Hey guys,
So I am nearing closer to releasing a single on Bandcamp, which will trigger further producing and releasing my EP. How do I ensure my work is protected?
Brandon
Hey Brandon, that's great to hear
Well, copyright is automatically assigned to the creator of the works which in this case is you. As soon as you create any piece of work, you are automatically owner of copyright.
You are always the owner of copyright unless you sign it over to another party like a publisher (which sounds scary but is normal practise) but they then enforce it for you and collect royalties etc..
But, apart from that, you are the owner of copyright already, there's no process you have to go through to 'make it copyrighted'. This doesn't mean that people can't or won't try to abuse your copyright by doing things with your music without permission but you would then have the freedom to enforce your copyright and settle any dispute. Just make sure you always have a way to prove that you are the creator of your works. Computer records alone should show that
Here's an article I found.
http://www.farmtomarketmusic.com/How%20Do%20I%20Protect%20My%20Songs.pdf
Pasted for your convenience in case the PDF disappears
HOW DO I PROTECT MY SONGS?
Tamera H. Bennett, Esq.*
Songwriters often come to me with the fear that their songs will be stolen if they perform them
for friends, family, potential co-writers or shop them to music publishers. I believe song
“stealing” is not rampant, but does exist. The concern of someone stealing your song is only one
reason why you should understand how your compositions are protected by the U.S. Copyright
Law. Songs written since January 1, 1978 are protected under the Copyright Act of 1976.
What does the Copyright Act protect? The Copyright Act protects original works. It does not
protect ideas. If I gave a group of twenty songwriters an exercise to write a song including
“rain,” “trains,” “trucks,” “drinking” and “mama,” they would all start from the same idea, but
express their idea in different manners. Each work would be original and be protected under the
Copyright Act.
What protection does the Copyright Act grant you? A simplistic answer is that the owner of the
copyright has the ability to license her work and to stop others from infringing her work.
What do you have to do to secure protection under the Copyright Act? This is much more simple
than you ever imagined. You have to “fix your work in a tangible means of expression.”
In nonlegal ease this means you have to take the song from an idea in your head and write it down or
record the song. Your song is not protected under the Copyright Act until it is fixed.
I like to compare the move from expression to idea to “Ordering Lunch.” When you go to a
restaurant you look at the menu, you might discuss the menu with your lunch companion, you
may even decide on the tacos and then when the server asks for your order you change your mind
and order enchiladas. When the server wrote down your order, your idea of what you wanted for
lunch was expressed on the server’s order pad. If you were co-writing a song, you might take out
a notepad and look at some ideas or phrases you jotted down and discuss those ideas with your
co-writer. When you write out the lyrics and music, or sing the song into a boom box, you have
“fixed the expression” of your ideas, just as the food server fixed your lunch order on her
notepad.
Do I have to file a Copyright Application to protect my song? The answer to this question is no .
. . But, to receive the most protection available under the Copyright Act, you should file a
Copyright Application. As discussed above, your composition is protected as soon as you “fix it
in a tangible means of expression.” Even though filing a Copyright Application is not required,
you should register your composition with the Copyright Office. The Copyright Registration is
the best evidence to submit to a court of law if your work is ever involved in an infringement
action. If you file a copyright application within five years of the publication of the work, the
court will presume the information on the registration is true. This includes the date of creation
and/or publication and the authors of the work listed on the registration.
MAILING YOUR COMPOSITION TO YOURSELF AND NOT OPENING THE ENVELOPE
IS NOT AN ADEQUATE MEANS OF PROTECTION. Filing a Copyright Application is the
very best means of proof as to the ownership and date of creation of a composition.
Prior to suing someone for copyright infringement, you must have a copyright registration for
your work. Also, additional damages may be available to you if a copyright registration has been
filed.
Do I need to include the copyright symbol © on my lyric sheets or compact disc to be protected?
Again the answer is no . . . But, you should always include a copyright notice on each copy of
your work. The copyright notice should include either the word “copyright” or the symbol “©,”
the year of first publication of the work, and the name of the copyright claimant. Because I am
the author of this article, an example of an acceptable copyright notice for this article is “© 2001
Tamera H. Bennett.” By including the copyright notice, you put the world on notice that you are
claiming ownership in the work.
How long is my work protected by the Copyright Act? In general, the protection for a work
created after January 1, 1978 is life of the author plus 70 years. If there are co-authors, the term
lasts until 70 years after the death of the last surviving author.
If you are interested in more information regarding copyright law and the proper filing of
Copyright Applications, you can visit the U.S. Copyright Office website at
http://lcweb.loc.gov/copyright/. You may also contact Tamera Bennett at the contact information
listed below.
