Whats The Point Of An Fx Loop, FX Loop V.S. Effects In Front Of Amp
Marshmall0wz
Aug 22 2008, 03:28 AM
GMC:er
Posts: 448
Joined: 12-February 08
I was wondering whats the point of an fx loop instead of just putting pedals and stuff straight into the amp. Ive also heard the amp can be used as a boost.

ANDREW C.! Here's a question mainly for you or other knowledgeable moderators smile.gif I recently read something about reversing the fx send and return levels when using and fx loop...im confused on this issue heres the direct text from BUGERA AMPS. "The FX Send Level and FX Return Level controls should always be set oppositely. For example, to reach a 0 dB working level when the FX Send Level is set low , the FX Return Level needs to be set high accordingly. On the other hand, if you wish to boost the volume level, turn both controls to a higher setting."

feel free to dive in smile.gif

thx GMC

You are at GuitarMasterClass.net


Don't miss today's free lick. Plus all our lessons are packed with free content!

Don't miss today's free blues, jazz & country licks. Plus all our lessons are packed with free content!


--------------------

Gibson SG-3 Faded
Epiphone Thunderbird
Ovation CC48
Vox AD30VT
Vintage U.S. Peavey Microbass
Orange Tiny Terror w/ 212 Cabinet
Creativity
Go to the top of the page
 
+Quote Post
 
Start new topic
Replies (1 - 13)
UncleSkillet
Aug 22 2008, 04:22 AM
Learning Tone Seeker
Posts: 1.525
Joined: 21-January 08
From: Cincinnati, Ohio
Some effects sound better "Pre" ( in front, straight into the amp) while others may sound better in the back "Post" (effects loop). It depends on the tone you are trying to achieve.

Most people would use "EQ, WAH, COMP, etc..." straight into the amp. Delay, Chorus, Reverb, etc... in the effects loop because it's warmer and sounds more natural.

When thinking about FX send and FX Return I look at it more like FX Dry and FX Wet. Be careful with the levels because you can create clipping which will kill your tone. Dry is your tone with pedals in front and your pre-amp while the Return is the Wet (or how much of the total effect you want mixed into your FX loop).

You are at GuitarMasterClass.net


Don't miss today's free lick. Plus all our lessons are packed with free content!

Don't miss today's free blues, jazz & country licks. Plus all our lessons are packed with free content!


--------------------
"Think of a guitar solo as a paragraph. You need a clear beginning, a middle, and an end. Look at musical phrases like sentences, and make sure you break them up using punctuation—or space. You pause naturally when conversing, right? If you don't, you'll bore the listener. The same thing will happen with your audience if your solo is one dimensional. You'll wear them out and lose their attention." —Tom Principato
Go to the top of the page
 
+Quote Post
Marshmall0wz
Aug 22 2008, 04:44 AM
GMC:er
Posts: 448
Joined: 12-February 08
QUOTE (UncleSkillet @ Aug 21 2008, 11:22 PM) *
Some effects sound better "Pre" ( in front, straight into the amp) while others may sound better in the back "Post" (effects loop). It depends on the tone you are trying to achieve.

Most people would use "EQ, WAH, COMP, etc..." straight into the amp. Delay, Chorus, Reverb, etc... in the effects loop because it's warmer and sounds more natural.

When thinking about FX send and FX Return I look at it more like FX Dry and FX Wet. Be careful with the levels because you can create clipping which will kill your tone. Dry is your tone with pedals in front and your pre-amp while the Return is the Wet (or how much of the total effect you want mixed into your FX loop).

okay. what about distortion pedals?

You are at GuitarMasterClass.net


Don't miss today's free lick. Plus all our lessons are packed with free content!

Don't miss today's free blues, jazz & country licks. Plus all our lessons are packed with free content!


--------------------

Gibson SG-3 Faded
Epiphone Thunderbird
Ovation CC48
Vox AD30VT
Vintage U.S. Peavey Microbass
Orange Tiny Terror w/ 212 Cabinet
Creativity
Go to the top of the page
 
+Quote Post
UncleSkillet
Aug 22 2008, 04:54 AM
Learning Tone Seeker
Posts: 1.525
Joined: 21-January 08
From: Cincinnati, Ohio
You would always put this in front for the most part. I would chain them together something like Distortion, EQ, Comp, etc.. all in front. Play around with the chain ( the order they are plugged in). Things will sound different. Again, it’s personal preference.

