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![]() Instructor ![]() Group: GMC Instructor Posts: 7.201 Joined: 14-July 08 From: London UK Member No.: 5.490 ![]() |
Hi guys
After all the trouble I had with my computer I am back with the mix and the comments. Sorry for the delay. First my Sonar crashed and just as I fixed it my whole system crashed. Now I can finally continue with my work ![]() ![]() ------------------------------------------------------------------- GROUP 1 Chris Evans (0:00 - 1:09) This take is great. The first thing I noticed when I imported your takes in the project was that you followed all the rules about recording and exporting the track. Great and healthy signal, mono solo track, no reverb/delay and stereo track with the backing. Well done. I believe that's not a hard task plus I don't need to spend 15 min aligning and cleaning the take. Your tone is really nice and has a great clean definition. I don't really have many words to say about your playing. It is clear that you enjoyed playing over this backing and when such thing happens, the take must be good ![]() TheKeplerConjecture (1:09 - 2-14) I really like this take. Full of great melody lines. There are some nice jumps from lower to higher octave. Well known Yngwie/metal trick. Your control throughout the take was very well controlled and balanced. You also did a good job with note choices. It is clear that you really worked on this and there was that polishing stage where you probably got rid of some unwanted notes and ended up with a nice take. That’s also my approach to composing. I might be wrong but it really sounds like you spent some serious time. I like the way how you target diminished scales. You wait for it on some note and kick in with the group of very nicely chosen ones for the dim7 part. The only thing that could be much better is your vibrato. It would sound much stronger if your vibrato was wider. Don’t be afraid to use it as much as possible in this style of music. It really adds power in playing. Also remember that next time you export mono guitar take. No need for stereo track on solo take. You export stereo only for the one with the backing. That’s a good practice and everyone should pay attention on that. Remember it if you want to have the whole thing done in a professional way when you work with producers and sound engineers. Well done for this one. Enforcer (2:14 - 3-19) After some discussion on forum about your previous recording you managed to produce very interesting take. There are still a couple of things that could be improved but this take works as it is. I noticed in your previous collaborations that your vibrato is somehow aggressive and very often some notes sound like nearly out of tune. In this take nothing is out of tune but sometimes just on the edge. I have a feeling that most of the notes you’re bending unconsciously even though there are no bends. The vibrato is consistent most of the time but sometimes you break that 8th note feel when vibrating and that reflects different in the phrasing. It should always be the same from beginning until the end. The scales are all correct and you did a great job with some very interesting melodies. That shows your real creative side which I noticed from your first collaboration. The first part of the solo was somehow all over the place with no perfectly defined melodic continuity but later (from those drum breaks) everything was perfect. There was a great melody flow. Especially the part when you’re sliding that diminished pattern and all the way until the end. I also noticed that when you’re picking faster palm muted phrases they are not perfectly in time. Maybe because of the palm muting you need to concentrate more on picking as your hand get stuck on the bridge and you limit your picking movement. Not a very big deal but it’s hearable. This take is very interesting melody wise and that shows your great compositional skills but some technical side of it can be more polished. Credits go to you for the properly exported track. Good signal, mono track, no effect etc... That’s how pro guys do it ![]() maharzan (3:19 - 4:24) Very nice take. Perfectly structured melody which starts slowly and with every next phrase announcing something different. That’s exactly how an interesting melody should be composed. Your vibrato is pretty good. Well controlled and consistent. There were only a couple of moments where you nearly lost that continuity but that was nothing dangerous. Some notes were not vibrated. Don’t be afraid to go for it all the time whenever you have a long note. All scales were correct and your note choice was very interesting. There are million ways how you can build the melody over this progression and you definitely found a good one. I noticed that when you’re going for faster runs you’re not perfectly in time. That’s noticeable when the drums have those broken fills and in the end with the very last lick. That lick itself was great but you were speeding it up just slightly before the beat. Be careful there. If you make us enjoy the take all the way then don’t ruin it at the very end just because you got too excited. You had some nice bends which were very precise. That’s very important when you go for bending not to make it sound out of tune. Another interesting part is how clever you target your every next note and switch from one scale to another. You wait for the part to come and just execute or resolve on the right spot with the right note. That shows that your skills as a composer are very good. You really showed an interesting and creative piece of work which I am very pleased to hear. Well done. audiopaal (4:24 - 5:28) This take has some very nice melody flow. There was only one wrong note on 4:41 (A note instead of A#). There you have the F# chord and it’s a major chord. A# is major 3rd from F# so that would be the right one. Never play minor interval over a major chord. The sound is somehow too clean. While is doesn’t sound bad at all I