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> Pedja's Collab, Please sign up if you can
Outlaw2112
post Mar 21 2009, 12:56 AM
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QUOTE (lcsdds @ Mar 10 2009, 05:33 PM) *
Here is a tab of some two string 7th arpeggio shapes played in three octaves. Think of these a 4 note scales. I tabbed one for every 7th chord used in the collab. I also gave you some 4 string shapes starting from the "A string". These are laid out to where you have a shape starting from every note in the arpeggio. I didn't give you a shape for the dominant 7th chord yet or a shape starting from the 3rd or 5th of the minor 7th shape. I'll get these to you later and update the tab. This shoud give you alot of different options to play for the collab. Give them a try. I'll go into a little more detail later on today. smile.gif

I need to start working on this collab... Ive become soo obsessed with getting the metronome down perfect that i havent started working on this collab..

So the notes on this gp file are all the notes i need to make a solo from? Im a little confused on all this theory 3rd 5th 7th talk... but whats new.. So if i study these arpeggio shapes and come up with a solo for this collab things should work out, correct

I have my son this weekend so ill start working on this sunday night.


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lcsdds
post Mar 21 2009, 01:06 AM
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QUOTE (Outlaw2112 @ Mar 21 2009, 12:56 AM) *
I need to start working on this collab... Ive become soo obsessed with getting the metronome down perfect that i havent started working on this collab..

So the notes on this gp file are all the notes i need to make a solo from? Im a little confused on all this theory 3rd 5th 7th talk... but whats new.. So if i study these arpeggio shapes and come up with a solo for this collab things should work out, correct

I have my son this weekend so ill start working on this sunday night.

Yeah...just stick to the notes of the chord you are playing over. The 1-3-5-7 are the notes of the chord. For instance lets look at Cmaj7

Cmaj7=C-E-G-B....C=1 or the root...E=3 or major third....G=5 or perfect 5th....B=7 or major 7th. Just refers to the intervals used to create the chord. Remember what Jer said about leapfrogging and stacking 3rds.

You don't need to create anything epic or fancy for this collab. Pedja just wants you to stick to the notes of the chord you are soloing over. So for Cmaj7 you need to stick to CEGB as far as what notes you are playing....very limiting....on purpose. smile.gif
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Outlaw2112
post Mar 26 2009, 04:20 AM
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thanks for having me sign up for this collab.... it was alot of fun to play and mess with, i would have never joined it
if you didnt want us to do it

thanks monte.

heres my take on it
Attached File(s)
Attached File  Arpeggio_soloing.mp3 ( 564.92K ) Number of downloads: 111
 


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lcsdds
post Mar 26 2009, 04:29 AM
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QUOTE (Outlaw2112 @ Mar 26 2009, 04:20 AM) *
thanks for having me sign up for this collab.... it was alot of fun to play and mess with, i would have never joined it
if you didnt want us to do it

thanks monte.

heres my take on it

Awesome John!! Nice take. I noticed that Pedja had you redo it a few times to make sure you stuck to the rules of the collab. The whole purpose of this collab is to get you to really think about what you are playing....in this case only chord tones. Even though you are not a Jazz guy...I'm not either tongue.gif .....Pedja is doing all of us at GMC a HUGE service by giving us great tools to compose/improvise solos. You could just sit and noodle for hours until you play something that sounds good....OR....you could approach your solo intelligently and compose or improvise something using these tools that Pedja is teaching us. This applies to any Genre. Hopefully this will give you a lot of ideas for your own leads. smile.gif
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Outlaw2112
post Mar 26 2009, 04:33 AM
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QUOTE (lcsdds @ Mar 26 2009, 04:29 AM) *
Awesome John!! Nice take. I noticed that Pedja had you redo it a few times to make sure you stuck to the rules of the collab. The whole purpose of this collab is to get you to really think about what you are playing....in this case only chord tones. Even though you are not a Jazz guy...I'm not either tongue.gif .....Pedja is doing all of us at GMC a HUGE service by giving us great tools to compose/improvise solos. You could just sit and noodle for hours until you play something that sounds good....OR....you could approach your solo intelligently and compose or improvise something using these tools that Pedja is teaching us. This applies to any Genre. Hopefully this will give you a lot of ideas for your own leads. smile.gif

yeah it gives me ideas, i just gotta alot of catching up to do in my brain... start playing by feeling and thinking instead of just playing by feeling..

im learning slowly, but at least im learning

thanks


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jer
post Mar 26 2009, 12:19 PM
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Nicely done John!!!!



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Outlaw2112
post Mar 26 2009, 12:28 PM
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QUOTE (jer @ Mar 26 2009, 12:19 PM) *
Nicely done John!!!!

thanks... looking forward to hear your take


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kaznie_NL
post Mar 27 2009, 03:21 PM
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I alomst finished writing (3/4) and today/ tomorow I'm gonna finish and record.


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Marek Rojewski
post Mar 27 2009, 04:13 PM
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I uploaded mine already in the upload thread. First time there was a mistake, and everything from the 10 bar was one bar to late, but somehow I liked the sound of it much more than the final take dry.gif Anyway it was a great idea, as I proved myself that I am capable of writing anything... Most certain nothing special, but still better than nothing:)


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kaznie_NL
post Mar 29 2009, 01:08 PM
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I uploaded my take wink.gif It's in the UPload thread, here's a link to the direct WBT take: https://www.guitarmasterclass.net/guitar_fo...st&id=14681

They're actualy all loose licks, it's hard to connect with these triads.


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