You are at GuitarMasterClass.net


Don't miss today's free lick. Plus all our lessons are packed with free content!

Don't miss today's free blues, jazz & country licks. Plus all our lessons are packed with free content!


--------------------
"Think of a guitar solo as a paragraph. You need a clear beginning, a middle, and an end. Look at musical phrases like sentences, and make sure you break them up using punctuation—or space. You pause naturally when conversing, right? If you don't, you'll bore the listener. The same thing will happen with your audience if your solo is one dimensional. You'll wear them out and lose their attention." —Tom Principato
Go to the top of the page
 
+Quote Post
Marshmall0wz
Aug 22 2008, 04:57 AM
GMC:er
Posts: 448
Joined: 12-February 08
QUOTE (UncleSkillet @ Aug 21 2008, 11:54 PM) *
You would always put this in front for the most part. I would chain them together something like Distortion, EQ, Comp, etc.. all in front. Play around with the chain ( the order they are plugged in). Things will sound different. Again, it’s personal preference.

thx

You are at GuitarMasterClass.net


Don't miss today's free lick. Plus all our lessons are packed with free content!

Don't miss today's free blues, jazz & country licks. Plus all our lessons are packed with free content!


--------------------

Gibson SG-3 Faded
Epiphone Thunderbird
Ovation CC48
Vox AD30VT
Vintage U.S. Peavey Microbass
Orange Tiny Terror w/ 212 Cabinet
Creativity
Go to the top of the page
 
+Quote Post
Andrew Cockburn
Aug 22 2008, 02:50 PM
Moderation Policy Director
Posts: 10.459
Joined: 6-February 07
From: CT, USA
QUOTE (Marshmall0wz @ Aug 21 2008, 10:28 PM) *
I was wondering whats the point of an fx loop instead of just putting pedals and stuff straight into the amp. Ive also heard the amp can be used as a boost.

ANDREW C.! Here's a question mainly for you or other knowledgeable moderators smile.gif I recently read something about reversing the fx send and return levels when using and fx loop...im confused on this issue heres the direct text from BUGERA AMPS. "The FX Send Level and FX Return Level controls should always be set oppositely. For example, to reach a 0 dB working level when the FX Send Level is set low , the FX Return Level needs to be set high accordingly. On the other hand, if you wish to boost the volume level, turn both controls to a higher setting."

feel free to dive in smile.gif

thx GMC


Regarding the levels - it depends what you want to achieve.

What this is trying to say is that overall, to keep the gain correct, the FX in the loop should neither boost nor cut the level at that point. YOu use the pre to get a good level for whatever effects you are using, then adjust the post so that it cuts or boosts the effected level back to pretty much the same level it was before the fx loop, that way you won't alter the gain characteristics.

The final part says however, that you can use the FX loop as a boost and get more gain into your power amp stage if you turn them both up.

You are at GuitarMasterClass.net


Don't miss today's free lick. Plus all our lessons are packed with free content!

Don't miss today's free blues, jazz & country licks. Plus all our lessons are packed with free content!


--------------------
Check out my Instructor profile
Live long and prosper ...

My Stuff:

Electric Guitars : Ibanez Jem7v, Line6 Variax 700, Fender Plus Strat with 57/62 Pickups, Line6 Variax 705 Bass
Acoustic Guitars : Taylor 816ce, Martin D-15, Line6 Variax Acoustic 300 Nylon
Effects : Line6 Helix, Keeley Modded Boss DS1, Keeley Modded Boss BD2, Keeley 4 knob compressor, Keeley OxBlood
Amps : Epiphone Valve Jnr & Head, Cockburn A.C.1, Cockburn A.C.2, Blackstar Club 50 Head & 4x12 Cab
Go to the top of the page
 
+Quote Post
Marshmall0wz
Aug 22 2008, 04:02 PM
GMC:er
Posts: 448
Joined: 12-February 08
QUOTE (Andrew Cockburn @ Aug 22 2008, 09:50 AM) *
Regarding the levels - it depends what you want to achieve.

What this is trying to say is that overall, to keep the gain correct, the FX in the loop should neither boost nor cut the level at that point. YOu use the pre to get a good level for whatever effects you are using, then adjust the post so that it cuts or boosts the effected level back to pretty much the same level it was before the fx loop, that way you won't alter the gain characteristics.

The final part says however, that you can use the FX loop as a boost and get more gain into your power amp stage if you turn them both up.

thank you

You are at GuitarMasterClass.net


Don't miss today's free lick. Plus all our lessons are packed with free content!

