Using Performance To Decide Technique |
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Using Performance To Decide Technique |
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Aug 25 2014, 12:42 PM |
I found something like this the other week, I was working on a little 2 string arpeggio motif that shifted up the pentatonic positions and when I practiced it slowly it was strict Alt picking, but when I played it up to speed I magically changed to economy picking, which is something I've never really focused on, but obviously my right hand knew better.
-------------------- My SoundCloud
Gear Tyler Burning Water 2K Burny RLG90 with BK Emeralds Fender US Tele with BK Piledrivers Epiphone 335 with Suhr Thornbuckers PRS SE Custom 24-08 Ax8 Fessenden SD10 PSG Quilter TT15 |
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Aug 25 2014, 05:03 PM |
+1 to all that!
Ultimately you never know what it's really going to be or need until you play it with a song performance of some type. Even a band rehearsal environment instills a false sense of security. It's a 'known' and usually (relatively) comfortable place. It's not until you finally play a gig with the new material that you learn what it is you need to work the most on. A simple 'check' I have for if a technical part will work under pressure is to make sure I can at least do it standing up and without looking. -------------------- - Ken Lasaine
https://soundcloud.com/klasaine2/foolin-the-clouds https://soundcloud.com/klasaine2/surfin-at-the-country-hop Soundcloud assorted ... https://soundcloud.com/klasaine3 New record ... http://www.cdbaby.com/cd/kenlasaine Solo Guitar ... https://www.youtube.com/playlist?list=PLXZh...5iIdO2tpgtj25Ke Stuff I'm on ... https://www.youtube.com/playlist?list=PLXZh...b-dhb-4B0KgRY-d |
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Aug 25 2014, 08:50 PM |
Have you ever noticed an occasion when you've practised something a certain way then when you performed it, you had to play it differently in order to make it work ? I've encountered this many times when I've experimented with alternate picking and it's different angles and approaches. Being able to sit down and ponder over the minutia of a technique is easy when there's no music or beat to keep up with. We can try out new and as yet, less natural, hand positions and movements. We can even feel like we've found a new brilliant way of tackling a particular passage of music, or a particular tricky string crossing lick ! That makes us very happy doesn't it ? Then we hit record ! Oh, what's happening ?? This isn't working !! The sound isn't right. I can't keep up with the pace. But if I just alter what I'm doing to.... that's better. I can now control the tone and keep up with the pace. This is an example of music directing our technique. By actually casting practise circumstances aside and actually performing a piece of music to a beat we get to see what we actually need in order to get the right sound for the job. This makes me think of an analogy of a martial artist. In the comfort of their dojo or home they can practise numerous techniques, believing them to be effective. That's because there's nothing to suggest to them otherwise. But the first time they have to hit a heavy bag, kick pad or even a person, a different reality is thrust in their face. Now, all of a sudden, the situation has changed from what they want the technique to be to what the technique actually needs to be. Music is no different. The guitarist who's never worked with songs, backing tracks or metronomes is going to have a shock when their quadzillion note picking runs don't seem to fit in any way over their friend's drum beats. Someone who practises unplugged or on a clean tone may have a shock that they're not masking unwanted string noise when they try their stuff out with distortion. Someone who believes that they have to only ever play with either an angled hand or classical position may have a shock when they have to play a piece of music that juxtaposes loads of string bends and vibrato next to legato runs and wide stretches. In those above examples, there's no reason why any of those imaginary guitarists can't make those things work but they will have to adapt and trying things out 'on the fly' is often the best way to discover what works best. If we play more musical passages (solos or songs) we can keep in touch with what technique the music actually demands from us. If we're unsure about the best fingering or hand positions for something then by playing it through to the best of our abilities we usually receive the answer because the stuff that will work, usually works and the stuff that doesn't work...... I'll let you guess the end of that sentence I'm finding that out for myself at the moment. Having to record for Cosmins lessons with a backing track really ups the anti, when you just strum alone without backing tracks it doesn't matter if you drift in and out of time, I find it much harder concentrating on everything when the backing track is running but it will be better in the end for sure. -------------------- SEE MY GMC CERTIFICATE “Success is not obtained overnight. It comes in instalments; you get a little bit today, a little bit tomorrow until the whole package is given out. The day you procrastinate, you lose that day's success.” Israelmore Ayivor |
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Aug 25 2014, 09:21 PM |
My favorite thing to say to bedroom practice warriors - "now try that standing up "
-------------------- The more I practice, the more I wish I had time to practice!
My Band Forum: http://passionfly.site/chat |
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Aug 26 2014, 08:30 AM |
My favorite thing to say to bedroom practice warriors - "now try that standing up " When you see a guitarist shredding a solo with his foot up on the monitor and his guitar balanced on his leg and you know you are in the 1% of people that knows he isn't just posing, he just couldn't do the solo with his guitar slung so low standing up! -------------------- My SoundCloud
Gear Tyler Burning Water 2K Burny RLG90 with BK Emeralds Fender US Tele with BK Piledrivers Epiphone 335 with Suhr Thornbuckers PRS SE Custom 24-08 Ax8 Fessenden SD10 PSG Quilter TT15 |
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Aug 26 2014, 02:09 PM |
When you see a guitarist shredding a solo with his foot up on the monitor and his guitar balanced on his leg and you know you are in the 1% of people that knows he isn't just posing, he just couldn't do the solo with his guitar slung so low standing up! Good point! -------------------- - Ken Lasaine
https://soundcloud.com/klasaine2/foolin-the-clouds https://soundcloud.com/klasaine2/surfin-at-the-country-hop Soundcloud assorted ... https://soundcloud.com/klasaine3 New record ... http://www.cdbaby.com/cd/kenlasaine Solo Guitar ... https://www.youtube.com/playlist?list=PLXZh...5iIdO2tpgtj25Ke Stuff I'm on ... https://www.youtube.com/playlist?list=PLXZh...b-dhb-4B0KgRY-d |
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Aug 27 2014, 08:07 PM |
When you see a guitarist shredding a solo with his foot up on the monitor and his guitar balanced on his leg and you know you are in the 1% of people that knows he isn't just posing, he just couldn't do the solo with his guitar slung so low standing up! Cosmin is right ~ standing up is a completely different animal! Sitting down, you can look over and see the dots on your neck - your forearm drapes over the butt of the guitar for support, and the angle of your hand (and therefore pick) are more parallel with the strings. You can (and do) practice for hours sitting down, because you're kickin back with your bowl of chips, gaining weight and perhaps even watching your favorite t.v. show! Everything changes when you stand up - your forearms are now perpendicular to the strings, and the only support your hand has is the palm on the strings and any fingers that touch the pick-guard - you no longer see the face of neck, and your thumb is no longer naturally in classical position - it's now in Jimi Hendrix position! You no longer have any spare elbow to tuck under the neck so that your fretting hand's little finger can reach the low E string for any frets higher than the 7th fret (unless you have paul gilbert's monkey finger). Melodic open string chord picking all of a sudden becomes challenging to avoid accidental muting from other fingers! You get tired of standing! ahhhhhh! if you want to perform, do yourself a favor and devote some of your practice time standing up! haha. okay, back on topic. What was the topic again? -------------------- The more I practice, the more I wish I had time to practice!
My Band Forum: http://passionfly.site/chat |
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Aug 28 2014, 11:52 PM |
Yes. All of this. A very good description of the physical differences that occur between the two. How gutting is it when you think you can really nail a stretchy lick on the high frets and then you go and stand up............ gutting - yes, I've been gutted before -------------------- The more I practice, the more I wish I had time to practice!
My Band Forum: http://passionfly.site/chat |
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