Right hand positioning |
|
Right hand positioning |
|
|
|
|
Jan 30 2007, 03:31 PM |
I don't know about that specific song - but this usually differs from guitarist to guitarist. One of my favorite pickers, Steve Morse, moves the hand parallely to the brige (like you said).
...while Yngwie seems to have his hand in one position (or almost) - thus he must change angle. So no definite right or wrong here - pick one that works for you. Speedpicking lesson 1 speaks about this. Kris |
|
|
||
|
|
|
Jan 30 2007, 10:15 PM |
I don't know about that specific song - but this usually differs from guitarist to guitarist. One of my favorite pickers, Steve Morse, moves the hand parallely to the brige (like you said). ...while Yngwie seems to have his hand in one position (or almost) - thus he must change angle. So no definite right or wrong here - pick one that works for you. Speedpicking lesson 1 speaks about this. Kris Watched the lesson again and it's raised another question. How important is the accenting? -------------------- Guitars - Epiphone Les Paul Custom (Seymour Duncan JB), Schecter Omen 6 Extreme FR, Squier Affinity Strat, Yamaha F-301 Acoustic
Pedals - Line 6 Uber Metal, Line 6 Echo Park, Jim Dunlop GCB95 Cry Baby, MXR Phase 90, Boss NS-2, Digitech WH-4, Boss TR-2, Boss TU-2, Behringer 7 Band EQ Amps - Marshall AV50 Head + Cab, Marshall AVT100 112, Line 6 Spider 112, Fender Frontman |
|
|
||
|
|
|
Jan 30 2007, 11:15 PM |
Watched the lesson again and it's raised another question. How important is the accenting? It is important and good way to achieve speedpicking control a little faster! |
|
|
||