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jer
post Mar 3 2009, 11:14 PM
Post #41


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Write out the A Ionian labeling A as the I - A, B, C#, D, E, F#, G#

Write out A major pentatonic using A as the I - A B C# E F#

Write out F# Aeolian using F# as the I - F#, G#, A, B, C#, D, E

Write out F# minor pentatonic using F# as the I - F#, A, B, C#, E


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lcsdds
post Mar 3 2009, 11:17 PM
Post #42


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QUOTE (jer @ Mar 3 2009, 11:14 PM) *
Write out the A Ionian labeling A as the I - A, B, C#, D, E, F#, G#

Write out A major pentatonic using A as the I - A B C# E F#

Write out F# Aeolian using F# as the I - F#, G#, A, B, C#, D, E

Write out F# minor pentatonic using F# as the I - F#, A, B, C#, E

Which two notes are missing?
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jer
post Mar 3 2009, 11:24 PM
Post #43


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the ones I said would be.

I looked at about half a dozen of these and it seems to be true. But I havent ever seen it printed anywhere that its a constant occurance.

Like the relative minor is based on the 6th degree of the major scale....


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Jackson SL-1 USA Soloist
Jackson DK2M
ESP LTD MH-400
ESP LTD EC-1000
Ibanez Custom S-Series
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Handmade Marshall JCM800 50watt head (with mods)
Carvin 50x2 Stereo Tube Amp
Boss GT-10 Preamp/Effects Processor
Digitech GSP-1101 Preamp/Effects Processor
Behringer FCB1010 Midi Controlled Floorboard
Behringer Dualfex EX2200
Behinger Stereo EQ
Line 6 POD with 2.3 upgrade
Line 6 Floor Board
Line 6 Spider III Practice Amp
Nady UHF Wireless


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lcsdds
post Mar 3 2009, 11:56 PM
Post #44


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QUOTE (jer @ Mar 3 2009, 11:24 PM) *
the ones I said would be.

I looked at about half a dozen of these and it seems to be true. But I havent ever seen it printed anywhere that its a constant occurance.

Like the relative minor is based on the 6th degree of the major scale....

Take this to the pentatonic thread and write out all the modes of "A Major" using the root of the mode as the I.

Then underneath it write out the major or minor pentatonic using that same note as the I and the summarize which notes are missing like this

A Ionian: A-B-C#-D-E-F#-G#

A Major Pentatonic A-B-C#-E-F#

4 & 7 missing


Do it like this for all the modes of A Major using the root of the mode as the I and comparing the major or minor pentatonic to it depending on if it is a Major or Minor mode.

Off to the Pentatonic Thread...... smile.gif
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jer
post Mar 4 2009, 12:53 AM
Post #45


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Uh uh.... I'm not doing that.

Every one I've ever tried has been that way. I'm just curious as to why I never see it as the rule.

I need to actually pick up the guitar tonight. Not write out more scales. If we are still unsure I'll write them out tomorrow.



--------------------
My Gear

Jackson SL-1 USA Soloist
Jackson DK2M
ESP LTD MH-400
ESP LTD EC-1000
Ibanez Custom S-Series
Martin 001 Acoustic

Handmade Marshall JCM800 50watt head (with mods)
Carvin 50x2 Stereo Tube Amp
Boss GT-10 Preamp/Effects Processor
Digitech GSP-1101 Preamp/Effects Processor
Behringer FCB1010 Midi Controlled Floorboard
Behringer Dualfex EX2200
Behinger Stereo EQ
Line 6 POD with 2.3 upgrade
Line 6 Floor Board
Line 6 Spider III Practice Amp
Nady UHF Wireless


"Who will eat the decay, when the worms have lost their sight?"
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lcsdds
post Mar 4 2009, 01:03 AM
Post #46


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QUOTE (jer @ Mar 4 2009, 12:53 AM) *
Uh uh.... I'm not doing that.

Every one I've ever tried has been that way. I'm just curious as to why I never see it as the rule.

I need to actually pick up the guitar tonight. Not write out more scales. If we are still unsure I'll write them out tomorrow.

No problem Jer. Pick up the six stringer and get cracking on the Lydian lesson. We'll hit this some more tomorrow. I need to check a few things anyways and make sure I am correct in my line of thinking. smile.gif wink.gif
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jer
post Mar 9 2009, 04:10 PM
Post #47


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Writing harmony lines.

I think I unserstand how to do this.

Lets say I had a lick in Cmaj.

And the line goes, C, E, F, A, A, B ( I just chose random notes)

If I wanted to harmonize with this in 3rds, I'd go 2 notes up the scale from each note played yes?

(cmaj scale = cdefgab)

So for C I'd play E
E = G
F = A
A = C
B = D

So my harmony line becomes E, G, A, C, C, D and this is a major third above the original line?

Correct?


--------------------
My Gear

Jackson SL-1 USA Soloist
Jackson DK2M
ESP LTD MH-400
ESP LTD EC-1000
Ibanez Custom S-Series
Martin 001 Acoustic

Handmade Marshall JCM800 50watt head (with mods)
Carvin 50x2 Stereo Tube Amp
Boss GT-10 Preamp/Effects Processor
Digitech GSP-1101 Preamp/Effects Processor
Behringer FCB1010 Midi Controlled Floorboard
Behringer Dualfex EX2200
Behinger Stereo EQ
Line 6 POD with 2.3 upgrade
Line 6 Floor Board
Line 6 Spider III Practice Amp
Nady UHF Wireless


"Who will eat the decay, when the worms have lost their sight?"
Go to the top of the page
 
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lcsdds
post Mar 9 2009, 04:14 PM
Post #48


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QUOTE (jer @ Mar 9 2009, 04:10 PM) *
Writing harmony lines.

I think I unserstand how to do this.

Lets say I had a lick in Cmaj.

And the line goes, C, E, F, A, A, B ( I just chose random notes)

If I wanted to harmonize with this in 3rds, I'd go 2 notes up the scale from each note played yes?

(cmaj scale = cdefgab)

So for C I'd play E
E = G
F = A
A = C
B = D

So my harmony line becomes E, G, A, C, C, D and this is a major third above the original line?

Correct?

Yup!! smile.gif
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