Hi Roadside! Welcome to your mentoring thread.
Before we start, I'd like to know a bit more about you.
- How many time have you been playing guitar?
- Favorite guitarists, bands and musicians.
- What are your guitar goals?
- How would you like to you see yourself in 5 years (related to music and guitar)?
- How many time can you play guitar each day?
- Do you have playing live experience?
- Which are your strong and weak points with guitar?
- What do you know about music theory?
- Can you record videos of you playing?
- Share here audios and videos that reflect your current playing.
Hi mate, thanks for the info!
I wonder if maybe you can use your cellphone or borrow one to at least record yourself playing a bit to let me see your current guitar level to start from there.
If that's not possible, I think that the best would be that you choose 2 GMC lessons that you like to work during this first two weeks before you get the gear to record yourself. During this period you can ask here all the questions you have regarding technique and theory based on the lessons that you will work.
At the same time, we can dedicate some time to song analysis in order to start working in the direction of your songwriting goals. The first step is that you share here 5 songs that you like.
What do you think? Are you in?
Hi Gabriel,
yah, that's fine for me. Should be able to rec something the closer we come to the weekend
Currently working on:
https://www.guitarmasterclass.net/ls/move_your_little_finger!/
https://www.guitarmasterclass.net/ls/in-the-style-of-gary-moore-ballad-and-blues/
https://www.guitarmasterclass.net/ls/phrasing-and-dynamics-2/ (though that one's a little tough in terms of speed)
And some songs, which I could upload a few parts of as well.
What do you think about the lessons? What would you add for topics a) timing increasing speed?
Cheers,
Tim
Forgot to share 5 songs
1. Led Zeppelin - Babe. I' m gonna leave you
2. Avenged Sevenfold - Beast & the harlot
3. Alter Bridge - Blackbird / Rise today / end is here
4. Trivium - He who spawned the furies
5. Madina Lake - House of Cards
Didn't think about it too much, but these are some good examples hopefully.
Looking forward to your approach to improve songwriting ;P
Hi Gabriel,
yah, I' ve seen Todds thread and really want to become a shredding soldier! Will record everything as soon as possible. Keeping you updated.
Excellent!
Hey Gab,
I m currently trying to improve my alternate picking & legato accuracy and speed. Therefore I would like to build up a plan besides usual lessons to work on scales with metronome support.
So I would start with some BPM I feel comfortable with. But which scales to practice? Can I just use GMC scale generator to generate Major and Minor scale as well as minor pentatonic to work on firstly? Change positions along fret board and go for it until Im exhausted?
What other scales to train? And is it the right way to play those with a metronome as often as I can or is there a different approach I m not thinking of?
Many thanks in advance
TIm
BTW, here are the lessons I started working on. It is quite a lot so I will focus on two or three first of all:
- Gary Moore Style
- Move your Pinky
- not decided
Hi mate,
Practicing scales over metronome is not very effective. It's good for technique training but not to get the feel of the scale. The best is to practice scales over chords or backing tracks. You can use any software (amazing slowdowner, or Cubase) that let's you change the tempo of the backings in order to practice at different tempos or use different backings.
When practicing scales it's important to dedicate time to create phrases and melodies in order to learn how to use them in a musical way which is the most important thing. You can also practice sequences over scales as a technical and ear training exercise.
About what scales to practice. I would start in this order:
Pentatonic Scales
Major Scale (Ionian mode)
Minor Scale (Aeolian mode)
and then the other modes: Mixolydian, Lydian, Dorian, etc...
If technique and speed is the goal, you can combine learning some technique GMC lessons with this workout: https://www.guitarmasterclass.net/wiki/index.php/Todd_Simpson_-_Shred_Journey
If theory and improvisation is the goal, you can use this course as a guide: https://www.guitarmasterclass.net/guitar_forum/index.php?showtopic=42832&view=findpost&p=699881
Let me know if you have any questions and if this clarifies your questions...
HI Gab,
your advise sounds good to me. I will start setting up a schedule for scales. For me it is not about speed and accuracy only. Next step would have been improvising. This is of course the "overall goal".
Both threads, your's and Todd's look great. So I will give both a try.
Anyhow, I need to pay attention not to overload. Accuracy should always be Priority 1 I guess...
Sure! Could you please share here how you plan to organise your schedule?
