Mastering the art of the pick!
Many guitarist go though practicing their licks and songs, ignoring what their pick is doing.
However the pick can...
Exercise 2
Once your've worked out pick angle (you can rotate forward 45 degree for attack angle), but not tilting it up or down from the string, choked up enough on it so your only using the tip (minimum amount of surface area grazing the strings), also each finger should be able to work independantly (not like glued to each other)... it's time continue that and to move onto inside and outside picking techniques which will boost your picking control.
E --------------------------------------------2----4-- | -5---3----------------------------------------------
B ----------------------------------2---4--1---3----- | ---4---2--5---3------------------------------------
G -----------------------2----4--1---3--------------- | -------------4---2--5---3--------------------------
D -------------2---4--1---3-------------------------- | -----------------------4---2--5---3----------------
A ---2---4--1---3------------------------------------ | ----------------------------------4---2--5---3-----
E -1---3---------------------------------------------- | ---------------------------------------------4---2--
Again repeat up the neck till at least the 12th fret, then repeat it back down. Also repeat with reverse fingering per string.
This is actually similar to the first exercise, but your jumping up and down between two strings now for each row of fingering.
The trick here is to practice outside picking on the way up (down from top of E, up from under A, down from top of E, up from under A, and so on) and on the way back down practice inside picking, keeping the pick inbetween the strings.
Outside picking
This happens when the pick bounces or travels on the outside faces of two strings. Most accending passages will use this technique when traveling across strings.
Inside picking
Is trapped bouncing inbetween two strings, this is a little more difficult for most at first, but take your time and your'll get use to it. Remember to stay relax and let it come naturally. Don't prematurely lift the pick when not required and it becomes a lot faster.
Good stuff man. You've been reading the forums eh?
These can be applied to any exercise session, yes it has a bit of a collection of what I learnt mostly from here, however it's more a way of how to practice to excel at pick techniques. If you stick with it, you'll see what I'm getting at.
Your hands do what you teach, so if your been playing sloppy, 1000s more times of playing the same stuff won't help much. Your brain ties down patterns and recalls on them subconsisously when required. Accuracy is the key, get it right before making bad habits, or break down those bad habits before they happen.
Once your got that down, your mind stick to patterns.
It's time to break down the wall and reprogram the brain again with fingers jumbles...
Glad to see your made it this far soldier! Rest up, grab some water, cause your going to do it over!
Exercise 3
E ---------------------------------------------------2-3-4-1- | -4-5-2-3---------------------------------------------------
B -----------------------------------------1-2-3-4----------- | -----------5-2-3-4-----------------------------------------
G -------------------------------4-1-2-3--------------------- | ---------------------2-3-4-5-------------------------------
D ---------------------3-4-1-2------------------------------- | -------------------------------3-4-5-2---------------------
A -----------2-3-4-1----------------------------------------- | -----------------------------------------4-5-2-3-----------
E -1-2-3-4--------------------------------------------------- | ---------------------------------------------------5-2-3-4-
This might confuse the brain at first, which is a good thing, it's teaching it not to rely on it being in sequence. The pattern however still exists to learn, its just rolling the fingers around each time.
You can repeat Exercise 1 and 2 in this finger jumble style.
This is a very well made article mate, well done! I'll bookmark it!
Glad you enjoy it! I try to give back what I get out of things
"Give and you shall receive in 10 fold" - I've must have a huge collection of I.O.Us to pay off from GMC? heh
I actually quite enjoy teaching as well, helps me learn it myself (even if no one else gets it lol).
Exercise 4
E ------------------------- | ------------------------- | ------------------------- | -------------------------
B ------------------------- | ------------------------- | ------------------------- | -------------------------
G ----1--2-------3--4---- | -----2--3------4--5---- | ----3--4-------5--6---- | -----4--5------6--7----
D --1-------2--3------4-- | --2-------3--4------5-- | --3-------4--5------6-- | --4-------5--6------7--
A ------------------------- | ------------------------- | ------------------------- | -------------------------
E ------------------------- | ------------------------- | ------------------------- | -------------------------
Often riffs might have two notes that lie on the same fret just adjacent strings. Practice playing these without lifting the finger off the fretboard, instead you should roll your finger over to the new string and off the previous per adjacent note. Ensure you do this without letting the notes ring together.