think it sounds better when I applied some distortion from Amplitube plugin. I couldn’t make warmer distortion as your sound was somehow already a bit distorted. Now it sounds dirtier but at least more in style. This solo is supposed to be played with distortion but not extreme metal one, more like a hard rock type of sound. Your vibrato could be more consistent. Vibrate from the wrist and keep the 8th notes feel against the tempo while vibrating. Vibrato is very important key in nicer and smoother connection between notes. It really adds a lot into the overall impression. Your phrasing was ok but sometimes too many long notes in a row. I wish you went for just a few more busier melodic runs. That’s just a stylistic thing, nothing to do with your actual playing but also improves the overall quality of the take. I liked when you switched to the higher octave and broke that low register continuity. It refreshed the melody and made it much more interesting. Your notes in that part were really good. Always felt like you’re targeting somewhere to resolve while you kept just the right amount of tension. The resolution came in the end which was nicely composed but you went a bit far after the backing stopped. I like this take but for the next time try to think of some tips that I mentioned in order to make it even better. I can hear that you’re talented musician and no reason why every next one wouldn’t sound better and better. Good work. jafomatic (5:29 - 6:33) Very good playing Jafo. Your melodic ideas are really nice. Not repetitive at all. Always something unexpected but never overplayed which I like. I wish your vibrato was much wider. It sounds almost flat. Read audiopaal’s comment about the vibrato. The take would definitely sound better if you applied some vibrato. Your faster phrases are very nice but sometimes they sound like you pick them weak. Don’t be afraid to pick harder. It also reflects in your sound. You just can’t get out all the power of you good guitar sound if you don’t pick the note properly. While speaking about the sound you could have a bit more drive. All your faster melodic shapes were excellent but sometimes sloppy in rhythmical placement. They need to sound tight and that’s the impression I want to have where we can all say “hey this guy knows how to do this” ![]() Sensible Jones (6:33 - 7:38) Nice ideas Jones. Very nicely organized solo but there are things that you can improve. You played all correct notes but many of your runs were sloppy. Some of them were completely displaced from the actual rhythm and that just doesn’t sound right. I heard exactly what your great ideas were but they would make more sense only if you played them on the correct spot. You need to practice your licks slowly. Once you’re 100% sure that you’re doing great then you speed it up until you reach the tempo you need. The first sloppy one was 6:41-6:43. Very common neoclassical lick but you slipped a little. The next one was on 7:12. You played one unnecessary note before the actual expected pattern. That first note displaced the whole line and the whole run sounded off beat. That’s the place where many of you went unison with the backing – on the long drum fill over F# chord. On 7:25 you had some scratches just before the diminished run. They sounded like you didn’t know how to start that pattern and you went faster with the diminished line which sounded rhythmically displaced. All nice ideas and great note choice but many times not rhythmically correct. The ending was good with that little trill. The other thing I want to say is your sound. It’s too trebly and too distorted. Just tweak it with the EQ and gain. Take out some treble and put less gain. The basic sound definition was good. The last thing but not less important is your vibrato which is nearly flat. I mentioned that in previous comments. Vibrato is one of the most important ingredients for a good soloing that every player should use whenever there is a long note. Read audiopaal’s comment regarding the vibrato. Your overall playing is good and your melodic ideas are great. Just work on the things mentioned and you can become a good guitarist. With your talent I see no reason why you can’t get there soon. Nice work overall. bladzerok (7:38 - 8:43) The first thing that I noticed is a very cool guitar sound. Kind of 80’s rock sound which I really like. Sounds like a real amp. Your playing and your ideas are on a great way to become a pro player. That’s very obvious from your melodic approach and some very interesting phrasing. You used a floyd rose in a couple of places but in a very clever way. One of the things I wish I could hear more is the vibrato. I said it many times in previous comments. The take is very well organized and everything could have been perfect if you didn’t miss that last diminished scale ![]() ![]() Crazyfret (8:43 - 9:48) I am not sure how long you’ve been playing guitar for but if I knew it would help me better judge your playing. Your main problem is timing and rhythm placement. I used to have the same problem when I first got into soloing. While your melodic ideas were really nice your timing was off nearly throughout the whole take. Every line started somehow before the actual beat. You need to practice with the metronome and follow that beat and the tempo. That will help you tighten up your playing. Take some simple pattern in 8th notes and repeat slowly until you’re 100% aligned with the tempo. Not a single note should be before or after the beat. The rest of your playing was nice. Some lines reminded me of Garry Moore ![]() ![]() ![]() Gus (9:48 - 10:55) Another stereo track ![]() ![]() ------------------------------------------------------------------------------------------------------------------- GROUP 2 Dexxter (0:00 – 1:10) Awesome take Dexxter. Excellent tone. Is this your flying V guitar? I remember from your REC takes that you had killer tone on that guitar. Besides you have an excellent control and feel. Your take sounds