Memorising Scales., An idea |
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Memorising Scales., An idea |
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Nov 13 2007, 09:43 PM |
What do you mean by learn all the key signatures, does that mean you learn all the notes in each scale or what? Yes, that's basically it - but its pretty much the same as learning all the notes in the different major scales as key signatures are based on major scales. -------------------- Check out my Instructor profile
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Nov 22 2007, 05:40 PM |
^ This is similar to something which I used when I first went about learning all the modal positions.
In fact, here it is http://www.freelicks.net/Three_notes_per_string.htm |
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Nov 22 2007, 08:06 PM |
It means that there are 12 key signatures. You can shift only one pattern for example to every fret on the fretboard and get all the signatures. But if you really want to know what you are playing have the time (maybe 10minutes per day) to learn the notes on the fretboard to the 12 fret and you will learn it in the term of weeks. it will be very handy on finding the one key signature you need.
When i didn`t know all the notes on the fretboard i usually first tried to find a key on a D string by ear and then move along through boxes, but later when i learned all the notes, just playing any note on fretboard will instantly "translate" me to that key. When i accidently play some of the "out of key" notes a do some simple hromatic run repeatedly with that note and it sound like an intent This post has been edited by Milenkovic Ivan: Nov 22 2007, 08:07 PM -------------------- - Ivan's Video Chat Lesson Notes HERE
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Nov 23 2007, 08:02 PM |
It is one of the nicer ways of getting around mistakes i guess. But I do try to make some good phrasing after the mistake so the people forget about it.
-------------------- - Ivan's Video Chat Lesson Notes HERE
- Check out my GMC Profile and Lessons - (Please subscribe to my) YouTube Official Channel - Let's be connected through ! Facebook! :) |
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Dec 1 2007, 10:57 AM |
Just as an expansion, check out this video lesson:
http://shredacademy.com/lessons/j_cefalu.htm He demonstrates his method on the pentatonic scale, but it can be applied with any scale |
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