Soon I'm going to get my new Parker PM-20 (Mahogany body, bubinga top, mahogany neck and ebony fretboard) and when I do, I plan to change the Parker pickups for something good.
At the moment I'm looking at these combinations.
Bridge: PAF Pro
Neck: Dimarzio Air Norton
Bridge: Seymour Duncan Custom
Neck: Seymour Duncan Jazz
Bridge: PAF Pro
Neck: Seymour Duncan Jazz
I'm looking for versatile pickups, that are decent for Metal, Rock, Jazz, Fusion, Blues etc, that can do coil tapping. I want a nice fat, warm tone in the neck, and a screamingtone with good harmonics in the bridge. I'm prepared to sacrifice some of these tones though for more versatility. I saw http://www.youtube.com/watch?v=-T-jkRXo53M, and the Dimarzios seemed better for distortion and metal, while the SDs seemed better for clean sounds, so I'm not sure which to get.
Also the PAF 36th Anniversary pickup is "Vintage Output". Does this really mean anything? Does it just mean I'll have to roll the drive control a bit further than normal, or will it actually not sound good for metal.
Anyway if you have any experience with these pickups, SDs or dimarzios, or just pickups in general, then I'd be very interested to hear what you think I should get. Also if you have any different suggestions for pickups I'd like to hear them too. Finally I'd like to know if the "output" of a pickup actually makes a big difference.
Matt
Before recommending ANY pickups I need to know the woods that your Parker is made of...
Mahogany body, bubinga top, mahogany neck and ebony fretboard.
Neck? Also mahagony?
Yeh
Output: A pickup with low output will not drive an amp on it's own, they have a better clean tone and a lot more dynamic to picking but you have to have an amp with A LOT of gain to get them to a high gain rock or metal sound. Low output pickups tend to not get a long with a high gain sound too well (fuzzy or muddy tone on high gain) and they tend to feedback a lot.
High output means that the pickup drives the amps distortionon it's own, making it easier to get some Metal/rock tones but at the same time making it more difficult to get a clean tone. Those pickups will sound best with a lot of overdrive and they handle high gain better but they will sound too harsh for most other styles.
A medium output pickup would be best as you try to cover a lot of genres (medium output alnico or low output ceramic) but it is up to personal preferance. I like high output pickups for myself and I roll down the volume on the guitar to achieve lower gain tones, others prefer vintage low output humbuckers and add pedals in front of their amps to get high gain tones...
Then the JB might sound a little bit too dark but I guess it'll still work as the Parker is a very thin guitar...
The JB is a great allrounder, another candidate would be a Sh-5 Custom, it's a PAF on steroids with a low powered ceramic magnet. The Sh-5 makes a great allrounder too but it's sounds diffrent to the SH-4 (I think Emir has the Sh-5 in his guitar).
If you stay with SD then pair one of those with a Jazz Neck for maximum versatility, the 59 isn't really a great sounding pickup...
If you choose DiMarzios then go for a Paf Pro Set, they are all time classics capable of almost any style!
Finally if you have some more cash to spend then go for Bareknuckle pickups! They are handmade in the UK and therefore more expensive but also a WHOLE LOT better than factory made pups... A Black Dog bridge and Mule Neck pickup from Bareknuckle would make a great versatile match (Joe Kataldo has this set in his signature guitar)
Something I forgot to mention. I need coil-tapping. Can all those pickups you mention do coil-tapping?
the first combo you said is the one id go for
the PAF is like a gibson humbucker, the sound will be really nice and warm, and sounds great distorted or over driven
The air norton is great too...its used by many professionals ..
im going to agree with Zack, the Duncan JB is a little dark, i dont like the sound of it in my guitars ash body.
ive been using lower output stuff to play metal all the time, i dont get muddy at all...my favorite pick up ive ever used is the PAF because it is so versatile...when played clean it almost sounds like a neck pick up, but depending on how you EQ, it will sound fine distorted
Pafs are not really low output...