Hi Gab,
so I'm nearly done with these:
https://www.guitarmasterclass.net/ls/Simple-Aminor-Soloing/
https://www.guitarmasterclass.net/ls/neoclassical_solo_for_beginners/
But as I wanna record a close result, I will still go on for a few more days to sharpen it. I guess Ill upload until Friday.
In regards to my schedule I can share this one with you:
So actually I am quite busy with my job and earliest available time is 6 pm, if it is a good day. Besides that there's of course social life, girlfriend and stuff. Anyhow, my plan is to focus 2 hrs on concentrated playing. I booked 30 minutes per each lesson I am working on - on daily basis. My 2 hour schedule gives me space for 2 lessons at a time. Sufficient, what do you think?
As I also want to build up speed, hand synchronization and learn to apply scales over the fretboard, I booked another 30 minutes for these. Last 30 minutes is just for playing and writing to keep a musical approach and have fun besides the hard work
In addition I need to get down theory. I am a person who is enabled by understanding a theoretical background. I assume it will help me progress.
On weekends plan is to even increase 2hrs if possible.
So, what are your thoughts? And what would be your ideas for next lesson or do you want to see the uploaded takes first?
Talk to you soon
Tim
Hi mate, thanks for the update.
I think that the plan sounds good so let's give it some more days to see if you feel comfortable with the time dedicated to each part of it. I'm interested in watching your videos in order to give you the right lessons to continue.
I think that we can also start with song analysis as we've talked previously. The first task for the next days is to write down the structure of each of the 5 songs that you've shared. You just need to write the parts (Ex: Intro - Verse - Bridge - Verse II, etc). Is it possible?
Hi Gab!
So, finally I took the decision to feed you a little although I am not pleased with the take yet.
Set-up:
Hughes&Kettner Head Tubemeister 36
DV Mark Neoclassical Box (happens to match the lesson, huh?)
Shure SM 57 -> Steinberg UR242
Recorded via Cubase
I went for a real amp recording as I think it is more precise and shows your weaknesses. Amp simulation kind of seem to smoothen your sound a lot.
Soundwise I used the brige pickup for the first part which is mainly on E and A string. Afterwards I switched to the neck pick up to have a warmer feeling on those notes on G-string. Still not fully happy with the sound. Sound is not mastered with EQ at all - still raw.
Playing:
- high E-string vibrato on 8th fret is still not pleasing. I am not sure why. My feeling tells me I am not giving enough vibrato range, but let me know your opinion. Last part could be cleaner as well and my overall timing could be improved.
Looking forward to your feedback!
Tim
Aaaah: and my webcam is something I need to replace
By the way: I think I would like to work on https://www.guitarmasterclass.net/ls/move_your_little_finger!/ as it will help me improve and reduce my finger movement for alternate picking as well as my pinky strength and control. What do you think?
Just did another try. Not better, but just to compare sounds. This one was done with Guitar Rig.
https://soundcloud.com/tim-heger-962320112/neoclassicalbeginners-guitarrig
So somehow, I feel very uncomfortable with my sound playing on G,B,E strings. Any clue why? Do I vibrato out of pitch? It feels like no matter how precise I am playing it, its a biting sound
Hi mate, great to see video and audio from you!
I think that you could note which are the things that need adjustment in your playing at this point. The lesson is going on the right track, but there are some details to adjust. At first it's important to note why there are some parts, mostly in higher strings and frets that sound with pitch issues. This can be related to different issues:
- Guitar tuning, calibration or old strings.
- Too much fingers pressure.
- Vibrato that tends to be a bend.
You are the only one that can check what's the real reason why you are having this pitch problem.
On the other hand, I think that your vibrato, even if it's not the responsible of pitch issue is still a weak. We will work on some lessons specifically based on this technique, starting with this one: https://www.guitarmasterclass.net/ls/Beginner-Vibrato-Workout/
About the move your pinky lesson, I love it. It's perfect but I don't think that it's a good idea to incorporate another lesson (besides the vibrato one), but if you are too motivated, you can go for it and maybe practice one or two parts as exercises.
Hi Gab,
yeah I agree with you. Ill go for it, maybe the pinky as well.
Tuning was finely adjusted. I will change strings as I even had a very experienced guitarist here who sounded similar on my guitar.