Lifting the finger takes more time and doesn't sound as fluent/connect as simply just rolling the finger across.
Play from your fingertip, then without lifting off pressure roll to the next string. Your finger should be then holding the previous string slightly still (muting it) which pressing down on the next. Practice rolling each finger the same way.
Remember finger accuracy. Make it a habit to have each finger land right behind its corresponding fret.
Didn't want to post as it'll break up the great info., but it has to be said, nice job, Azza
That finger rolling exercise is cool. Nice thread
In addition to the exercises you outlined, I also play the up and down runs with 5 notes per string, to work on hand positioning. Anyone else tried this?
Eg:
E ------------------------- | ------------------------- | ------------------------- | -------------------------
B ------------------------- | ------------------------- | ------------------------- | -------------------------
G ------------------------- | ------------------------- | ------------------------- | -------------------------
D ------------------------- | ------------------------- | --1-2-3-4-5------------ | -------------------------
A ------------------------- | --1-2-3-4-5----------- | -------------- ----------- | -------------------------
E ----1-2-3-4-5--------- | ------------------------- | ------------------------- | -------------------------
Nice one, feel free to add
Your got the right idea! Create and mix up your own ideas.
Work on each of your fretboard hand fingers independences to be able to make movements without affecting the others. With this 'finger independence' your left hand will stay more relaxed and new note patterns will come more quickly and with less practice in the future.
We focus on one hand only, then the other, then sync them together. This is one of the biggest challenges for speed picking as one hand will normally be faster than the other can catch up. Keeping the rhythm and control between them makes you sound much more professional.
Exercise 5
E ------------------------- |
B ------------------------- |
G -----------------12----- |
D -------12--14---------- |
A --14-------------------- |
E ------------------------- |
Pick tremolo each of these notes! This involves rapidly playing a single note continuous alternating up and down as fast as possible with the pick. Remember to hold the pick as close to the tip choking up on it. Anchor the middle picking hand finger to the base of the guitar at a slight downward angle. Remember to keep the thumb and finger straight and locked in place. Vibrate on the anchored finger as fast as possible while still controlled up and down. The pick should follow that vibration, graze the top of the string and alternative pick the string at a high rate of speed!
Practice one note at a time, then when your got that down, trying moving from note to note, changing strings might be the hardest. Don't play everything in this style as your'll just get sloppy, this is more a technique like vibrato or harmonics (you can throw it in a few times, but if you played every single note it wont sound good).
If it's done correctly should give you a good idea of how fast you can actually pick! Also how you should graze the string and use just the minimum amount of surface area.
With real alternate picking, don't rush or fall behind, it's all able keeping control no matter what speed you have to start out with. Timing is very important and the up pick should sound out just like the down pick. You shouldn't be able to hear any difference, just a smooth pace.
Your trying to cut down on the amount of movement - as distances equals time. In order to greatly speed up your picking if you first take it slowly and learn that the pick over needs to be moved a fraction and the fretboard hand doesn't have to move so far from the board, speed becomes that much more easier!
So far we have been working mostly only one or two strings. Next we should explain this and be free to move across multiple strings. Might be confusing for the fingers at first, take it easy. First work on your fretboard hands positioning - finger indepenences comes into play again here. Then you want to improve the accuracy and confidence of the picking hand till it becomes a smooth controlled flow.