When I speak about low output I mean pickups with less than 10k resistance like for example SD Alnico II pickups, real vintage style pus. Most Paf pickups like the Paf PRo or the Sh-5 are vintage pafs on steroids with medium output. From 10k to 17k pickups are medium output and everything with 17k and more is commonly considered High Output (although DC resistance isn't the only criteria)
If you want to coilsplit your pickups then look at then conductors the pickups come with. If the Pickups has only a braided 2 conductor then coilsplitting is impossible, you need multiple conductor cables to wire a pickup to coilsplit, mostly 4 or 5 conductor cables with a colorcode...
(all the pu's I mentioned are available as four conductors)
As I said, DV resistance is only one thing that determines the output of a pickups... there can be pickups with more than 20k in resistance but their output might be lower than any vintage pickup.
If you would have the paf36th(vintage style) right next to a guitar with a PAF Pro you would really hear the diffrence even though the DC resistance is almost the same, the Paf Pro would be hotter. Just take a look at the DiMarzio page, the Pafpro is listed under medium while the 36th is listed under Low output.
Ok, this might be a stupid question, but what is "PAF"?
One of the first Gibson Humbuckers ever (Les Paul model) was kind of a blueprint for rock/blues humbuckers. The humbucker didn't really have a name it was just the Gibson Les Paul Humbucker but it had a little sticker on the back saying P.A.F (patend applied for)^^
So basicly that sticker just said that this humbucker is copyright protected but it also became it's name^^
Paf pickups are generally humbuckers that resemble the tone and winding of that legendary pickup, they appear in very diffrent output levels but they generally stand for that Led Zepplin like rock tone...
So is there any reason not to put a Dimarzio PAF Pro in the bridge, and a SD Jazz in the neck, or should mixing pickups be avoided?
Sorry for bumping like this,
you might as well write an email to http://www.stanhinesleypickups.com/,
tell him what guitar (wood) do you have
and what kind of tone you would like,
Stan can even wound custom ones for you.
I have his pickups on my custom
(have them on Axis as well but I don't play Axis that much)
and I'm more than satisfied,
hot, high output, great dynamic range etc.
I forgot about Stan Hinesley. I'll give him an email and see what I can find about his pickups.
Also from what I've heard of them Stan's pickups sound sort of soft, and don't have a hard edge. This does sound good in its own way but it's not really my thing. Is this just peoples amp setting or do they actually sound like that?
Well on all the sound clips on his website, and on your lessons, there is no edge to the tone. It sounds like there's a lot of mids and not much treble. This sounds good for leads but for rhythm it just doesn't have the edge I want. I know I can shape the sound with EQ, but I don't want to be fighting with my pickups to get good tone.
I'm not really sure myself what "my thing" is, but I'll and explain it. I want a bridge pickup that has plenty of mids, so it sort of screams, but not one with not much treble, like the Stan Hinesely ones sound to me. I think Dimarzio PAF pro is the best example of what I want in a bridge pickup. It's what I'm planning on getting atm. For neck I want a really round, fat tone. I can't really comment on this as nearly all Stan's humbuckers that aren't meant for bridge don't have sound clips.
Anyway I've emailed him so I'll see what he recommends. I'd rather support a smaller business like his more than a giant like Dimarzio or SD, so if you think I'm wrong about his pickups I'd like to hear it.
I'll suggest, nailbomb bridge and Cold Sweat Neck from bareknucle, screaming fusion and metal bridge with fat and warm jazzy neck, that sings with high gain distortion too, I've also wired them with an on-off-on switch to split inner coils-humbuckers-outher coils, the single coil sounds are amazing
in this clip you can here all the sounds it can produce apart from bridge full humbacker
Pop_Ballad_Demo___Joe_Kataldo.mp3 ( 1.23MB )
: 232
bridge humbacker splitted to single
Drop_Rock_Collab.mp3 ( 358.04K )
: 210
for full humbacker check any of my lessons where I use the music man
Here's the thing Matt,
no matter what gear you use you'll ALWAYS shape your tone
using EQs, some players like more midds for better cut through the mix
but those midds you hear are most likely not midds from pickups.
To get complete overwiev or comparation between pickups
you would have to use same guitar on same amp
with same EQ settings and then you could eventually
realize the difference or character of pickups.