Don't miss today's free blues, jazz & country licks. Plus all our lessons are packed with free content!


--------------------

Gibson SG-3 Faded
Epiphone Thunderbird
Ovation CC48
Vox AD30VT
Vintage U.S. Peavey Microbass
Orange Tiny Terror w/ 212 Cabinet
Creativity
Go to the top of the page
 
+Quote Post
MickeM
Aug 22 2008, 04:42 PM
Born of NWOBHM, Moderation Team Leader
Posts: 8.562
Joined: 9-January 07
From: Stockholm, Sweden
guitar ---> effects ---> preamp ---> fx send ---> effects ---> fx return ---> poweramp ---> speaker

Simply, putting effects before the preamp gives one result, putting them in the fx loop another. Which sounds better is up to you to decide, or your audience.

Trying to keep a picture of the signal in your head makes it easier to understand what you're getting in the end.

If you're using a delay effect before the preamp (with distortion) it will distort the delay.
Using the delay in the fx loop will add delay to the distorted signal.
(I prefer to use the delay in the loop)

When you're drawing this picture it's helpful to know
Effects alter the signal
Preamp scales up the signal from the amp input
Poweramp recieves the signal from the poweramp or the effects loop if it's used and scales it up to your desired output

An effects loop can be serial and that's what you see on the top line. A parallell loop will split the preamp signal in two parts and then mend it together before the power section. If you have a parallell loop and several amps you could connect the fx return into another poweramp (fx return)

The dB switch or input/outpur rate of the fx loop could, simply steer the signal strength of the signal you send through the loop. Mind that if you're running the signal (from fx send) through a device that's fed with instrument level signals you might want to make sure the signal isn't unbalanced going in (from the fx send) but raise it after the preamp and before it goes to the power section of the amp.
A dB switch scales it down over at the send side and then scales the signal up again over at the return side.

...I'm confusing myself.

Preamp signal -> fx send -> level cut 10dB -> effects -> boosted 10dB -> poweramp

And then what you said, if you can turn both the fxsend level and the fx return level up to 10 both of them you'd get a boosted signal allright.

You are at GuitarMasterClass.net


Don't miss today's free lick. Plus all our lessons are packed with free content!

Don't miss today's free blues, jazz & country licks. Plus all our lessons are packed with free content!
Go to the top of the page
 
+Quote Post
Marshmall0wz
Aug 22 2008, 05:07 PM
GMC:er
Posts: 448
Joined: 12-February 08
QUOTE (MickeM @ Aug 22 2008, 11:42 AM) *
guitar ---> effects ---> preamp ---> fx send ---> effects ---> fx return ---> poweramp ---> speaker

Simply, putting effects before the preamp gives one result, putting them in the fx loop another. Which sounds better is up to you to decide, or your audience.

Trying to keep a picture of the signal in your head makes it easier to understand what you're getting in the end.

If you're using a delay effect before the preamp (with distortion) it will distort the delay.
Using the delay in the fx loop will add delay to the distorted signal.
(I prefer to use the delay in the loop)

When you're drawing this picture it's helpful to know
Effects alter the signal
Preamp scales up the signal from the amp input
Poweramp recieves the signal from the poweramp or the effects loop if it's used and scales it up to your desired output

An effects loop can be serial and that's what you see on the top line. A parallell loop will split the preamp signal in two parts and then mend it together before the power section. If you have a parallell loop and several amps you could connect the fx return into another poweramp (fx return)

The dB switch or input/outpur rate of the fx loop could, simply steer the signal strength of the signal you send through the loop. Mind that if you're running the signal (from fx send) through a device that's fed with instrument level signals you might want to make sure the signal isn't unbalanced going in (from the fx send) but raise it after the preamp and before it goes to the power section of the amp.
A dB switch scales it down over at the send side and then scales the signal up again over at the return side.

...I'm confusing myself.

Preamp signal -> fx send -> level cut 10dB -> effects -> boosted 10dB -> poweramp

And then what you said, if you can turn both the fxsend level and the fx return level up to 10 both of them you'd get a boosted signal allright.

i get it now thx

You are at GuitarMasterClass.net


Don't miss today's free lick. Plus all our lessons are packed with free content!

Don't miss today's free blues, jazz & country licks. Plus all our lessons are packed with free content!


