Advice On Combo Amp |
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Advice On Combo Amp |
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Feb 12 2008, 10:10 PM |
The Spider might be a good one for you. WHen you are buying save some more money and try to buy a 12" speaker because it means a lot in terms of sound range. Stay away of that Marshall and Crate imho.
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Feb 13 2008, 10:30 AM |
mesa boogie
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Feb 13 2008, 11:38 AM |
Wow, thanks for the help everyone
I think im gunna go for the MG50DFX on GAK, seems like an oppurtunity that cant be missed -------------------- |
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Feb 13 2008, 11:42 AM |
I had that marshall, but the bad part about them is that u cant gig with em (unless i think u hook it up to the PA), i tried jamming with a drummer with that amp, and could not hear anything.
Its ok IMO, but a bit pricey, for what they give. I personally would suggest you to go for Epiphone Valve JR. 5 watts all tube at its best, it may be look small, but its cheaper and its very loud for its size, and perfect for practicing at home. Other wise, stick with what Ivan suggest. As far as getting a metal sound or whatever, im sure u can get that with almost any amplifier, i dont think certain amplifiers are made for this genre or that its mainly upto the guy to see how that particular amplifier compliments his/her style, playing, pesonal preference etc., even though the company may say something "IF METALS WHAT YOU WANT, THIS IS MOST UBER METALIST AMP OUT THERE", they are just lame marketing ploys. But since u have an effects unit, a good enough amplifier will be cool, for you to get any sound from ur pedal. Btw http://youtube.com/watch?v=K8twAHspOw4 heres a video for the Valve Jr., i hope it will give you an idea. I hope this helped. Keep rocking bro! This post has been edited by bsamn: Feb 13 2008, 11:46 AM -------------------- |
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Feb 13 2008, 01:09 PM |
Melvyn, I'd go with a solid state if I were you. Easier to maintain and good enough distorted sound. Laney, 65W at the least.
-------------------- My bands homepage
All time favourites: B. Streisand - Woman in Love, M. Hopkin - Those were the days, L. Richie - Hello |
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Feb 13 2008, 01:10 PM |
A tube amp will also be much louder than a solid state at a comparable wattage. Very true indeed. I have 20 watt tube now, and its too loud -------------------- |
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Feb 13 2008, 01:28 PM |
It might also be worth keeping in mind that tube amps tend to really sound their best when running nearly flat out. So if you got anything over 20W for home practice you probably won't get to use it at its best unless you power soak it. If you want a tube amp for practicing at home then there are a couple of low wattage ones available (ie 1-5W). I actually find a 15W tube amp fine for rehearsals and small venues.
Cheers, Tony -------------------- Get your music professionally mastered by anl AES registered Mastering Engineer. Contact me for Audio Mastering Services and Advice and visit our website www.miromastering.com
Be friends on facebook with us here. We use professional, mastering grade hardware in our mastering studo. Our hardware includes: Cranesong Avocet II Monitor Controller, Dangerous Music Liasion Insert Hardware Router, ATC SCM Pro Monitors, Lavry Black DA11, Prism Orpheus ADC/DAC, Gyratec Gyraf XIV Parallel Passive Mastering EQ, Great River MAQ 2NV Mastering EQ, Kush Clariphonic Parallel EQ Shelf, Maselec MLA-2 Mastering Compressor, API 2500 Mastering Compressor, Eventide Eclipse Reverb/Echo. |
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Feb 13 2008, 02:24 PM |
Ah right, so my best would either be a mid range solidstate, or a low range tube amp
What are my best bets for these 2 kinds of amp -------------------- |
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Feb 13 2008, 02:32 PM |
For the tube -
perhaps something like an Orange Tiny terror, or a Zvek 1/2 watt or a Laney Lionheart (think I've got the names right)? Not sure if they'd fit the budget as I'm not UK based but could be a good starting point/comparitors. Cheers, Tony -------------------- Get your music professionally mastered by anl AES registered Mastering Engineer. Contact me for Audio Mastering Services and Advice and visit our website www.miromastering.com
Be friends on facebook with us here. We use professional, mastering grade hardware in our mastering studo. Our hardware includes: Cranesong Avocet II Monitor Controller, Dangerous Music Liasion Insert Hardware Router, ATC SCM Pro Monitors, Lavry Black DA11, Prism Orpheus ADC/DAC, Gyratec Gyraf XIV Parallel Passive Mastering EQ, Great River MAQ 2NV Mastering EQ, Kush Clariphonic Parallel EQ Shelf, Maselec MLA-2 Mastering Compressor, API 2500 Mastering Compressor, Eventide Eclipse Reverb/Echo. |
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Feb 13 2008, 02:33 PM |
Opps - first two aren't combos either.
-------------------- Get your music professionally mastered by anl AES registered Mastering Engineer. Contact me for Audio Mastering Services and Advice and visit our website www.miromastering.com
Be friends on facebook with us here. We use professional, mastering grade hardware in our mastering studo. Our hardware includes: Cranesong Avocet II Monitor Controller, Dangerous Music Liasion Insert Hardware Router, ATC SCM Pro Monitors, Lavry Black DA11, Prism Orpheus ADC/DAC, Gyratec Gyraf XIV Parallel Passive Mastering EQ, Great River MAQ 2NV Mastering EQ, Kush Clariphonic Parallel EQ Shelf, Maselec MLA-2 Mastering Compressor, API 2500 Mastering Compressor, Eventide Eclipse Reverb/Echo. |
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Feb 13 2008, 02:47 PM |
Addition to tubes Laney LC15R which should fit budget I'm sure. Move up on the LC series if budget allowes and you feel a need for more watts - which you'd only need imho for like pub gigs. Or a combo with a 12" speaker. One alternative with the LC15R is connecting it to a cabinet, 2x12 or 4x12 for example.
Mind that ther's one thing to buy an amp and learn how to tweak it and something completely different to get a modeling amp and get all the sound settings served on a silver plate. I'd recommend a beginner on amps to go for self-tweaking as it is an important skill to master. -------------------- My bands homepage
All time favourites: B. Streisand - Woman in Love, M. Hopkin - Those were the days, L. Richie - Hello |
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