding major, minor or diminished. IONIAN, LYDIAN AND MIXOLYDIAN= MAJOR SOUNDING DORIAN, PHRYGIAN AND AEOLIAN= MINOR SOUNDING LOCRIAN= DIMINISHED SOUNDING Now I want you to do the following: Open up a new guitar pro file and pull up the fretboard tool. Then click on the scales button and I want you to open the following scales and write down the names of the notes that each of them contain: A major B minor pentatonic C# minor pentatonic F# minor pentatonic I want you to post back and copy and paste the names of the scales that I wrote above and underneath the names I want you to write the names of the notes found in the scale. After you do that I want you to look at them and tell me what the relationship is between the pentatonic scales and the diatonic/major scale. Get to work Monte Oh that's cool:D Gonna be tricky, tapping with middle finger WHILE holding pick. I normaly just keep te pick between my teeth:P Make sure you hold the pick while practicing your tapping. If you want to see why go check out this lesson by Muris and notice how he "sweeps" the fretboard with his pick after tapping on the high E string. Can't do this with the pick between your teeth. https://www.guitarmasterclass.net/solo-guit...g-with-tapping/ Monte This post has been edited by lcsdds: Jan 11 2009, 06:03 PM |
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Jan 11 2009, 06:18 PM |
Jesse, I want to give you a couple more things to think about this next week and I also want to give you a little excercise to do. When you think of the diatonic scale and its corresponding modes I want you to use the following thought process. Diatonic scale>>7 notes>>7 Triads built off of each note=3 major (I-IV-V), 3 minor (ii-iii-vi), 1 diminished (vii) Diatonic scale>>7 notes>>7 modes derived from each note=3 major sounding (I-IV-V), 3 minor sounding (ii-iii-vi), 1 diminished sounding (vii) From now on I want you to think of the diatonic scale as 3 major, 3 minor and 1 diminished with respect to modes and triads found within each diatonic scale. I want you to think of the modes as either sounding major, minor or diminished. IONIAN, LYDIAN AND MIXOLYDIAN= MAJOR SOUNDING DORIAN, PHRYGIAN AND AEOLIAN= MINOR SOUNDING LOCRIAN= DIMINISHED SOUNDING Now I want you to do the following: Open up a new guitar pro file and pull up the fretboard tool. Then click on the scales button and I want you to open the following scales and write down the names of the notes that each of them contain: A major B minor pentatonic C# minor pentatonic F# minor pentatonic I want you to post back and copy and paste the names of the scales that I wrote above and underneath the names I want you to write the names of the notes found in the scale. After you do that I want you to look at them and tell me what the relationship is between the pentatonic scales and the diatonic/major scale. Get to work Monte Make sure you hold the pick while practicing your tapping. If you want to see why go check out this lesson by Muris and notice how he "sweeps" the fretboard with his pick after tapping on the high E string. Can't do this with the pick between your teeth. https://www.guitarmasterclass.net/solo-guit...g-with-tapping/ Monte WOW! Muris is violating the guitar right there. That is some wack stuff man:D A major A-B-C#-D-E-F#-G# B minor pentatonic B-D-E-F#-A C# minor pentatonic C#-E-F#-G#-B F# minor pentatonic F#-A-B-C#-E That's it for those. Got it Major consists of 7 notes Pentatonic consists of 5 notes So, A Minor pentatonic would have A-C-D-E-G Major ads a 2th, and a 6th, What you have then, the added sixth, and the normal third and 7th are raised a half set, sharp, #. Correct? edited for language-skennington This post has been edited by skennington: Jan 11 2009, 06:44 PM -------------------- Don't just play it. Feel it!
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