Best Mix To Date For Me, Heavy and fast metal |
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Best Mix To Date For Me, Heavy and fast metal |
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Aug 2 2012, 02:26 AM |
That's great stuff!!!!! Best song I heard today!
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Aug 2 2012, 09:23 AM |
Sounds huge man - love it !
And that artwork is beautiful ! |
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Aug 2 2012, 12:42 PM |
Its the one thing I can't translate well over the internet, local playback the notes pop a lot better cause its a fretless bass, ... Internet sites have a tendency to add additional compression when they transcode to whatever their preferred format is. That can play real havoc with any audio. -------------------- Get your music professionally mastered by anl AES registered Mastering Engineer. Contact me for Audio Mastering Services and Advice and visit our website www.miromastering.com
Be friends on facebook with us here. We use professional, mastering grade hardware in our mastering studo. Our hardware includes: Cranesong Avocet II Monitor Controller, Dangerous Music Liasion Insert Hardware Router, ATC SCM Pro Monitors, Lavry Black DA11, Prism Orpheus ADC/DAC, Gyratec Gyraf XIV Parallel Passive Mastering EQ, Great River MAQ 2NV Mastering EQ, Kush Clariphonic Parallel EQ Shelf, Maselec MLA-2 Mastering Compressor, API 2500 Mastering Compressor, Eventide Eclipse Reverb/Echo. |
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Aug 2 2012, 03:31 PM |
I'm not fan of that growling but the song kick ass ! Really tight playing man ! Also nice cover art - fits in the song
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Aug 2 2012, 11:20 PM
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Very good, my favorite is the part around 5 minutes
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Aug 3 2012, 09:41 AM |
I find the high quality videos on youtube translates audio best. SoundCloud is close but it darkens it and sucks a little low end out. Doesn't a proper master also help with this as well? Not sure what youtube use but the video should just be a wrapper and so maintain whatever audio you use. I think Soundcloud however transcodes to a compressed format and that can do what your hearing - i.e. it's adding compression when it transcodes. That compression drags up the noise floor and flattens the dynamic range. That can result in the low end and quiet stuff dissapearing a bit and with something like a fretless you can also really lose some of the snap. The transcode also tends to kill off some of the high end resulting in a both a darker mix: if I remember correctly mp3s have a tendency to roll off quite steeply from about 16kHz but it depends on the actual codec and mp3 target rates. Many people don't think that makes a difference because of our audible range but it does - it kills the air/shimmer in a mix and tilts the audio spectrum to a darker mix. A proper master needs to pay some attention to what the final target is and it's one reason why we always ask. If it's CDA 16/44.1 it can limit to -.3 and dynamics spectral tilt etc are generally retained as what you render. If its digital then it needs to be a little more conservative with 2 bus compression/limiting to at least allow for the transcode and you need to be aware how dynamics etc may shift. Radio and film are again different, albeit that a well mastered CD which has good dynamic range is generally fine for both. A quick way to lose post work - submit audio which is clipped and lacks dynamics to a major and you'll never hear from them again . That would be 99.99% of the digital stuff on the net. By the way Sonnox/Sony Oxford developed a vst that lets you load a wave and compare what multiple transcoders will do in real time here. It's not cheap though at about $450. The alternative though is to do a lot of ABs to compare uncompressed wave files before and after transcoding to see what's happening. -------------------- Get your music professionally mastered by anl AES registered Mastering Engineer. Contact me for Audio Mastering Services and Advice and visit our website www.miromastering.com
Be friends on facebook with us here. We use professional, mastering grade hardware in our mastering studo. Our hardware includes: Cranesong Avocet II Monitor Controller, Dangerous Music Liasion Insert Hardware Router, ATC SCM Pro Monitors, Lavry Black DA11, Prism Orpheus ADC/DAC, Gyratec Gyraf XIV Parallel Passive Mastering EQ, Great River MAQ 2NV Mastering EQ, Kush Clariphonic Parallel EQ Shelf, Maselec MLA-2 Mastering Compressor, API 2500 Mastering Compressor, Eventide Eclipse Reverb/Echo. |
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