I know Gabriel posted this question back in 2011 but I thought it was time to ask this question again because
1. Some GMCers weren't around then
2. Your choices may have changed !
So, what is your favourite mode ?
Here's the original thread because some of you may want to compare your older answers
http://www.guitarmasterclass.net/guitar_forum/index.php?showtopic=39245&st=0
My choice is probably the half / whole diminished scale. It's very exotic sounding. I love the combination of a flat5h and a dominant7th in the same scale. The Lydian Dominant is also very similar and just as cool but it has a major2nd instead of a minor 2nd.
Good question!
So my favorite are:
Aeolian
Dorian
Lydian
Mixolydian
Pentatonic minor
Mixolydian hexatonic
Mixolydian #4( Lydian b7)
Lydian #5
HTWT
Altered
Aeolian b5
And all the rest :-D
I very much like the flavor of every mode
To me, it's like being able to choose out of a big icecream selection that's right n front of me and each one has its distinct point of attraction.
I learned that the most important thing in playing with modes or all sorts of scales, is to learn the way in which the notes relate to the chords over which they are played and basically this is one of the most overlooked aspects in using them.
Usually people learn a lot of positions and have no clue what to do with them and then get bummed because they want to use modes and they feel no difference.
I started tinkering with a few Japanese scales, thanks to Sinisa's amazing lesson:
http://www.guitarmasterclass.net/ls/45-Guitar-Scales-In-One-Solo/
Check them out:
- Iwato
- Hirajoshi
- Japanese
- In Sen
- Yo
- Yona Nuki
They are based on a pentatonic structure and they will certainly spice up your playing, especially if you are into this kind of sound!
D-minor of course, saddest of all keys..
I've been messing around with the harmonic minor and its modes alot the last week or so. Nothing too outragous but so far it feels very natural for me to use. I don't know if its because I've gotten so use to the diatonic and its pretty close or its because I listen to alot of heavy music so I have gotten really use to its sound.
Think I might try get the melodic minor under my fingers as well.
Yeah, I find the fact that its diffrent decending to accending.
Its kinda funny the fact people try and get into modes more to sound diffrent but keep going for the common ones.
Shame using modes of a pentatonic isn't as forfilling. One day I'm going to find a use for it lol
I will only mention the one I cought myself abusing...it would be the Dorian mode Just love it
Cosmin post made me remember that amazing lesson by Sinisa which is a proof of how many amazing scales and modes are there and how we can use them to create different vibes and feelings.
There is a killer series called "Exotic Scales" that include 31 lessons covering different weird scales that you should check!
http://www.guitarmasterclass.net/lessonseries/Exotic-Scales/
I don't really have a 'favorite' but when confronted with a static dominant chord groove I will gravitate towards Phrygian with a natural 3rd ... which you can also think of as the fifth mode of the harmonic minor scale. Example: F harm min starting on C = C Db E F G Ab Bb C.
A lot of the time I'll avoid the Ab. There's a rough out-line of a minor pentatonic/blues scale contained in there so classic 'guitar' licks can work great (very John McLaughlin).
Here's an old recording from a 'dead' website (in the key of F#). The trk loads fast so just click the play arrow anytime.
http://www.kenlasaine.com/audio/Full_Load.mp3
My scale knowledge is pitiful and I think that this just reminded me that I need to know a few more. I never really played scales. I must have discouraged myself thinking I'd find a better way instead of working.
When I solo or write a cool lick it seems to be a harmonic minor or Phrygian. Recently I wrote a solo over a rick graham backing and used a whole tone scale to connect 2 parts. I never finished it but plan to hopefully soon.
Are there any good lessons you'd recommend that are around the 4-5 range?
Being heavily influenced by "Old School" Metal/Thrash/Melodic Death Metal, I"m a big fan of the MINOR SCALE done in shred version of course with three notes per string
Also a big fan of the
HARMONIC MINOR SCALE for it's neo classical vibe. Also in three note per string version.
Not to be forgotten and critical to solo work IMHO is the
PENTATONIC BLUES SCALE with dorian bits added on the two highest strings making it three notes per string on four of the six strings involved.
Those three scales will get you well on your way to building killer solos. Kirk Hammett for example has made a living using only two scales. Minor and Blues. Alternating between "sweet spots" (minor) and dirty spots (blues scale).
Great suggestions from Ben, Gabi and Todd! I would also like to add a few more to the collection:
Phrygian dominant based riffing and soloing, in the same musical context:
http://www.guitarmasterclass.net/ls/Flamenco-Metal-Riffing/
http://www.guitarmasterclass.net/ls/Flamenco-Metal-Solo/
The Phrygian dominant is pretty much the Phrygian mode with a major third - a very popular tool in metal It is however derived from the 5th step of the Harmonic Minor mode, which you can read more about in here:
http://www.guitarmasterclass.net/guitar_forum/index.php?showtopic=50246
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