Give me a week or two to work on Vibrato lesson. A minor simple soloing is also still missing.
One thing to add: actually I turned down the intensity of vibrato on purpose as I feel it is a little too much on the lesson. So maybe after resolving the pitch issue Ill post an update with stronger vibrato.
Good! I'll wait for news.
Maybe you read it on off-topic, but I will need to pause a few days as I injured my wrist during a soccer game. Hopefully it will recover fast with my supernatural human genes.
Oh! I'm so sorry mate. Ok, take care, listen to music and read about theory!
Hey Gab! So, as I was not able to play to play lately, I started yesterday, but not to full extent.
Therefore, I just went with a chord progressnion: B minor, F #, E Maj, F and added a few melodies on b-minor scale.
It is fully improvised, just to learn playing on scales. What do you think?
https://soundcloud.com/tim-heger-962320112/cubase-le-ai-elements
By the way: is there any tip on how to move forward from a certain chords progression? Like use the maj 3rd or maj 5th of the root note or whatever? How do you progress after you found a first idea/riff/melody?
Hi mate! That sounds really good! I like it.
There are no rules in music, if it sounds good to you it's ok. However, there are concepts, and techniques that will help you to create effective chord progressions. You need to know about scales, tonalities, chord functions, modal interchange and modulation. Most of this things can be learnt by reading about theory, but it's also important to analyze music.
For song analysis, I strongly recommend getting into The Beatles. This man made the most amazing song analysis ever and he covered every Beatles song: http://www.icce.rug.nl/~soundscapes/DATABASES/AWP/awp-notes_on.shtml
This thread will also help: https://www.guitarmasterclass.net/guitar_forum/index.php?showtopic=15794
Hey Gab,
so finally back from "guitar" vacation due to my wrist issues. It is still not perfect, but Doc says it is ok to begin slowly.
Hope to give you my next takes during the week, latest next week end!
Great news!! Welcome back!
Hey Gab!
Just something I would like to share with you. Currently working on band stuff, here is the latest one.
I still have issues with my wrist, so Im off with riffing only :/
Let me know what you think
FemmeFatale_Drums__online_audio_converter.com_.mp3 ( 1.42MB )
: 74
Hey mate!
Nice!! Great to see you working on your original music! Those riffs sound very fresh to me. I can hear some influences from post hardcore, punk, and some mathcore too. I noticed that you started adding some vocals but just in a small part. Do you have any idea of the structure of this? Can you identify parts like verse, chorus, part C, and so?
If not, it would be interesting if you get into some of your favorite bands and analyse their music. We've talked a bit about this at this thread. Have you tried it?
Hey Gab,
we were again very busy writing. I would like to share some song with full vocals with you and discuss structure and maybe you got a hint or two. Would you share your mail as PN? Don't want to upload it to public forum.
Thanks!
Tim
Hi mate! Sure! What about sending it via PM here at GMC?
Hi Gab, I have send you a soundcloud link.
Cheers
Hi mate, I got it!
What's this exactly? Who's singing? Please tell me more about thisi recording. Also, tell me what are your thoughts about structure and everything else.
Hi mate, thanks for the info!
I can say that I like the style. I'll comment all the things that come to my mind when listening to this, some of these ideas are surely subjective, or maybe most of them, but I think that honest comments is what you need at this point.
I like the style of the song, the vocals "colour", the groove, and the lead melodies. The lead vocals make me think one The Doors, The Cult, but the overall style make me think on more modern post punk revival bands like The Vaccines or maybe The Hives with a darker feel, like Interpol, Artic Monkeys, and a bit of QOTSA.
Based on the bands that I've listed, I feel that the sound of drums, bass, and more specially guitars are not totally connected with the style of the song. I would experiment with guitar tones with less gain, more vintage style, and the same for other instruments. A different type of sound would make you play other type of arrangements and guitar solos.
This songs are just as a sample of the type of production, but I don't mean that your songs should sound like that. I mean that it could sound cooler with some influence from these type of bands, just explore these styles.
About the arrangements, I feel that there is too much information all the time. I would try trying to have less information on verses to let the chorus have more impact when it starts. Analyse how your favourite songs are arranged in this way, notice how each part is arrangement to let the song flow smoother.
Powered by Invision Power Board (http://www.invisionboard.com)
© Invision Power Services (http://www.invisionpower.com)