Everything else that you hear on recordings are not pickup only,
there are too many factors that are dealing with the tone.
And is think of trebs by talking about hard edge
than I assure you, these pickups have tons of trebs,
it's just that I'm not huge fan of trebs all the time
and so I cut them a bit on EQ.
absolutely not, the names really saying not too much, check the clip and ask tim mills itself from bare knuckle, he will answer you in a couple of days, I'm adding more clips to that post
I can't really afford bareknuckles at the moment, but I'll keep them in mind if I upgrade my pickups in the future.
Ok, I've narrowed my choice down. What combination do you think is best out of these?
Bridge: Dimarzio PAF Pro
Neck: Seymour Duncan Jazz
Bridge: Stan Hinesley Rogue
Neck: Seymour Duncan Jazz
Bridge: Stan Hinesely Rogue
Neck: Dimarzio Breed Neck
(considering they are £60 more expensive)
Bridge: Bareknuckle Nailbomb
Neck: Bareknuckle Cold Sweat
Or can you think of a a better combination of the pickups above.
Paf Pro and Jazz might work but I think a Paf Pro set would sound better matching
Rogue and Jazz will work
Rogue and Breed won't work at all, the breed has WAY to much output so it would be a lot louder than the rogue
Nailbomb and Coldsweat work really well although they are from diffrent sets (Tim at BKP will wind them to match each other)
If you say it is good for heavy rhythm playing, then I'll believe you.
And if you want to know the reviews were form harmony central and they say. "Not well-suited for thick, chunky rhythm/chording, it's still good, but the somewhat subdued bass compliments melody rather than rhythm"
"Still not going to get a heavy bass response for "supreme" chording/rhythms"
Actually now I look that was just one review, and the rest say it's great so I think I'll get that for the bridge. If it doesn't do riffing well I've still got my Ibanez.
For the neck I'm not sure.
Everybody has a diffrent opinion on a good rythm sound, some like it ultra thight and responsive, others like it clear and defined and some others might want a smoother sound...
After all the pickups are just a small part of your sound, guitarconstruction, woods, your amp and finally your own playing make the biggest part of your sound. A great player can get a better sound out of crappy equipment than a beginner with pro equip!
Matt, guitar is complex instrument
and lead playing shouldn't be much separated
from rhythm playing.
With more experience you'll learn how to handle
both using the same sound when needed.
My point is, would be wrong to expect from pickups
to fix all eventual sound issues that you might have atm,
pickups ARE important but player is even more important.
One other thing, your taste for sound could change as the time goes,
actually it happens to many guys all the time.
And with fine pickups (wide sound range of transmitting and wide dynamics)
you should be able to dial your tone without too many problems.
But those midds, trebbs, attack etc are not determined by pickups only, remember that.
Yeh, I'm going to go for the Rogue. I'm not sure about the neck but atm I'm leaning towards the scorpion. I was thinking about getting a different brand of pickups but then I remembered that the parker can combine the neck and bridge pickups so two completely different sounding pickups probably wouldn't sound too good.
well said muris...
as for mixing pick ups...you dont need to match outputs at all..
in my guitars, i like a somewhat hot bridge for higher gain playing,
and a really low output neck for the jazz band im in and other clean sounding adventures.
the way i compensate for the volumes is pick up height. you can adjust and lower the pick up height to match volumes. There still might be a little difference yes, but not enough to make a huge obvious difference
And you don't think when I play with both pickups at the same time they'll sound bad if they're completely different.
yes surely this is an issues, specially for split tones, you have to be carefull
Have you considered the Parker PM-20 Pro? It comes with a SD JB/Jazz set.
I'm going for Rogue in bridge, and Stan has suggested Scorpion or fusion in the neck so I'll go for one of those. Probably the fusion since it says it's specially designed for coil splitting.
Thanks for all your help everyone.
Have you ever considered SD Pearly Gates? To me, they sound just awesome!!! You should check out their clips on SD site, if you havent already...
Well I told Stan in detail what sort of tone I wanted, and he recommended the Rogue for the bridge, and the Fusion for the neck. So that's what I'm going to get.
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