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Posted by: Gabriel Leopardi Sep 27 2019, 11:06 PM

Hi mate! Welcome to your thread for Gab's Army!

Your goals:

* Getting the "small" things right, like vibrato, bending and overall feel.
* Writing more music. Everything doesn`t have to be good, but it is about finishing stuff.
* Doing a lot of RECs to practice TIGHT recording guitar and playing with drums/click (going into studio hopefully soon)
* IF TIME: Learning more licks/solos, and the guilty pleasure shred now and then.

Posted by: mhskeide Sep 28 2019, 11:34 AM

Thanks man! For now, I`ll try to do 2-3 RECs within the middle of October, with some variation in level, and then we can try to pinpoint a path from there?

Posted by: Gabriel Leopardi Sep 30 2019, 02:40 PM

Excellent!!

Posted by: mhskeide Oct 15 2019, 07:43 PM

Hi Gab! A little check in, as I`m currently working on Guido`s new "power rock ballad lesson". I love this style of playing, as it combines both the feels and the shreds I hope to post a REC within next week at latest.

Also, I`m playing a concert in a few weeks with a cover band, and this is one of the songs: https://open.spotify.com/track/6V2NDWnejBIeMZ5fbPyRif?si=iPC3OvIBS0iTHydCA5GbLw

I got the bass line down, but I`m struggling a bit to hear exactly what goes on with the guitar. Sounds like some sort of capo, and maybe an alternate tuning from the sound of what I think is open strings. Are you able to help me out with stuff like this?

Posted by: Gabriel Leopardi Oct 18 2019, 04:52 AM

Hi mate! Thanks for the update!

I'm checking that song and the "guitar" tone is weird. Are you sure that they aren't using other type of guitar or string instrument?

Posted by: mhskeide Oct 18 2019, 03:11 PM

It is a band with a lot of folky vibes, so would not suprise me if there are some mandolins inside the mix, but I thought the intro is mainly guitar. But could be lots of thing as soon as you throw alternative tunings and capo in the mix.

Posted by: Gabriel Leopardi Oct 19 2019, 04:56 PM

Yeah, I think that you can start by playing basic chords since I can hear them in the mix. But the key is to EQ your guitar like that.

Is there a live version of this tune?

Posted by: mhskeide Oct 23 2019, 08:54 PM

No live version unfortunately. I guess that`s my job

Posted by: Gabriel Leopardi Oct 24 2019, 02:05 PM

Yes! and I don't think that you need to clone it. You can do your version. I'm sure that even their live version doesn't sound exactly like the album.

Posted by: mhskeide Nov 13 2019, 05:45 PM

Phui...I was hoping for another 2-3 REC in the middle of October and now we`re in the middle of November. Time flies

I have been swamped doing other bands the last month: Stepping in as a sub on a weekend tour for some friends as well as arranged a coverband gig at work, so it`s not a lack of playing at least!

Still working with this one: https://www.guitarmasterclass.net/ls/6-Power-Rock-Ballad-Licks/
I have a really hard time with the lick at 0:35/0:36, as it is one million notes per minute for a bar. Well, not exactly, but you see my point
Is it any point putting up a REC, if I WRECK (pardon the pun) that one tiny lick?


Also, I`m playing Focus - Sylvia with the cover band next week. Thought about putting up a video here, since I`ve been playing it far too long without having feedback. I might be doing something weird here and there.

Posted by: Gabriel Leopardi Nov 13 2019, 09:03 PM

Hi mate, great to hear from you!

Thanks for the update. You can share a take at REC and clarify that you know that the lick needs work but that you are sharing it to receive feedback based on the other parts of the lesson. That can work, what do you think?

Posted by: mhskeide Nov 17 2019, 10:46 PM

Sounds cool! I`ll try to have it up tomorrow, if I`m able to do a decent take

Posted by: Gabriel Leopardi Nov 18 2019, 02:09 AM

Ok!!

Posted by: mhskeide Nov 19 2019, 11:20 PM

Boom!

https://www.guitarmasterclass.net/guitar_forum/index.php?showtopic=60542&b=1&st=0&p=0&#entry0

When I first started filming, this was for once in a lifetime actually the first take (except from the truly first where I forgot to turn of my tuner )

Not perfect, but I`m rather pleased after not practising that much the last two weeks.
I do think it sounds a bit off in pitch here and there - Not sure if that is me, or the guitar needing new intonation after the norwegian winter has set in. But I thought at least a couple of the vibratos sounded good. I`ll be awaiting your feedback

Posted by: Gabriel Leopardi Nov 20 2019, 03:05 PM

Commented and graded!!

Posted by: mhskeide Nov 20 2019, 03:26 PM

As usual, thanks for super detailed feedback! Will take this with me in the attempt at take two!

Regarding the lick that were different: That`s the lick I mentioned above here, and asking about how bad it would be to kill one riff. Instead of wrecking it, I changed it a bit, as stated in the REC post Not sure if "allowed", but I am a year of AP practicing away from nailing it as it is now

Posted by: Gabriel Leopardi Nov 20 2019, 03:28 PM

Oh yes!! I forgot it! But don't worry it didn't affect the grading note at all. I'm glad to know that you find it helpful!

Posted by: mhskeide Nov 26 2019, 06:25 PM

I guess that power ballad lick lesson proved me two "major" things: I have still lots of work to do on pitch and dynamic, BUT, my shredding skills are quite decent. At least for now, so I will try to ease down on AP-exercises and actually focus on my weak spots.

I thought I would give this a THIRD attempt: https://www.guitarmasterclass.net/ls/Dynamics-Control/

I`ll try to keep the most recent feedback in the back of my head while recording

By the way: I remember in a previous take of that lesson, that someone (can`t remember who) commented on me playing the notes on different strings than the original, and that I should avoid that. But in the breakdowns, Diego plays it differently himself as well.
Does it really matter _where_ I play the note, as long as it sounds the same and have the same vibe?

Posted by: Gabriel Leopardi Nov 27 2019, 01:38 PM

Hi mate! How are you? That's a great lesson, and a good idea for you since it focuses on expressive techniques.

About your question, no, it doesn't matter if it sounds the same and has the same feel.

Posted by: mhskeide Dec 4 2019, 12:09 AM

Hey Gab! doing fine and dandy! A lot of music in general half year, even though it is mostly band and not so much me practicing at home. How are you?


On to something else, here is the take on Dynamic Control: https://www.guitarmasterclass.net/guitar_forum/index.php?showtopic=60574&b=1&st=0&p=0&#entry0

It is actually the third year in a row I attempt this I think

This time though, I feel I`m getting closer. Obviously it is not perfect, but my free evenings for guitar are so rare now that I`ll try to post as much as possible when I have time.

What I think I did good/ok: Vibrato/pitch and at least some dynamics.
What I think I really need to improve: Timing and "fluidity". I am very rushed in this one. Probably because I focus on other stuff.

Posted by: Gabriel Leopardi Dec 5 2019, 03:00 PM

Cool mate! It's nice to know that your band is keeping you active making music!

I'll check your take in a minute.

Posted by: mhskeide Dec 5 2019, 07:23 PM

Hopefully, we`ll be making our debut live! Just got some minor details to flesh out, such as finalizing lyrics and acquiring an amp for the bass player!

And thanks for the feedback on the lesson! I think you came with a great suggestion about breaking down each segments, practicing over a loop and implementing with my own licks. I have been far too lazy with this, which is probably why my lead playing is often boring. Will definitely give that a shot going forward! Also...I`m suspecting a take 4 of that lesson

Posted by: Gabriel Leopardi Dec 5 2019, 10:40 PM

GREAT!! Go for it!!