Exercise 6
E --------------4--2-------------- | --------------6--4-------------- | --------------8--6-------------- | --------------10-11------------
B ----------3----------3---------- | ----------5----------5---------- | ----------7----------7---------- | ----------9----------12--------
G ------2------------------4------ | ------4------------------6------ | ------6------------------8------ | ------8------------------13----
D --1--------------------------5-- | --3--------------------------7-- | --5--------------------------9-- | --7--------------------------14
A --------------------------------- | --------------------------------- | --------------------------------- | ---------------------------------
E --------------------------------- | --------------------------------- | --------------------------------- | ---------------------------------
Think brush strokes! You could even use sweep picking, focus on not lifting the pick between notes but spidering the fretboard hand fingers lifting them slightly to mute the previous strings from ringing out. Also use a slight damping palm mute on the picking hand as well to keep each note clean and separate from each other.
Great posts man! Your explanations are very instructive! Keep this stuff coming!
Cheers, will do, it's not finished yet
Practice Material
Not the most interesting, but your now got yourself a huge collection of practice material, which will help both hands come now control. Now your got these under your belt, it should be a no brainer to practice them.
You should pick one or two at any time and practice it while watching tv or with something distracting your full attention. Let your body stay relaxed and have your subconscious take over to do the work. It should become natural to you. Ever now and then (eg. during ad breaks or via versa) check your fingering and movement. Just make sure your not shifting into any bad habit(s) or those too will become stuck and need more time to unglue!
Stick with the same pattern till you get it down nicely, but never stay on one thing for ages, move to another once your nailed it or if it's taking too long to grasp. Mix it up a bit, try another, then come back later to focus on your weak points again. You can practice these using scales or licks to spice things up a bit and learn two things at the same time.
Each will help develop the others and you should find it becoming easiler. Over time, by learning first to reduce the amount of movement required in both hands and keeping them in sync with each other, speed will build naturally by just pressing yourself up slowly just over the limit then backing off. Remember always end the practice cleanly.
Skill levels
Find your skill level(s). This isn't as simply as saying I'm a beginner, a pro, or somewhere in between. Create a list of what you know and want to learn, picking styles, techniques, etc. For example: Alternative picking, double picking, sweep picking, vibrato, bending, hammer-ons, pull-offs, trilling, etc. These all should relate to your own style of playing or be involved in the music you want to play. Rate each honestly out of ten. You might be really good in one area but suck at another. This gives you a good idea of what to practice - your weakest areas the most.
Finger strength is the next important goal to focus on. If your ever study martial arts, your are taught you learn it to not use it. Strength is important for increasing your stamina when playing, however you don't want to force it onto the fretboard. Heavy finger playing will just slow you down, cramp it up, or even cause injury. You want to achieve the lightest touch possible with the note still sounding clear and even with all the others. Lowering the guitar's action (string height) can help, some even scallop out the fretboard (lower the wood areas inbetween the metal frets) just to remind your fingers that they don't need to touch the wood for the note to sound out (this is all just habit). However, you don't need these, it all really comes down to your own finger pressure.
This next one is a killer, your'll torture yourself till you get it right! Consider it a friendly reminder.
Remember to stretch beforehand, get good finger positions, work on the finger tips, and stay relaxed, shake it out ever now and then. STOP if it becomes painful!
Exercise 7
E ----------------------------- | ----------------------------- |
B ----------------------------- | ----------------------------- |
G ----------------------------- | ----------------------------- |
D ----------------------------- | ----------------------------- |
A ----------------------------- | ----------------------------- |
E -- 1^2 -- 1^3 -- 1^4 -- | -- 2^3 -- 2^4 -- 3^4 -- |
^ is a hammer-on to the next note. Then pull-off the finger. No pick needed for this one.
Pull-offs are done with a slight downwards pluck of the finger as it comes off.
Work on fingers separation, smallest amount of distance from the fretboard, not so much pressure, and to cleanly make each note sound alike. Move position to different locations around the neck to practice.
these are all great, but ,I think for those that do not understand them,a nice slow but steady audio file that they could get an ear for, would go a long way !
If things aren't clear enough or you want more details about something let me know (or GMC) to help. It's a good idea for audio, I might add those.
Good question azri13:
Yes! Lots of great guitarist have the thumb over the top when playing, but notice what they are playing, it's full of emotion and feeling. They might be playing at speed but normally aren't playing that fast. I'm not saying don't do that...
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