For anyone playing live, or on video, this is another area of practice much like playing standing up.
Once you have something under your fingers and up to speed try playing as much as possible looking forward (towards your imaginary audience)
For really technical sections you get a free pass!
I recently got into the bad habit of looking at my fretboard when I didn't need to, and it doesn't look good to those watching.
It makes it hard for you to get an audience/ performer connection
It looks more impressive if you aren't looking at the guitar (it shows artistry)
It's necessary if you sing and play.
Yep, that's a good observation.. it's great that you notice these things and then pass it on
I can tell you a bit about that it scares the hell out of me when I play guitar and sing, just because I am thinking that at some point, while getting drunk with music, I will place my fingers in the wrong place on the fretboard and make awful sounds tear away the stream of beauty.
Too poetic?
Well, I always like to close my eyes and imagine the fret board as I would look at it - in 85% of the cases, it really works, but you have to do this while practicing slowly so that your hand memorizes the position it has on the length of the fretboard.
Kinda tricky, but it will work with some practice!
Cosmin
I get really nervous with songs where I'm singing and I've got to 7th to 2nd fret shifts etc, I always try and sneak a quick glance without moving my mouth to far a way from the mic.
Also try practising whilst stood on a sticky carpet that smells of beer whilst not being able to hear your amp.. good practise for live gigs !!
Like alex said playing in the dark works great ! I did that when learning chords and it helped alot ! Also though as Cosmin said envision the fretboard in your head. This helped me soooooo much .
Ben's idea is actually GREAT as well. Here is a trick I tried before gigging back in the day.
PREPARE YOURSELF!
1.)Put a set list song in reaper put on headphones, semi loud.
2.)Record your part to a new track(straight in to interface/soundcard no amp)
but put it on mute in reaper so you can't hear yourself.
3.)Close your eyes during recording (sitting at first/standing later).
Here is the fun part
4.)Play back your track now in reaper (put on some guitar vst) and see how you sound
What you are doing here is
USING THE FORCE LUKE
Playing blind and deaf which is all too often what will happen at a gig right during your best guitar part/solo. You can't hear your amp, the stage monitors are full of vocals and drum kit, it's pitch black or there's a strobe light so you can't see the neck.
Essentially, learning to play your part and know what it will sound like even though you can't hear it is a VERY valuable skill and not that hard to develop believe it or not. Like anything else, just takes practice. It's difficult at first but as my fav Samurai Musashi always said "Everything is difficult at first"
In case your wondering, I"m NOT KIDDING about all this. Being able to play basically without seeing your neck or hearing your signal is just part of live music.
Todd
Then add sticky carpet
And LOUD drummer plus distorted bass This is the Romanian recipe, never had the sticky carpet though
Todd's idea is very good, but I also experimented with Alex's with all the band Playing in the rehearsal room with no lights is a great experience - you are only surrounded by various tiny instrument/ amp/ pedal/ PA related lights! You must definitely try it!
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