--------------------

Gibson SG-3 Faded
Epiphone Thunderbird
Ovation CC48
Vox AD30VT
Vintage U.S. Peavey Microbass
Orange Tiny Terror w/ 212 Cabinet
Creativity
Go to the top of the page
 
+Quote Post
RIP Dime
Aug 22 2008, 06:59 PM
GMC:er
Posts: 1.063
Joined: 2-October 06
From: Hawaii
Holy $#!+, screw effects. laugh.gif The spring reverb on my amp, tuner, od, and wah are the only effects I will touch for now. All this is confusing me. wacko.gif

You are at GuitarMasterClass.net


Don't miss today's free lick. Plus all our lessons are packed with free content!

Don't miss today's free blues, jazz & country licks. Plus all our lessons are packed with free content!


--------------------
IPB Image
Go to the top of the page
 
+Quote Post
Ian Bushell
Aug 22 2008, 07:23 PM
Instructor
Posts: 958
Joined: 21-June 08
From: Johannesburg, South Africa
Using an fx loop can also avoid quite a tap dance routine when you're on stage tongue.gif
For example pedals that are set up in your loop can be turned on and off when your loop is off without it effecting the "live" sound. Generally i use a wah straight through my tri amp and send chorus through Fx loop and have a Noise suppressor routed through both. With Inersha i use the Genz Benz Diablo. What's cool about the Genz benz FX loop is that there are three different options, Inersha use alot of FX so i send a boss gt-6 through one of the fx loops, this allows me to turn distortion on and FX/clean off with one switch...much easier.
When distortion is on i can switch banks and fx on the gt6 and get things ready for the next change without it affecting what's coming out the amp. Thank goodness otherwise i'd have to do up to 4 switches at once. wacko.gif
So yeah in my opinion they're great:)

You are at GuitarMasterClass.net


Don't miss today's free lick. Plus all our lessons are packed with free content!

Don't miss today's free blues, jazz & country licks. Plus all our lessons are packed with free content!


--------------------
Go to the top of the page
 
+Quote Post
PanicProne
Aug 23 2008, 07:18 PM
GMC:er
Posts: 207
Joined: 30-January 08
I got myself a Loopmaster true bypass 4-loop with tune out thingy for my pedalboard. So all I do now is plug the pedalboard cable straight into input. Aaaand done.

You are at GuitarMasterClass.net


Don't miss today's free lick. Plus all our lessons are packed with free content!

Don't miss today's free blues, jazz & country licks. Plus all our lessons are packed with free content!


This post has been edited by PanicProne: Aug 23 2008, 07:18 PM
Go to the top of the page
 
+Quote Post
Ian Bushell
Aug 23 2008, 07:34 PM
Instructor
Posts: 958
Joined: 21-June 08
From: Johannesburg, South Africa
QUOTE (PanicProne @ Aug 23 2008, 08:18 PM) *
I got myself a Loopmaster true bypass 4-loop with tune out thingy for my pedalboard. So all I do now is plug the pedalboard cable straight into input. Aaaand done.


That's quite cool! Thanks for sharing.

You are at GuitarMasterClass.net


Don't miss today's free lick. Plus all our lessons are packed with free content!

Don't miss today's free blues, jazz & country licks. Plus all our lessons are packed with free content!


--------------------
Go to the top of the page
 
+Quote Post
PanicProne
Aug 24 2008, 12:05 PM
GMC:er
Posts: 207
Joined: 30-January 08
QUOTE (Ian Bushell @ Aug 23 2008, 08:34 PM) *
That's quite cool! Thanks for sharing.

No problem man. If you have any queations about the stuff just send me a PM. The loopmaster gear is really quality stuff. It costs a bit but man is it worth it. Great updates during order and building process. Brilliant guy behind it all (Brian Price) who's main focus doesn't seem to be making money but rather making quality gear and pleasing customers. If you're ever considering building a pedalboard this is the place to start.

And yeah. I use a triple loop true bypass strip with tuner out. Not a four loop. tongue.gif

You are at GuitarMasterClass.net


Don't miss today's free lick. Plus all our lessons are packed with free content!

Don't miss today's free blues, jazz & country licks. Plus all our lessons are packed with free content!
Go to the top of the page
 
+Quote Post

Reply to this topicStart new topic
1 User(s) are reading this topic (1 Guests and 0 Anonymous Users)
0 Members:

 




RSS Lo-Fi Version Time is now: 19th April 2024 - 09:08 PM