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Gear: Fender American Deluxe Stratocaster, Gibson '67 RI Flying V, Mesa Boogie F-30 112 combo, crazy pedals.|
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Dec 28 2007, 12:43 PM
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QUOTE (JVM @ Dec 27 2007, 11:33 PM)  If I buy an sm57, what kind of wire do I need to hook it up? Going to hook it up through my toneport for now (thatll work right?) So do I need a male xlr to TRS or female xlr to TRS? I'm confused  I'm assuming male.The Mic has a Male XLR on it, so the cable needs to be Female XLR to TRS. -------------------- Check out my Instructor profile
Live long and prosper ... My Stuff: Electric Guitars : Ibanez Jem7v, Line6 Variax 700, Fender Plus Strat with 57/62 Pickups, Line6 Variax 705 Bass Acoustic Guitars : Taylor 816ce, Martin D-15, Line6 Variax Acoustic 300 Nylon Effects : Line6 Helix, Keeley Modded Boss DS1, Keeley Modded Boss BD2, Keeley 4 knob compressor, Keeley OxBlood Amps : Epiphone Valve Jnr & Head, Cockburn A.C.1, Cockburn A.C.2, Blackstar Club 50 Head & 4x12 Cab |
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Dec 28 2007, 06:43 PM
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QUOTE (JVM @ Dec 28 2007, 11:50 AM) Thanks andrew. If no one had responded I'd have probably gone the other way. Yes, that always happens to me  Far more often than random chance can explain!
-------------------- Check out my Instructor profile
Live long and prosper ... My Stuff: Electric Guitars : Ibanez Jem7v, Line6 Variax 700, Fender Plus Strat with 57/62 Pickups, Line6 Variax 705 Bass Acoustic Guitars : Taylor 816ce, Martin D-15, Line6 Variax Acoustic 300 Nylon Effects : Line6 Helix, Keeley Modded Boss DS1, Keeley Modded Boss BD2, Keeley 4 knob compressor, Keeley OxBlood Amps : Epiphone Valve Jnr & Head, Cockburn A.C.1, Cockburn A.C.2, Blackstar Club 50 Head & 4x12 Cab |
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Dec 28 2007, 07:26 PM
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Well you can hook it up with female xlr(mic side) - male xlr (cannon) cable (toneport side) ?? From mic to the mic input on tone port..
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Dec 28 2007, 08:05 PM
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Well I also found that its hard to get the decent bass guitar sound from amp models in the toneport..I record bass by going from the recording out from the amp to the mic input on toneport (and killing all amp models etc and going dry)...I find very hard to get the right dynamics from the tone port for slap bass for example..
p.s. I added two of my presets that work decent for me..
This post has been edited by Bogdan: Dec 28 2007, 08:06 PM
Attached File(s)
ZA_slap.l6t ( 1.96K )
Number of downloads: 47
Varijanta_1_za_funk.l6t ( 2.02K )
Number of downloads: 51-------------------- For GMC support please email support (at) guitarmasterclass.net
Check out my lessons and my instructor board. Check out my beginner guitar lessons course! ; Take a bass course now! |
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Dec 28 2007, 11:24 PM
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Well I find it good for fingerstyle don't get me wrong..Its good device..But I find it lacking the needed dynamics for slap bass (but thats personal preference too)...Also I have no money for experimenting and buying the bass expansion pack they are offering on their web site..Toneport is little more guitar oriented by default...Maybe expansion pack would do the trick (they add new bass amp models and everything)
-------------------- For GMC support please email support (at) guitarmasterclass.net
Check out my lessons and my instructor board. Check out my beginner guitar lessons course! ; Take a bass course now! |
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Dec 29 2007, 05:51 PM
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What are you using the SM57 for m8?
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Dec 29 2007, 06:01 PM
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QUOTE (shredmandan @ Dec 29 2007, 04:55 PM) Exactly Male +Female=Perfect Fit  hell yeh! Mics definitely have the right idea... |
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Jan 2 2008, 03:21 PM
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QUOTE (JVM @ Dec 28 2007, 07:50 PM) Ah but I don't have the toneport with a mic input. Otherwise would have just done that [edit] While we're at it, any ballpark tips for recording with a mic? And bogdan, how about some bass recording tips cause I can't seem to get a bass tone I'm satisfied with from the toneport I use it in conjunction with a sennheiser md 421, my favourite placement is the "inside dust cup edge" of the cone, I use a mesa Mark IV and a small mesa 1X12 cabinet half open back. I found this position the most balanced, anyway the SM57 alone will produce a very present/bright sound providing a wide frequency response with an intelligibility-enhancing presence peak (back in 1965 was designed as microphone for speech applications) Detailed Frequency Response http://www.shure.com/stellent/groups/publi..._sm57_large.gif -------------------- ________________________________________________________________________________ |
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Jan 2 2008, 07:45 PM
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Wish you a lot of fun and good sound with SM57,
it's most often piece of gear for micing guitar cab 
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