How To Find The Chords With A Melody Line
playaxeman
Feb 23 2009, 05:57 PM
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Hi GMC

I have tabed some melody line in GP. Or sometimes i hear a nice melody

The point is I don't know how to relate these melody lines to chords to have a complete song.

Are there somekind of methods to make the chord from a melody line?

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Matt23
Feb 23 2009, 06:01 PM
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Well first you need to choose where you want your chord changes. Then you need to see what chords contains most notes from that part of the melody. Of course sometimes it sounds better to use a chrod that doesn't fit in with the melody perfectly so you should experiment with different chords.

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seagull
Feb 23 2009, 06:12 PM
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Sometimes finding a bass note that creates the sound you want to go along with the seperate notes can help. And then it also becomes easier to find full chords and scales. smile.gif

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playaxeman
Feb 23 2009, 06:55 PM
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QUOTE (seagull @ Feb 23 2009, 06:12 PM) *
Sometimes finding a bass note that creates the sound you want to go along with the seperate notes can help. And then it also becomes easier to find full chords and scales. smile.gif


Ok good tip Thanks

QUOTE (Matt23 @ Feb 23 2009, 06:01 PM) *
Well first you need to choose where you want your chord changes. Then you need to see what chords contains most notes from that part of the melody. Of course sometimes it sounds better to use a chrod that doesn't fit in with the melody perfectly so you should experiment with different chords.


He
Thx for the reply.


Isn't the melody leading in when a chord has to change?

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Ivan Milenkovic
Feb 23 2009, 09:29 PM
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Every note can represent a chord, you just have to find out in what key you are in, analyze your melody, and find out what chords can be played. If the melody is good you can put 2 chords, or a whole symphonic orchestra bellow it. It's up to you to make the chord changes on those places you feel you need them to be. Try to put chords that contain the melody note, so they get along nicely.

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Ramiro Delforte
Feb 23 2009, 10:18 PM
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I think a cool way to see this happening is to listen to jazz standards because they have originally a melody and a certain chord changes but every time a great player take the standard it becomes really different, they re-harmonize all the tune with the same melody.
There is a great clinic about this made by Andy Laverne lunched by Homespun.

Also you'll need some ear training to be fully aware of this kind of hearing. You must be able to hear the chord changes throughout the melody.
Try to start with simple things like "Oh Susana!", "Happy birthday" or tunes like these, you know what I mean. Once you've mastered simple changes you can pass to the next level and try to hear the chords behind "Stand by me" for example that isn't complex but harmonically is more complex than the Happy Birthday tune. And then move on to some advanced hearing of modern jazz tunes or classical music where you have to listen to the modulations.

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Vasilije Vukmiro...
Feb 24 2009, 05:57 PM
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You must know standard harmonic shapes, I-IV-V, II-V-I, I-VI-II-V...
Learning jazz standards is tremendous help, as Ramiro put it...
Every melody you write is likely to fit in the one harmony category.
Chord/melody playing is really difficult stuff. I recorded one tune with lots of block chords, see how it looks like.
link

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