extremely professional. Every melodic line and your creative ideas are something that we usually hear from top class players. I like that you moved to the higher octave at some point and broke the low register continuity which gave totally new dimension and huge refreshment. Scales, lines and note choice are all great. I can hardly find any weak point to comment. The only thing I noticed is your bends could be just a tiny bit more in tune. You followed my lick from the lesson (or it sounds like it to me) when I play a note and right after bend to that same note from a fret below. You didn’t bend it all the way to the right spot but that’s really minor issue which is not even worth mentioning ![]() JamesT (1:10 – 2:14) Great ideas James. I really like your solo. Very good control and great neoclassical lines. Some parts sounded like I am listening to Bach ![]() leedbreak (2:15 – 3:19) After some corrections that we had in your Guitar Pro file you managed to produce a very listenable take with some very interesting lines. So there is already progress which is great. I have just looked back at our corrected GP file and there are still a couple of notes that you missed from our corrections although nothing major. I said I will not judge your scales this time as you said you’re not very familiar with the theory but I will focus on your playing. For that reason I am not going to go back and tell you which notes you missed but please be careful next time and I am sure you can do it correctly even without my help. Of course you can always feel free to ask anything if you get stuck. Now back to your technique. I am not sure how long you have been playing guitar but to me it sounds like a couple of years. If I am correct with this then I think that you’re doing pretty good. I say this because I remember when I had 2-3 years of playing I sounded similar ![]() Nimrandir (3:19 – 4:24) This take is excellent. Great control and great ideas. You attached dry guitar because you were not sure about the sound but I think your sound works great over this backing track. Maybe just a little less bass frequency. You also mentioned some timing issues but that’s almost impossible to notice so I won’t take it as an important issue. You are one of rare in this collaboration that had good vibrato. Very nicely controlled and executed where needed. You really sound like very experienced player. I don’t know how you sound with faster shred stuff but in this kind of soloing you did a great job. Phrasing and note choice are very tasteful. There were some small trills in some of the melodic lines which added excellent taste to your melody. I almost don’t have anything else to say apart from well done. Next time just export mono take instead of stereo. Your dry take was mono but this one wasn’t. Great work Nimrandir. Oubollig (4:24 – 5:29) I heard some very interesting playing in this one. There were some chords played together with the solo which is very interesting approach in soloing. Reminds me of George Lynch in some parts. First I want to say that your tone could have had just a little more drive. It works as it is but at some parts you needed a bit more sustain for longer notes. It actually sounds over distorted on the lower strings but on the higher not enough drive. That happens sometimes if you are using neck pickup all the way through the solo but I might be wrong here as I don’t know which one you used. Regarding the technique everything was pretty nicely controlled but you had some lines where you could have been tighter. All melodic runs were great but there were some wrong notes. Let me just correct that for you and be just little more careful next time. From the start I can see that you’re great player so let’s avoid any wrong note next time as we all want to enjoy listening to pro guys. I am saying this because you’re really not far from becoming a pro. On 4:36 you played pure A major chord over my E/G#. That was a complete clash. You could have gone for E7 arpeggio or if you wanted to play the chord just follow my E/G#. Then on 5:02 – 5:05 (F# phrygian dominant) was another wrong one. Just before the finishing note of that phrase you had A, B, C# and B. It should have been A#, B, C# and B as that’s the F# phrygian dominant pattern. When I am talking about this pattern I want to point that you didn’t play it very tight. Two notes were a bit sloppy. On 5:19 – 5:21 there were four chromatic notes. The second note C was not in the scale. I understand that you wanted to go for the chromatic approach but this would have worked only if this line was at least as twice as fast so we can treat that C as a passing note. This way sounds like that note is the real part of the melody and clashes with F# phrygian dominant formula. The last one is the ending line where you once used A note. A# should have been used as we are still in F# major chord. Everything else was very nicely composed. As I said you’re on a good way to become very good player and just pay more attention next time which scales you’re going for. Very good work overall. Sergio Dorado (5:29 – 6:33) What to say Sergio. Every time you impress me with your great ideas. Awesome control, killer tone and great execution. I have never heard you using floyd rose this way like Vai and Satriani usually do. You went for that effect that people call dive bombing but in some very smartly chosen places. Where the backing track has some melody fill you go for that as you don’t want to disturb my line and then go back to soloing. This just shows that you really think of the whole arrangement not just your own playing which is a great thing to notice. I must say that you had some timing problems here and there but the overall quality of your solo really puts that behind. It usually happens when you’re finishing some faster phrases. The scream on 6:10 was not perfectly in tune and the ending of that scream ended with the noise instead of nicely defined note. You just need to be more careful when