Posted by: mhskeide Dec 8 2019, 11:36 PM

Did a second take of this one:
https://www.guitarmasterclass.net/guitar_forum/index.php?showtopic=60588&b=1&st=0&p=0&#entry0


If you got more lessons like this in mind - short, and focus on feel, flow and timing - feel free to share!

In a busy day, it`s a bit easier putting together a 30s solo than 90-120s

Posted by: Gabriel Leopardi Dec 9 2019, 03:46 PM

I don't remember many 30 seconds lessons, but these are cool and not very long:

https://www.guitarmasterclass.net/ls/King-Alberts-Blues/
https://www.guitarmasterclass.net/ls/Bonamassa-Blues-Rock/
https://www.guitarmasterclass.net/ls/Cray-Fish-Blues/
https://www.guitarmasterclass.net/ls/8-Bar-Blues/
https://www.guitarmasterclass.net/ls/BB-King-Style-8-Bar-Blues/

Posted by: mhskeide Dec 9 2019, 04:52 PM

Fittingly enough, I only have a strat at home when going on christmas vacay soon, so that should be perf! Thanks a bunch

Posted by: Gabriel Leopardi Dec 10 2019, 05:54 AM

Great!! Keep me updated!

Posted by: mhskeide Dec 11 2019, 02:21 PM

Happy wednesday!

After being on and off the mentoring program (hopefully remaining on for some time now), I thought I`d share some original music for once!

Bear in mind, drums are currently programmed, and the guitars are just a 1st take through my Helix with no post processing. I will most certainly clean it up before we (hopefully) enter a studio. Also, it is supposed to have vocals, but the vocalist is sort of AWOL these days

https://drive.google.com/file/d/1cbC_RVojb7_PxGKbgh1ZVwhfQCDGXO5w/view?usp=sharing

Posted by: Gabriel Leopardi Dec 11 2019, 02:53 PM

Hi mate!!

That sounds very powerful!! I like those riffs and rhythms! The vocals will be important to complete the songs but this base is very promising!

Is everything ok with the singer?

Posted by: mhskeide Dec 21 2019, 11:00 AM

The singer is okay, but he has a lot of other priorities and not so much time. So we are considering making it a power trio in 2020, and sing ourselves

So I guess that will be my next great challenge: Sing over the sorts of rhythms like in the song I shared.

Posted by: Gabriel Leopardi Dec 21 2019, 02:58 PM

That’s the best you can do. It’s a great long term decision.

Posted by: mhskeide Dec 25 2019, 11:40 PM

Indeed! And while we await the decision and singing training, here`s some blues for ya: https://www.guitarmasterclass.net/guitar_forum/index.php?showtopic=60617&pid=773642&st=0&#entry773642

Happy holidays

Posted by: Gabriel Leopardi Dec 26 2019, 02:11 PM

Thanks mate! The same to you!

Lesson graded!

Posted by: mhskeide Dec 28 2019, 08:07 PM

Oh boy, I need to get my ears checked I thought I had a solid 8-10 going on when posting it, but reading the feedback so far, I can totally see the points you and Todd have made. And, I guess a 7 is a solid take, and a 10 should lack nothing, which is not the case.

But as Todd (and you previously) suggested, I`ll try to continue to work on vibrato lessons. I do at least feel I have some sort of momentum and have improved my vibrato over the last year, so here`s to continuous learning

Posted by: Gabriel Leopardi Jan 6 2020, 03:01 PM

This sounds great mate, how is it going?

Posted by: mhskeide Jan 15 2020, 09:52 PM

Hi Gab, and happy new year!

It`s going extremely well! My band has had sort of a phoenix rebirth the last weeks. 2 members out, 1 in, and finally some proper momentum. So it`s been mostly "band guitar" and not so much "magnus guitar" the last two weeks.

That said, I am practicing this one: https://www.guitarmasterclass.net/ls/Metal-Essentials-8/
We are hopefully going to studio soon, so I figured that one would be good to improve tightness for recording, even though our sound is a bit more sludgy.

Other than that, I have on my agenda to also pick and REC a lesson more towards vibrato/dynamics. Or just vibrato... literally found this old gem while writing this reply: https://www.guitarmasterclass.net/ls/hard_rock_bending_and_vibrato/

Posted by: Gabriel Leopardi Jan 16 2020, 01:52 PM

Hi mate!! Great to hear from you!! Happy new year!!

These are all great news! Please keep me updated about your band's recording and your progress on this lessons!!

Posted by: mhskeide Jan 28 2020, 11:58 PM

I`m far from 100% on this one, but I wanted to post an update and let this lesson rest for a bit:

https://www.guitarmasterclass.net/guitar_forum/index.php?showtopic=60681&b=1&st=0&p=0&#entry0


I guess some Gojira or old school Metallica is up next to practice my right hand

Posted by: Gabriel Leopardi Feb 1 2020, 09:52 PM

Cool! Nice to hear from you. I'll comment and grade it there! Thanks for sharing.

Posted by: mhskeide Feb 6 2020, 08:41 PM

Seems I have all the grades I need, and I was too eager to put something out. I`ll practice this one over time and return with some more proper

Posted by: Gabriel Leopardi Feb 10 2020, 03:36 PM

Yeah! And you received very valuable feedback there!

Posted by: mhskeide Feb 27 2020, 03:50 PM

Howdy! Just checking in

It`s mostly band practice these days and a lot of work, so not much time for GMC lessons. I fear Mars will also look bad, but hopefully I can get something out.

Posted by: Gabriel Leopardi Feb 28 2020, 03:35 PM

Hi mate! Thanks for the update! Band practice sounds good!

Posted by: mhskeide Mar 2 2020, 10:56 AM

Yes, we are finally starting to put together something that feels like a set list, and are hoping to play our first show sometime the next 3 months. I only need to get the bass player to start reading my tabs and practicing with metronome, such that he learns the song on his own as well. Stoner bass players are not the most efficient

Regarding band practice, I do face one of my weak playing spots after years without a proper band: I seem to always be just a millisecond before the metronome/drummer, og right on the beat, but in sludge metal as we play, the music benefits of being a bit more "laid back". I don`t really have the correct translation, but do you understand what I mean? Any tips on how to improve on this when practicing at home?

Posted by: Gabriel Leopardi Mar 5 2020, 01:42 PM

That sounds great mate!

Practicing with metronome and over drums at home should be the key here. Try to to it stand out as you do during the rehearsal, and record yourself to check later your timing.

This exercise is also very powerful:

Posted by: mhskeide Mar 25 2020, 09:54 PM

Thanks for the tip, will definitely check out! I am also practising Gojira-Backbone and the holy grail of downpicking songs; Master of Puppets, so hopefully I will get my sync and tightness a level up the next weeks!

Meanwhile, here`s some 80s rock for you: https://www.guitarmasterclass.net/guitar_forum/index.php?showtopic=60810&b=1&st=0&p=0&#entry0

Posted by: Gabriel Leopardi Mar 27 2020, 03:12 PM

Great! I've just commented it there!

Posted by: mhskeide Apr 29 2020, 10:23 PM

Hellu! How are you?

1 REC a month is certainly not ideal, but far better than none a month, right?
https://www.guitarmasterclass.net/guitar_forum/index.php?showtopic=60932&b=1&st=0&p=0&#entry0

My vibrato quest continues. I must admit, this is not my best take as I was tired and a bit stressed, but I`ve had some computer/recording issues lately, and just wanted to have _something_ out. But I hope the great instructors at GMC can find something to help me further, regardless of it being my best or second best take

Posted by: Gabriel Leopardi May 1 2020, 11:38 PM

Graded and commented! Check it out!