Remember, if you ©REATE. P®OTECT.™
*Bennett Law Office, PC, counsels clients in the areas of Entertainment, Internet and Intellectual Property
Law. Ms. Bennett may be reached at 972-436-8141 or by email at [email protected].
©REATE. P®OTECT. is a trademark of Bennett Law Office.
Copyright ©2001 Bennett Law Office.
Legally it would require some paperwork and fees to be paid. I think its about $65 per song last time I checked. Although, its so rare that people actually do it, especially in the metal world. Stealing music is usually motivated by money, Metal (aside from some big names) isn't known for bringing in cash at all.
So dont worry too much about it, I had one site take about 20 songs from me and tried selling it. They are based out of russia and have done it to many people. Problem is the site is so obscure and most of the artists they do it to are unknowns like myself, it just doesnt matter. The site is so sketchy no one would dare send them money
It's good to start thinking of looking in to copyrights and such, but honestly at this stage of the game copyright infringement is not a problem that is worth too much of your time. I get the idea that maybe someday one of your songs might be huge and you'll want it copy protected. The truth is if anybody makes decent money with their music, and they actually wrote it, they just get a lawyer. Until there is money on the table,
OBSCURITY IS YOUR ENEMY
not copyright/piracy etc. So I"d say start looking in to that stuff, but I'd suggest spending more time on connecting with current and future fans, expanding your reach through social media and writing more material. I've seen folks get a bit too concerned about copy rights a bit too early and it can be a distraction from writing/playing/connecting with fans.
So good call on starting your copyright research And don't worry about it for now and join Bandcamp and any other site that might help you connect with your future audience.
Just my 2 cents
Todd
Thanks for these posts, guys. I was just a little worried today when http://www.facebook.com/WidekMusic said his work was stolen from him and placed on 15 difference sites.
So how do I connect with the future fans? Not many people seem to pay attention to my Facebook posts (thanks to the faithful few)... and the crazy Facebook algorithm that only sends the posts to a handful of the fans is annoying. On average, only a tenth of my fans ever see my posts. I tried joining some other forums and promoting my music and nothing happened. Really annoying when you post this LOOONNNNG intro and a couple of people answer. What am I doing wrong?
I don't feel I need a twitter, nor do I want one. Is that you mean by social media, Todd? I feel so new at this outreach stuff. hehe
Copy-alright!!! If people copy your music, you can consider it good. Music should be free to share and the good stuff then spreads like a virus. People then get to listen to it, enjoy it, and some will even come back to you and pay for the original or donate.
Album Leaks: A Nightmare, or Opportunity?
Think about it for a second - Metallica is worldwide know, why? Because of what they hate, people leaching their music off napster. However, the plus side to this is free worldwide advertising and becoming loved by millions. Did they really lose any profit, due to the amount they gained back?
System of a Down, went the other way, all their new material leaked onto the web so it went into the album entitled 'Steal this album':
http://en.wikipedia.org/wiki/Steal_This_Album!
They still made over 12 million sales.
Some bands are even known to leak a track or two on purpose to give people a little taste - to encouage them to buy the rest.
http://www.copyright.gov/
For the USA look http://www.copyright.gov/circs/circ50.pdf .
Other countries vary from this by differing amounts. In my experience copyright only really comes in to play when there is an infringement and then its a matter of
1/ being able to establish that you hold copyright.
2/ being able to enforce it and in some countries this is particulary difficult.
You should look in to joining a relevant songwriting/publishing union and/or musicians union as they can advise. Oh and use metadata on your releases.
Personally I disagree with all the 'copyright doesn't matter because piracy gets you attention/market' arguments and it's very different to someone choosing to give their music away.
Yeah, I am agreeing with what Brett is saying here. I don't want anybody copying my music. Most of the time when people copy your music it's so they can sell it for a profit. I am GIVING away my music!! So if somebody steals it and makes money off it, they should have their butt kicked. Indeed, I spend countless hours recording and re-recording, tweaking, critically-listening, and thinking, and to have some noob take my music away from me would tear me apart inside. Music is an emotional thing. I actually pour my emotions into my music. What I write is what I feel inside.
I hope some people will donate to my music, but I don't really expect much at all. If something is free, then most people will want it to try. This way I can get some more fans my way. It's like a risk-free eternal trial or something.
I do agree with the idea of just focusing on the music. Yes, I have been too busy about the fanbase. I need to chill out. Thanks guys.
Brandon
Remember to use us as guinea pigs for anything you do!
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