Posted by: mhskeide Jun 22 2020, 08:18 AM

Seems to work again
No idea what went wrong when attempting to write the last message.

Regarding the way forward, I`d like to discuss changing it up a bit.

The last months, my primary focus areas have been dynamics, vibrato and bending, and I have basically just picked lessons targeting this.
I am not close to done improving those areas, nor will I ever be probably. But I feel I`ve improved "enough" for now, and want to expand my practice regime.

Could we try a more "mentor driven" approach as we had when we started out years ago (yeah, I`ve been around some time at GMC )? Where you more or less give me homework? I remember examples from the past being analysis of songs, solos using specific guidelines etc.

My motivation of asking is that I feel you can better see which areas I should focus on improving to become a better player. And as I like to dabble in various genres as rock/blues/metal/funk, my overall goal is to become as good and versatile a player as I can.

Posted by: Gabriel Leopardi Jun 22 2020, 03:28 PM

Hi mate! Sure! Let's go for it!!

Please share here 5 of your favorite guitarists, 5 of your favorite songs, and if possible 2 jams over different backing tracks. (blues & rock, or blues & funk).

I've been checking your recent REC takes, and one of the main elements that can be improved in both your rhythm and solo playing is groove. This made me think that your playing would really benefit by learning some funk stuff. What do you think of learning this lesson during this first week?

https://www.guitarmasterclass.net/ls/Pop-Funk-Rhythms/

Posted by: mhskeide Jul 2 2020, 12:57 PM

Boy, just 5 would be hard, since I listen to a lot of genres. I`ll give the question some rounds in the head and return shortly. Had a busy week before going to vacation, so I have some more time on my hands now

I`ll take a look on the funk lesson meanwhile. Can never get enough funk, of which I play far too little!

Posted by: Gabriel Leopardi Jul 2 2020, 02:09 PM

10?

Posted by: mhskeide Jul 6 2020, 06:21 PM

Lists like this are always hard, but I tried to come with a few names. These are not necessarily the players whom I listen the most to, nor the ones that have influenced the most so far.
But when I dream about what I could play with the guitar, these are some of the players that makes me think "wow, I want to do that!", when I hear them!

• John Petrucci (The shred part is fun, but my fave solos of JP are the melodic ones)
• Nick Johnston (Same as above, his records are great, as he limits his own shredding)
• Brian May
• Gary Moore
• The chronological "triangle" of John Mayer -> Stevie Ray Vaughan -> Albert King
• Rabea Massaad (Which implicitly means Nuno Bettencourt, as his solo playing is heavily Nuno influenced)
• Marty Friedman
• Åkerfeldt/Fredrik Åkesson (the "new" Opeth)
• Bulb/Misha Mansoor/Periphery (Both solo and riffing)
• Kelliher/Hinds (Mastodon, both solo and riffing)
• Knut Reiersrud (Norwegian blues player)

Also, some honorable mentions for riff meisters, as I listen to and play with my band a lot of sludge metal and riff based stuff:

• Gojira
• YOB
• Baroness
• Meshuggah

Ended up with top 11!

4 tracks with good guitar parts that came to mind:

• Nick Johnston - Remarkably Human (Both the track and entire album)
• Dream Theater - Best Of Times
• Opeth - Lovelorn Crime
• Philip Sayce - Morning Star

A lot of modern/contemporary guys in there, and this list probably doesn`t represent all of me. But lists are hard sometimes

Gonna try record some jams now.

Posted by: mhskeide Jul 6 2020, 07:05 PM

Not my best jam, nor my worst jam, but I wanted to put something up as quick as could. Did not film this one to save time. Let me know if you want me to film my next.

I`d give myself a 5/10 on this one.

I`ll try something less ballady for the next.

Posted by: Gabriel Leopardi Jul 7 2020, 02:31 PM

Hi mate! That's a very cool list! Let's start with our weekly routines.

Most of those guitarists are great improvisation and/or following the chords, and off course their playing is very tasty and full of expressing elements. However, they also have that shreddy side that even in the most melodic solos appear.

I would like to hear you jamming over this one, it can be a short jam. And please write down what do you think when playing over this chords. What elements do you use? Do you know caged system



Besides this, let's work on a melodic lesson. This is one of my suggestions:

https://www.guitarmasterclass.net/ls/Ballad-Soloing-Dynamics-And-Phrasing/
https://www.guitarmasterclass.net/ls/Ballad-soloing-dynamics-phrasing-2/

Finally, we'll get into this song:



Please write down chord progressions and structure.

Posted by: mhskeide Jul 12 2020, 10:29 PM

Alright, here comes a couple of bullet points to assess the questions/comments above. Sorry in advance for a long post!

Lesson currently practiced - Diego`s "Pop Funk Rhythms"
I hear your comment about lacking "groove", and I certainly want to be a groovy player, so I immediately went to work with this. It`s not REC-ready yet, but this is what I got today:
https://youtu.be/cvoxjqOcQRc

I am in the middle of my summer vacay, so I`ve been away this week, and I will go away again tomorrow. I`ll bring a guitar, but not sure how much practice I can get, thus late replies.

Regarding the lesson, these are (amongst) the things I am not happy with yet, and focusing on:
- Tightness/synchronisation between hands in the riff in 0:0-0:20
- Tone. Diego`s tone is way more compressed (?) and funky. Tips for achieving this?
- The lick at 0:21. Having trouble doing it fluently right after the chords.
- And immediately rushing the next chords after that lick

Other things you hear/see?


Regularity of check ins and expectations
We (I) can certainly aim for weekly routines, but with a full time job and a band, I know there will be weeks where I can`t do much "Magnus guitar time", as I try to priorize the band over my "solo practice", if forced to. This is why I`ve fallen of the mentor program before. But let`s aim for weekly work in progress updates (me recording something), and I`ll try to at least check in with a status update, if I don`t have something new. If nothing else, it can serve as a diary for me, though not as interesting for you Just wanted to set some realistic expectations for myself.

Regarding list of players, and riffing vs. shredding
Soloing is nice, and I listed mostly solo players. That said: A song is rarely just a solo, so I also want a good focus on rhythm and riffing, as with this first lesson (pop funk rhythms). And my band has NO SOLOS ...yet.
Can probably work out a balance between rhythm and soloing, going forward.

Improv over little wing
I`ve attached the file of a couple of minutes of jam. I´d give myself a 6/10 for that one.
I SHOULD be thinking more about the chords and target/landing notes, but that always ruins the flow for me.
What I TRY to do, is to combine a melody I have in my head with notes outside the pentatonic scale to have more flavour. I feel that this is working well sometimes, and sometimes it just fades out to nothing...
What I MISS: A larger lick library, enabling me to better build up intensity and use my technique. I feel like I`m just cruising around in third gear, not sure how to accelerate without ruining the flow with a generic pentatonic lick.

Work forward
As mentioned, I`m away next week, not knowing how much I`m able to play. So I`ll focus on the pop funk-lesson for now. I`ll start looking into the other lessons, and Remarkably Human when I`m done travelling after a week. I`m both really excited and scared to start analyzing and learning Nick Johnston, as he is a super human to me

Again, sorry for the long post. I`m a long post writer. Have a great week!


Also... I don`t really know CAGED, except its named being derived from the chords C-A-G-E-D. Don`t know how to "use" it, at least.

Posted by: Gabriel Leopardi Jul 13 2020, 03:19 PM

Hi mate! Thanks for the complete update!!


Regularity of check ins and expectations
I think that your plan sounds very good. We can arrange weekly routines so you know what to practice, and you can set the goal of sharing your progress here. I think that it's better to chose lessons and material that you really love, so I can suggest ideas that cover the topics you need to work, but please always go for those lessons that you really like, or share here another similar that you have in mind.

Regarding list of players, and riffing vs. shredding
Goo thinking! And be sure that all the rhythm work that you do will affect your soloing as well. That funk lesson will provide groove to everything you play!

Lesson currently practiced - Diego`s "Pop Funk Rhythms"
GREAT choice!

Besides everything you notice, I can say that you need to let that right hand move smoother and more relaxed. Notice how your hand and arm look more tense compared to Diego's, and how he makes the movement from his wrist wider. The key is to try to relax the whole body, and "dance" with the groove. It's not an easy job to keep everything sound good and do it, but this should be your goal.

Regarding tone, yes! Diego's tone is very compressed, has more attack, and highs. Have you tried using the 4th position pickup?

Some inspiration:



Improv over little wing
Nice! The next step should be to make this jam sound less scaly and more melodic and connected with chords.
Following the chords with triads can be the next task. Do you know triads all along the neck?


Work forward

Ok! Enjoy your vacation!! Looking forward your Johnston's analysis!

Posted by: mhskeide Jul 23 2020, 03:26 PM

Let`s start this week`s check in with an admission.

I have made a bad habit over the years of posting incomplete RECs. Meaning that I know I have improvement points... I just haven`t bother practicing enough, and want some sort of appreciation for my playing probably.

With this reboot, I`ll try to avoid that, and rather post a weekly Work in progress (WIP) video for you. Both as an update to you, and a way for me to force myself to share something that is not perfect (granted, none of my RECs are perfect anyways ).

Here is a WIP (work in progress) take 2 of the "Pop Funk Rhythms"-lesson:
https://youtu.be/zjEwnci9b8Y

Sorry for the bad angle. Didn`t double check. What you don`t see properly is my right hand, which you said look tense. Which was 100% true. I´ve tried relaxing it the last week, and think I`ve done so successfully. At least it doesn`t cramp up, even though I have been practicing a lot. The lick at 0:22 is still making me nervous as I struggle to transition between a relaxed right hand and picking grip, to a more firm grip ensuring I pull the lick off. I`ve spent hours with the metronome the last week, but I`m getting there. I`ve almost forgetting the feeling of tirelessly practicing the same stuff over and over again, so it`s about time I get into it again!

I feel I have the lessong 80% down now (which used to be my standard for making a REC ). Besides the above, I will focus on this:
- Consistent attack/level of the right hand, as inspired by the Cory Wong video
- Avoiding unwanted string noise
- Making sure all notes ring out in chords

I used the Cory Wong Neutral DSP plugin for this one, which even have a compressor called "the 4th position compressor", and I think my tone is better here. But it is very unforgiving, and gives nothing back which I am used to with distortion.

Do you hear/notice anything else I should focus on?



Sounds like very reasonable steps! I know what a triad is in theory, but I must admit I am no where close to using it fluently in my playing. At least not my improv. The last weeks, I`ve incorporated into my warm up routine to play the major triad in all its inversion over the neck, to start learning the chords shapes wherever I am. I will also start doing it with the minor triad.
Does this sound somewhat smart, or do you have another/better approach?



Besides being away last week (though I brought my guitar and got a few hours of practice), I`ve also been sick, so I haven`t done much but practicing the above lesson, and jamming for myself. Also, I`ve probably postponed it unconsciously since it is a monster of a song, and I`m bad at analyzing
But I`ll start now and try to do it iteratively!



Okay, that`s it then for now. Take care

Posted by: Gabriel Leopardi Jul 24 2020, 03:02 PM

Hi mate! Great analysis! I agree with everything you say here. I can confirm that your tone is cooler for this style. I've tried that plug in and it's perfect for funk! That compressor is awesome.

I notice improvements regarding the previous take, and this proofs that you need to continue practicing, mostly to be able to relax your hands more, and make your left hand chord/triad changes even smoother. It's a tricky lesson, it will take some time, but it will affect your whole playing.




That's a perfect approach. You can also practice applying them to chord progressions, starting with 2 chords. 2 Major chords, 2 minor chords, 1 major and 1 minor, and then to longer chord progressions. In other words, you would be connecting different triads.

Let's say that you play over these two chords: A - G

You play one measure with A major triads, and the second one you switch to G major triads.

Does it make sense?




Start by analyzing only 1 section and share it here. It can be the intro, or first verse. You don't need to get into the whole song by once.

This is a bit long but maybe you'll enjoy it: https://open.spotify.com/episode/6UhDhmvrt8NhBPs9cNpkHr?si=pqc_LvcWRH61HBlnDhtt-A

Posted by: mhskeide Jul 29 2020, 08:54 PM

Alrighty then, seems like wednesdays are about to become my posting day.

I`m back in my apartment after vacay with my proper guitars, so I went for a REC take today of the pop funk thingy:
https://www.guitarmasterclass.net/guitar_forum/index.php?showtopic=61165&b=1&st=0&p=0&#entry0

It is definitely not 10 yet, but I think it is at least 7
I guess this contradicts what I said last weeks about posting imperfect things, but then again, I don`t want to be stuck too long with one thing/lesson, as my practice time can vary from week to week.

No progress here unfortunately. There was very little guitar time from last post till today, and I focused primarily on the REC and my band. But this now moves up on the 2do list, as well as the dynamic lesson you suggested.

And thanks for the suggestion. Haven`t heard of that podcast, but by the name of it, I`ll probably dig it!

Cheers!

Posted by: Gabriel Leopardi Jul 30 2020, 02:48 PM

Hi mate! Well done sharing your take at REC!

I've just commented and graded it.

Also, thanks for the update. I hope that you enjoy the podcast!

Posted by: mhskeide Jul 31 2020, 07:27 AM

Thanks! I`ll try to put the lesson in my warm up routine, and hopefully improve it further over time.

Posted by: Gabriel Leopardi Jul 31 2020, 02:38 PM

Great!

Posted by: mhskeide Aug 13 2020, 08:10 PM

Hey man! Hope you`re doing good!

I set a goal about weekly updates, and already missed it last weeks
I haven`t had much time for self practice the last two weeks. I got involved in a mini project playing some songs in a wedding in 3 weeks, and I´ve tried writing new material for my main band. So I haven`t even started the new lesson yet.

BUT! I`ve started the analysis of Remarkably Human. And now I`ve confirmed why I postponed it so much. I grow super quickly impatient learning songs by ear, since my ear need training (a proper oxymoron there). I only put aside half an hour for it today, to get started, and that got me through the first part. I started my analysis here, feel free to take a look and comment either here or in the doc:
https://docs.google.com/document/d/1tVb95pHzfgJcQ8JdvHdeCn1BqXE9hpOwTjQG6rXJfVA/edit?usp=sharing

Also, like my days look now, I think I`m gonna have to aim for something like 30 minutes of practice every day, and hopefully a 1-2 hour session a week. I don`t think I can do more with work, bands, etc.
How should we go about structuring this, with all the things I want to improve at?

Posted by: Gabriel Leopardi Aug 14 2020, 03:27 PM

Hi mate! I've sent an access request to the document.

30 minutes per day.

You need to cover technique, and improvisation. We can adjust your routine each week but I would start with something like this:

10 minutes - Legato & alternate picking practice.
10 minutes - Rhythm Guitar
10 minutes - Improvisation concept

What do you think of this structure?

Posted by: mhskeide Aug 15 2020, 09:33 AM

Hi! Sorry about the access thingy, I thought that was already fixed when I sent the link.

I think that structure looks great to start with. I am a bit of a time management freak, so if I`m really busy some weeks, its far more easier getting that 30 minutes done if there`s a plan for it, rather than just noodling

30 minutes won`t be much in regards of learning new songs/solos by ear, but I could try do that in the longer session. Just comparing this week, as I used 30 minutes to tab out 6 chords

Posted by: mhskeide Aug 16 2020, 09:12 PM

Good evening (or whatever time it is with you )

I took some time tonight elaborating the suggested plan, and I am quite happy with the result.

I`ll try alternating between doing AP and legato.
For AP, I`ll keep on doing this neoclassical etude, but with a bit more consistent practice: https://www.guitarmasterclass.net/solo-guitar/neoclassical-etude-1/
For legato, I need to search around to find something.

For riffing, there are so much I want/need to do. But right now, I want to level up my picking hand by (finally!!) learning Master of Puppets with downpicking, and Gojira to get that tight rhythm going (as well as tremolo picking)

Improvisation concepts can probably include everything and nothing, but I saw an inspiring youtube video yesterday, regarding ditching the caged-system (which I still don`t know yet...will google after this post ): https://www.youtube.com/watch?v=KdkODNKLMto
I did one session tonight, and I`m already convinced this will help both my impro (knowing where notes are), songwriting (different timbres of different inversion evoking inspiration) and general musicality.

In addition to all of this, I also thought about a new project: Learning a new (simple) song every week, suitable for singing and acoustic guitar, as I want to improve my singing. In addition to learning the song, I thought about making a proper analysis of some songs when I have time, similar to what we have done before, and try to do with Remarkably Human. as we have done before. I think some "volume training" in analysis will be good. Maybe I`ll even post some covers to put myself out of the comfort zone.

Phui, yet another long post. Hope it doesn`t seem like I`m biting over too much. I`m just more eager than in a long time

Posted by: Gabriel Leopardi Aug 16 2020, 09:39 PM

Hi mate! Great stuff here!

I like all the ideas here. It's true that you are planning to cover many things, so it's important to be very organized with time schedule, and have some kind of priorities tags. Some weeks you'll be able to cover everything, but some others, for different reasons (less time, more motivated on specific topics), so having some "high priority" topics can keep you focused and moving forward. Does it make sense?

Investing time on mastering the CAGED system, is the way to go. Learn the pentatonics related to it, then triads, and dedicate time to follow chords with chord tones/triads/arpeggios. You'll never regret it.

I don't know if you like it, but I usually relate legato with hybrid picking practice, and the concept explained here is interesting to create your own shred lines: https://www.guitarmasterclass.net/ls/Jam-School-Shred-Improvisation/

I'll be back with Nick Johnston analysis. I want to check it with my guitar in hand and dedicate extra time to follow the analysis with you.

Posted by: mhskeide Aug 23 2020, 10:12 PM

Hey man!

Late weekend update for this week:

I have more or less followed the plan successfully, and with some more refinement over time, I think it will suit my everyday quite good!

Currently I got both Master of Puppets and Backbone up to about 80% of the original speed, but the tough parts start now

I have not picked one concrete legato-thingy yet, as I have focused mostly on the neoclassic AP lesson I shared above, which I really want to nail.

I have neither progressed any further on the analysis of Nick Johnston`s tune, but combined with my last comment on the previous update, regarding learning a new "singer/songwriter" song every week, I`ve done an "analysis" on a shorter song instead, "Exile" by Taylor Swift ft. Bon Iver, as I really liked that tune. I can translate and share that tomorrow. I think I got it pretty good.

I`ll try to film some playing this week and send as an status update, but not much rehearsal as I`m going to a wedding this weekend, where me and some friends are playing 2-3 songs before the party goes off

Posted by: Gabriel Leopardi Aug 24 2020, 02:47 PM

Hi mate! Thanks for the update! Everything sounds great.

I've checked your Nick Johnston analysis and it's also on the right track. It's good to see that you added melody notes as chord extensions. I think that everything is correct.

The key is Eb minor, however that A chord is a guest. I've seen many Nick videos and he explains that he usually creates a melody and then tries different chords over each melody note. (chords that contain that note). That's how he gets unexpected progressions and chords.

The two obvious chords to be played over that Db note are Db or Gb, but he goes for A major since the note is its third. Did you know this method?

Posted by: mhskeide Aug 26 2020, 10:42 PM

I did not know that method, but it sure explains some off the odd choices. Or at least, out of the box choices I might not have thought about!

I`ll try to progress on it next week. I`m leaving tomorrow night and won`t have much guitar time before monday again:(

But when I do get back: Any suggestions on how to efficiently practice triads in a useful way?
Right now, I follow this routine:
- Pick a random note, lets say G, then do all the first inversions of that major chord starting on the 6th, 5th, 4th and 3rd string.
- Continue the same approact, but now with second inversion.
- Then third inversion.
- Then repeat the exercise with minor.

Meanwhile doing this, I try to focus on which notes are actually in the chord, and where the root lies.
I often find my self becoming unfocused fast, but it might be that I`m just impatient, and practicing this (not very physical practice) is very unusual for me.

Is the medicine more time, or do you have other suggestions how to do this?

Posted by: Gabriel Leopardi Aug 27 2020, 02:59 PM

You can go to 12:00 here:




Regarding your triads question. That's good, the next step is to connect different major triads, following any chord progression. You can start with two chords, one measure for each one.

For example: D - G or D - Bb

Then combine Major and minor: Dm - G

Finally a longer chord progression: D - A - Bm - G

And the last one could be follow Little Wing progression with triads.

Posted by: mhskeide Sep 3 2020, 05:16 PM

Cool advice, thanks!

Haven`t had the time to film any practice, the days just go by too quickly at the moment. BUT I am finding time for the practice according to the plan discussed, so things are being done.
I`ll try to find time either this or next weekend for a proper video update (or vlog, as they say) with some playing.

By that way, thanks for the riffhard podcast advice. I`ve nearly binged everything now!!

Posted by: Gabriel Leopardi Sep 3 2020, 05:39 PM

Nice! Thanks for the update mate!

Yeah, that postcard is very inspiring.

I'll wait for your vid!

Posted by: mhskeide Sep 9 2020, 10:22 PM

Hi Gab! Time for the wednesday update (which is what I aim for, though not always happening)! It may seem like I`m doing a bit over everything and nothing now, but I feel like I`m slowly making progress both here and there.

Technical training
I haven`t done any legato since we discussed the 30 min/day plan, but I`ve doubled down on alternate picking and downpicking.

I didn`t bother making a video for that, since I`m still making progress, but status so far:
- 185-190 bpm for Master of Puppets, strictly downpicking
- 165-170 bpm for Backbone (by Gojira)
- Almost ready for a REC on this: https://www.guitarmasterclass.net/ls/Alternate-Picking-Workout-1/ (I`ve used this for warmup for over two years, so I really need to get it done now! )

Improv-training
I am still experimenting with the major and minor triads, learning where the root, third and fifth are. Still not fluent, but I feel like my control is increasing.

New solos
Finally starting this one - https://www.guitarmasterclass.net/ls/Ballad-Soloing-Dynamics-And-Phrasing/. Learned half of this today, and will learn the rest on friday, then hopefully make a REC next week: ,

Analysis
I sat down to do another section on Remarkably Human. I`ve gotten a bit further, and tried to fill in the inversions and some basic theory. Feel free to take a look and comment. Also included me playing the chords.
- https://docs.google.com/document/d/1tVb95pHzfgJcQ8JdvHdeCn1BqXE9hpOwTjQG6rXJfVA/edit#
- https://www.youtube.com/watch?v=BqUAV70Tlys&feature=youtu.be (sorry for the vertical filming)

After the lesson on dynamics and phrasing, maybe I`ll try to learn the lead?

And feel free to let me know if you think I`m doing too much at once. For instance, I feel like I`m focusing too much on AP and downpicking now, but in my head, it is mostly to give me headroom to write stuff for the band, and once I reach the work in progress goals above, I`ll change my focus.

Maybe a focus month per topic could be something? But I`d love to spar with you on that.

Posted by: Gabriel Leopardi Sep 10 2020, 03:28 PM

Some thoughts about 'Remarkably Human'.

Great job learning the chords!!

I think that the song is in Eb minor key, and it includes some chords borrowed (modal interchange) from parallel modes and at least 1 secondary dominant.

Ebm/Bb - A6 - Abm - Absus2 - Bmaj7 - Badd6

That A6 chord sounds like a passing chord, some kind of chromatic approach to reach Abm which is part of Ebm. The Bmaj is also like a passing chord to the V7 which is not played in this case. He gets back directly to Ebm. This is how I would explain this, but remember that the way Nick gets it is by harmonizing the melody.

The chorus seems to be in Eb Mixolydian b6 which is the 5th modes of melodic minor scale. Nick use melodic minor a lot.

Thanks for your practice update. The quantity of material depends on the time that you have each day and how you organize your schedule. Do you use a notepad or anything to write down your routine/practice plan?

Focusing on 1 topic per month can be ok, but you should keep other topics in some kind of maintenance session routine because it can bee too much to avoid practicing AP for one month. (for example)

Posted by: mhskeide Sep 16 2020, 07:55 PM

Phui, I need to brush up my theory game a little. I am not quite sure if I get everything, but I have to get back to you with more specific questions after I go for the last sections.





I try to write down and update my progressions in a Trello board, as you`ve previously suggested. It`s better than nothing, and it informs when I`m biting over too much...like now, lol.

I agree. I`ll keep AP in there in some portion, either as warm up or an exercise. Also, the more I listen to the Riffhard Podcast, and they talk about "who the hell has time for practicing technique in the late 20s/early 30s", I start to feel I am focusing down the wrong areas, and should rather try to write stuff/improvise. For now, this is just a thought, but something we might take into consideration. I guess it comes down to my goals.

And here is my first take on a solo you suggested way back in summer: https://www.guitarmasterclass.net/guitar_forum/index.php?showtopic=61287&b=1&st=0&p=0&#entry0

Not perfect yet (as usual...), but it felt ready to collect some feedback.

Posted by: Gabriel Leopardi Sep 17 2020, 02:32 PM

Hi mate!

Great to know that you are using Trello! I use it with my private students and it's excellent to organize routines and things like that. Recently I've been trying a new app for my personal organization, but Trello is enough!

I'll check now your new REC and comment there.

Regarding Nick's song. You are doing a good job. Theory is just to give names to the things that he is using. I'm pretty sure that he doesn't know about most of the concepts that he uses.

Posted by: mhskeide Sep 18 2020, 09:50 AM

Very true. I try to have the same approach to theory myself: Not necessarily using it to write music, but to explain music in "concrete" terms.

Thanks for the feedback on the REC. I think I can do better with another week or two of practicing in a bit more passive manner. And whilst doing that, I`ll move over to this one: https://www.guitarmasterclass.net/ls/Ballad-soloing-dynamics-phrasing-2/.



...Listening to that second video from Darius, I think I can say already now that it will take me some time to learn

Posted by: Gabriel Leopardi Sep 18 2020, 02:26 PM

Nice choice! Yes, it can take time but it's well invested time.

Posted by: mhskeide Sep 23 2020, 09:27 PM

Wednesday update!

As you`ve seen (and graded), some time last week went into the REC takes. I think I can better on the solo lesson by Darius, so I hope to make a new attempt at that one in not too long. Otherwise, I got great comments as usual.

I wasn`t really aware about my "wasting" movements with my right hand. Interesting thing to be aware of, but not nothing I will focus on right now, as I don`t really "need" that speed. I just wanted to finish it for REC, and find a new etude for my AP practice

Also, I`ve been spending a lot of time on songwriting for myself and the band, so I feel like I`m in a good spot these days regarding playing time. I have apparently made some good prioritisation.

The one thing that I`m not progressing on is my improv, since I`m not doing much, not even the triad exercises the last weeks. I think I have been more focused on riffing and song writing.... and maybe that`s the correct thing right now regarding the band, not quite sure to be honest.

Posted by: Gabriel Leopardi Sep 24 2020, 02:21 PM

Hi mate!! All great stuff here. I see that you are very focused on music and guitar and that's cool!!

It's not an easy job to have a band, and take is seriously, compose, record, rehearse, and do all the other stuff like marketing (for example) and continue studying and practicing. I think that each person is different and you need to ask yourself if improvisation is really important at this moment, but also to think in what you want for your future. I don't have this answer, you have it.

Even the greatest guitarists can't do everything well. John Petrucci has a killer technique, and had a profesional band for lots of years. He is an amazing composer and his tone is top level. He usually says in interviews that he left the school of music to dedicate to DT and that he is not a great improviser.

On the other hand, you have Guthrie Govan who focused more on the instrument and improvisation. He has a killer technique, and is one of the most amazing rock fusion improvisers. I can't say that his strong side is composing songs for a band. He usually tells on interviews that composing is a very tricky part for him.

Here I'm talking about 2 masters, and 2 really different approaches. The key is to know what you really want.

Posted by: mhskeide Sep 24 2020, 03:54 PM

Damn, that is some amazing examples of even the great champs not being able to master everything. Thanks for that perspective

Having some momentum with the band, as well as being very inspired by the Riffhard podcast, I think I`m going to opt with riffing and fundamentals for the time being, to make sure I`m rock steady when we start recording (and maybe play live, depending on the pandemic).

I will also keep doing solo lessons and supporting technical exercises, as well as just learning cool songs in general, of which I have done far too little in "my career". But for improv, I won`t spend much time on it for the time being.

I guess this is the part of "growing up" and playing music as a hobby while wanting it to be good: Gotta make some prioritizations, and you can`t have it all. It`s tempting to regret my teenage years, where I should have played more guitar than video games, but then again, at least I did play

Posted by: Gabriel Leopardi Sep 27 2020, 04:05 PM

I totally agree with you. We need to prioritize, but what you need to enjoy is the fact that you have a passion, and that you have many clear goals to achieve. There is many people who don't. And don't worry about those "wasted" video games years, the key is your present and your future.

I haven't listen to many Riffhard episodes, but I've enjoyed the ones that I've heard. I also enjoy The Guitar Hour ones. Have you ever read Guthrie Govan's Creative Guitar books?

Regarding focusing on your band... in my own experience, I could say that I had different stages in my music life, and this is veryrelated to my band experiences. From 11 to 14, I was just trying to play songs on guitar. From 15 to 17 I've focus a lot on technique, I wanted to be the next Yngwie Malmsteen . At the age of 17, I started playing on a profesional progresive metal band, so I have to get gear, and train my rhythm skills a lot! After that, I got into improvisation (mostly with a private teacher), then composition theory (other teacher). When I was 21, I formed my own band, and that's when I stopped playing guitar all day, and got into composition & production. I've tried to keep my practice routines, but I mostly focused on songwriting, recording, mixing (I as also studying this at the University). So I can say that during my 20's, I didn't evolve to much on guitar, but I evolved as a musician. In the last years, I've focused much more on guitar again.

This is just a part of all the things that I've done, but maybe you can get some inspiration from my music phases.

Posted by: mhskeide Sep 27 2020, 09:34 PM

I have not read GG`s books. Will look them up, thanks!

Your guitar career sounds similar to a lot of the players on the said podcast: Focusing a lot on technique in their teens while having time and not having to pay rent, then gradually growing as a musician and everything else in the 20s. I guess I should be glad I after all practiced some technique in my teens, such that _that_ is not the biggest hassle now, so I think I got a decent base, for having a non musical degree and job, so I shouldn`t compare myself to full time musicians. Or said better, one should not compare musicians anyways

And it is awesome to feel that I still can learn new stuff! I wanted to learn this one - https://www.youtube.com/watch?v=l8yqKqNLuQg&ab_channel=KeithMerrow - For a really long time, and the last weeks I have been able to by ear only, so that feels good! Will share a cover video once I get it up to speed.

Posted by: Gabriel Leopardi Sep 28 2020, 01:34 PM

Can't agree more. We can hear other stories for inspiration, but each of us has its own journey and that's what makes us unique.




Cool riffs!!!


I'd like to share 2 off topics videos, but that I think are related to what we are talking in any sense.

This one starting at 9:08 (the whole vid is cool but I refer to that 5 years segments concept)



And this rule



Enjoy!

Posted by: mhskeide Oct 1 2020, 05:08 PM

Thanks for the suggestions, I will take a look! I don`t really have any new updates this week, besides having written a lot of riffs for the band, and riffing practice in general. Can really feel some difference in my right hand attack and stamina, which is awesome!

Posted by: Gabriel Leopardi Oct 1 2020, 09:02 PM

Nice!! Those are great news. Keep on rocking.

Posted by: mhskeide Oct 14 2020, 04:36 PM

Notn much new this last week. A lot of work and non-musical stuff keeping me busy, but luckily an open weekend coming up, so hoping to share more then!

Also, I`ve ordered my first fan fret guitar
The one from Harley Benton (Thomann`s own brand) which is dirt cheap, but has good reviews for the price, so I`m very curious to try that out, both in terms of the guitar itself and how the fan feels (25.5-27").

Posted by: Gabriel Leopardi Oct 15 2020, 03:30 AM

Hi mate! Thanks for the update and congrats on your new guitar coming!

Posted by: mhskeide Oct 21 2020, 08:26 PM

Warning, long post

Ran through the entire mentor thread yesterday, and I cannot believe it has already been over a year already since we reset it (scrapped the old mentor thread). So I guess this can be called sort of a "1 year progress reflection".

The general tone seems to be me being over ambitions compared to time available, which is a bad habit of nature of mine. I guess I aim high, and tend to fall back on 80% of my goal, which is actually not that bad in the bigger perspective.

That said, looking back at my goals when restarting the mentoring, it said:
- Getting small things done (vibrato, bending, dynamics)
- Writing more music
- Doing a lot of RECs
- Learning licks/solos

I consider the two first the most important ones. They are goals that one can say never is completed, but comparing to 1 year ago, I think my vibrato/dynamics/bending have improved somewhat. Also, I have written way more the last year than previous years, as I am now in 2 bands, so I must say I`m satisfied there as well, even though it could be even more!

I have not done terribly many RECs, but at least some. And some challenging ones, like the pop funk rhythm, which was brand new! So maybe 1 REC per month is a goal going forward, and that being something targeting a desired area.

Have hardly learned any new licks or solos apart from the REC things, as riffing and rhythm have been the priority the last months. And I want to keep that the priority as well, throughout this last quarter of 2020.

Going forwards

I have revisited your earlier suggestion for a practice plan, and divided it into two plans which I will alternate:

# Plan A
- 5 min warm up
- 10 min Alternate picking
- 10 min Rhythm/riffing
- 5-15 min improv/chord work (primarily chord work, with the assumption of it improving the improv).

# Plan B
- 10 min warm up which includes some picking etudes as well, but not at the same intensity as in A
- 10 min legato / hybrid picking / trills (Not sure how to subdivide, but the goal is to improve all throughout a month)
- 10-15 min rhythm/riffing

This is supposed to be an aid for me in busy days, as a way to at least play 30 minutes, even though I might not be inspired to write something myself. Also, the days where I DO HAVE inspiration to write, writing will always trump other practice.

I will also aim to write something for myself (not band) every other week. Nothing big, but maybe some chords or riff in a simple structure. Hopefully with some self programmed drums after a while.

Also, I will try to learn more songs than GMC-lessons, as I have rediscovered the love of playing music I really dig! and as mentioned, do at least 1 REC per month to target a focus area.

Soloing is sort of on hold for the moment. Not as in "I want solo no more", but I`ll rather play good rhythm!

Some awaited "works in progress

https://youtu.be/oJxte5f_eo0

I have Master Of Puppets with downpicking at 85% in this video. Not very good, but on other days it is tighter. I struggle with 90%, but my technique feels alright. So unless you have any suggestions for improving my technique, I`ll just keep on with minor bpm increments

https://youtu.be/e-nE0wdSQ2E

I have had this etude on my WIP list FOREVER! I had it on 130bpm some weeks ago, but it feel again when not practicing regularly. Also, as feedback suggested on my other videos, I feel I`m "wasting" a lot of movement on my right hand. You agree? How can I do changes to something as fundamental as my right hand?

https://youtu.be/mABPmvH2EYY

This is basically just to show some work in progress on the Merrow-song. It is originally at 110 bpm, and I can play it fairly well at 100bpm. However, this is 104bpm, as a lot of the errors implies. Those slides from 5th to 11th fret and back are hard! Also, the cheap as multi scale (Harley Benton) is as expected...not really an inspiring instrument

Phuuuui...
that was a long ass post. I`ll try to film more with my mobile forward such that I can share more often. The hassle of going through a proper camera and Logic Pro for better quality makes me avoid it usually, but high quality is not the point of WIP videos anyways.

Looking forward to hear your thought and comments. I know I won`t get more out of you than I put in, and I need to put in more

Posted by: Gabriel Leopardi Oct 22 2020, 02:58 PM

Hi mate! This is a GREAT post!

I think that reviewing the thread is a very good idea and your thoughts are very positive for your own progress, and also for our work here together.

I must say that I agree with everything you said, and that your plan sounds perfect. It's interesting to know that you achieved 80% of the goals. I think that it's not a problem to be ambitious regarding things to cover, if it keeps you moving and motivated. Maybe if you set a higher 100%, your 80% can be higher. In other words, we usually achieve the 80% of what we expect.. this is not confirmed, but that's what I think.

The technique short routines sound very promising. Even practicing 30 minutes of well focused exercises can make a big difference.

Regarding your videos...

- Master of puppets is on the right track! Try to make your right hand movement smaller to be able to play it faster.

- Etude: I agree that your right hand movement can be a lot smaller, I feel the same with your let hand here. How to make it smaller? Practicing in smaller blocks, very small focusing on making movement the more economic possible. Separate hands, work on one hand, then the other, and finally connect both (kiko loureiro's style)

- Merrow cover: It's awesome to see how economic your movements are in this video.

I think that your cellphone videos are perfect for this purpose.

Ok mate, I think that we had a very positive new mentoring year, I'm proud of you. Congrats!!!

Posted by: mhskeide Oct 30 2020, 06:13 PM

Thanks a lot! Regarding the 80% - It`s not necessarily that accurate, but I have the same philosophy as you suggest - It doesn`t matter if I don`t reach all of my goals, as long as I am satisfied and keep setting new and some even higher goals, and with that implicitly also raising my own bar

I`ll try to reduce my hand movement in some workouts in the near future!

Posted by: Gabriel Leopardi Oct 30 2020, 07:26 PM

Yeah! Good thinking!!

Posted by: mhskeide Nov 19 2020, 04:54 PM

Still mainly practicing my metal rhythms. It`s been a busy few weeks, so I cannot play "for my self" everyday, hence I find it hard to do anything but maintain my current downpicking speed. But at least maintaining is something. I have been looking for a suitable GMC lesson to do some rhythm stuff and I found this, which I`ll be attemping within november: https://www.guitarmasterclass.net/ls/Pantera-Style-Riffs/

Also, we are finally going to a proper studio for 3 days in 3 weeks to record 3-5 songs for our band! This is not the band where I am the sole riff writer, so a lot of simple one string riffs, but it still fun to be in a proper band You can check out one of our songs here: https://soundcloud.com/braadypt/nag/s-qJRhfzUopQ8 (norwegian lyrics though)

I plan to sit down with the bass player and a metronome the week before and work out all the small details and nuances in our playing, such that most of the time in studio can go to experimenting with tone, add layers etc.

I think this is my first "serious" studio session, so I am very eager and a bit nervous (in a good way). Any rookie tips?

Posted by: Gabriel Leopardi Nov 19 2020, 08:03 PM

Hi mate!! Great stuff here! Thanks for the practice update.

I'm checking your song while writing here. GREAT riffing and style man. I like how your language sounds. I believe that more European bands should record in their native languages, it makes it sound fresh.

Great to know that you are going to record at the studio! These are some tips that come to mind now:

- Pitch/Tuning: One of the main problems that we find when recording at the studio is tuning. Guitars are not our best friends in this sense, so you need to be sure that your guitar is calibrated, and that the string gauge is the right for your tuning.

- Record your self at home playing the songs and check if everything sound perfectly tuned. Sometimes we press too hard with our left hand and tuning is not precise.

- Besides tuning, Timing is the second most important element when recording. Train your rhythm skills, practice over the drums and be sure that you are playing tight.

- Record a direct out dry take so you can Reamp in the case it's needed.

- Use the less distortion possible. It always makes everything sound better.

- Using a overdrive like tube screamer before the amp usually shapes the sound in a cool way.

- And the most important thing, enjoy the experience. You'll never forget it.

Posted by: mhskeide Dec 3 2020, 10:04 PM

Thanks for all of the feedback and tips above!

Tomorrow is the day, but I think I am well prepared. The other guys really likes a Kemper preset that our singer and main songwriter has used, which as you say, sounds killer. But it relies heavily on an octave effect, which in turns, limits me to "one string riffs", making it all easier. And maybe a bit boring at times.

Some other songs which I have mostly written have less octave effect and more chordal stuff, but the other guys really like the pre-prod sound, so I guess I am going to swallow some of my ego, using the Kemper instead of a Friedman BE which is in the studio.

Have you been in similar situation sometimes? Where your tone is dictated, in a situation where you are in a band, and not just a guitar for hire (in which case, it is totally fine IMO). It`s a bit hard to argue when they are 3 to 1



...also, did a REC, FINALLY: https://www.guitarmasterclass.net/guitar_forum/index.php?showtopic=61490&b=1&st=0&p=0&#entry0

Too long between these, but I say that all the time

Posted by: Gabriel Leopardi Dec 4 2020, 04:18 AM

Hi mate!

I don't know if you'll read this before or after the session, but I wish you all the best!! I wonder if you'll be recording live with all members playing of if you'll have your moment for guitars.

When making decisions, I really trust my bandmates. We work together as a team to get the best results. Even more when it's related to guitar playing, sound and effects. We can be very subjective with our own instrument so if 3 members of the band agree with anything, I would go for that option. Their opinion is usually more related to how it sounds and works for the song, while we can also be influenced by our ego.

Enjoy the session, it will be an amazing experience.

I'll check your REC take!

Posted by: mhskeide Jan 6 2021, 06:59 PM

Hey Gabriel! Happy new year

I have to give a word of warning first; I might have to drop out of GMC for a period during winter/spring 2021, as I have some other stuff going on that will require more time than before, but I`ll try a couple of weeks and see how much time I`m able to spend here. The 1 on 1 with you, as well as the feedback from several instructors on REC is super valuable to me, but at some point, I might have to reconsider if I can`t give any input here myself.

Now, that out of the way: Right hand technique!

I have gotten the comment so many times now regarding much movement with my right hand, but I can`t seem to figure out how to change it. I see that other people move their hands less, and their hand seems almost perpendicular to the strings, but I can`t figure how they are hitting the strings then, without the pick being perpendicular as well.

Any insight or recommended lessons/exercises I can try? For some reason, I do want to play more extreme stuff in the time ahead, and I realize my right hand will be a bottleneck. Turning 30 soon, I think metal are like drugs: You either stop with it, or just keeping going heavy (not that I do drugs, but I find the comparison amusing).

Posted by: Gabriel Leopardi Jan 6 2021, 07:29 PM

Hi mate!! Happy New Year! Thanks for the update! Even if we don't see you here, I hope that you can keep your guitar practice during this period of time.





I'm re-checking your Pantera lesson take while reading this. It's true that your hand movement could be smaller, and I think that this could be the cause of the small timing thing that Kris marked in his comment. The motion is not bad, I don't think that you need to change the angle, you just need to continue practicing until you get used to a smaller movement. There two comments that I'd like to share about this:

- Practicing at slower tempos can help you to force the smaller movement and get used to it.
- Practicing at an uncomfortable fast tempo can also help to get used to a very small movement.

This comments seem to be contradictory but what I get from them is that we need to practice over and below our comfortable tempo if we want to polish our technique. Does it make sense?

Posted by: mhskeide Feb 1 2021, 10:41 PM

Hi! Your previous comment makes perfect sense, and I`ll bring that along with me. I`ll also try to participate in the forum, even though me replying here after 4 weeks is not a good sign

I need to pause my subscription now, as I`ll have to prioritize my two bands and writing in the time going forward. Also, I`m stoked to start rediscovering my motivation for playing guitar again, and learning more songs - not just lessons, which I`ve done far too much the last year. Not that lessons don`t help, but the amount of new songs I`ve learned from 2013-2019 is quite embarassing

I hope to return in not too long, when I have the time, as this 1-on-1 and the feedback from the RECs are super helpful! Thanks for all of your advice thus far

Posted by: Gabriel Leopardi Feb 2 2021, 02:13 PM

Hi mate! Nice to hear from you!

Your plans sound good to me. This place is always open to monitor your progress, ask questions or share your work on progress. It's nice to know that you'll be focusing on compositions for your bands. If you need any help with it here am too.

Regarding motivation, I don't think that you are not motivated since you are playing in two bands and working on new music. Maybe it's not a practice (or learn new things) period, maybe it's time to apply everything you've learnt and discover which things you don't know (and need) to set them as future goals. Don't you think so?