using floyd rose this aggressive way. The ending line made me smile. Great idea to play the harmony in 3rds over my melody on the backing track. Besides the issues I mentioned, this is still an awesome take full of creativity and some very interesting techniques. As always, I am very happy when you join my collaborations as your participation is giving these collabs a great flavor. Well done Sergio superize (6:33 – 7:38) Nice intro Superize. Great melody, good control and some cool neoclassical licks. I remember from your great REC takes that your vibrato is not yet developed 100% for solos like this but I can tell you that it extremely improved since you did my first collab. The vibrato timing is good, feel is good and it just needs a better control and a bit wider than now. That of course makes me happy whenever I hear the improvement. Just continue to practice it and it will be great. I know your timing is great and you are very aware when you go off a little. That’s noticeable from your metal riffs in REC takes where you demonstrated some very exceptional takes with complex timing. Your notes are all nicely connected and there were no breaks in the melody. The phrase on 6:55 – 7:04 could have been executed tighter. Practice picking and get better with faster playing. This musically awesome line was a bit sloppy but within acceptable range. Also the last diminished part had one little note that almost slipped but you managed to land safely. Everything else was very good. I would just advise that next time you export your mono take for the solo and please switch off delays and reverbs. You left your effects in this one so I can’t do much in the mix with your take although your guitar sound is very nice. Great work superize. twist (7:38 – 8:43) Hi Twist. I remember fixing your GP file but I can’t hear that you corrected some of the notes in this recording. Open your GP file (fixed one) and look at the bar 9 where I changed your 14th fret into 15th. We are in the F# major chord and your 14th fret on the 3rd string is minor 3rd interval from F# but we need major 3rd which sits on the 15th fret. The exact same thing happens in the bar 17. Apart from that everything was correct. You posted this video on Youtube. I watched it and there is something I noticed which I wouldn’t otherwise if you just left your audio ![]() Velvet Roger (8:43 – 9:48) This take is interesting with some cool arpeggios. I like the concept you had in mind when you were composing it. However there were quite few notes that were not in the scale but I will rather focus on your playing this time. Your connection between notes is not smooth. I said the same thing to “leedbreak”. This is my sentence quoted from his comment: “You’re cutting notes just slightly shorter than their actual durations so your melodic lines don’t sound like smoothly connected.” I can only think of one reason why this happens. It really sounds that you played the whole take with all down strokes when picking. I really apologize if I am wrong but that’s how it sounds to me. When all notes are picked like that you have constant amount of attack (the same tension) and you’re completely losing dynamics. Alternate picking (up/down) will smooth that movement as some notes will be with less attack and some with more. That’s how we create nice melody flow and dynamics which is very important in music in general, not only in soloing. You need to achieve the melodic flow with no breaks. That’s not an easy task but if you practice picking and vibrato like I said in many previous comments I am sure you will sound much better. You do use vibrato but it is inconsistent and that’s another thing that won’t let you achieve the smooth flow of your melody. I liked the way you composed this solo as there are some very nice lines. If only you played them the way I explained this would have sounded great. It works as it is but I am trying to give you tips to make it better. Well done for all good things that you delivered and I hope I’ll see you again ![]() Tjchep (9:48 – 10:52) You are an extremely talented musician. I enjoyed your every upload on forum and every video of you playing. Great feel and overall control, nice vibrato – agressive just when needed. There is not much to be said about your playing. Just keep up the great work and you are ready to start becoming well known player. I heard some dirty notes but that probably came because you were too excited when recording. Almost slipped completely a couple of times ![]() ![]() Rated Htr (10:52 - end) The first thing is to apologize about missing your take ![]() ![]() ![]() ![]() This post has been edited by Emir Hot: Aug 31 2009, 08:58 PM
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![]() ![]() -------------------- Check out my <a href="https://www.guitarmasterclass.net/instructor/Emir-Hot" target="_blank">Instructor profile</a>
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![]() Competitions Coordinator - Up the Irons ![]() Group: GMC Senior Posts: 5.462 Joined: 17-February 08 From: Stavanger, Norway Member No.: 4.276 ![]() |
audiopaal (4:24 - 5:28) This take has some very nice melody flow. There was only one wrong note on 4:41 (A note instead of A#). There you have the F# chord and it’s a major chord. A# is major 3rd from F# so that would be the right one. Never play minor interval over a major chord. The sound is somehow too clean. While is doesn’t sound bad at all I think it sounds better when I applied some distortion from Amplitube plugin. I couldn’t make warmer distortion as your sound was somehow already a bit distorted. Now it sounds dirtier but at least more in style. This solo is supposed to be played with distortion but not extreme metal one, more like a hard rock type of sound. Your vibrato could be more consistent. Vibrate from the wrist and keep the 8th notes feel against the tempo while vibrating. Vibrato is very important key in nicer and smoother connection between notes. It really adds a lot into the overall impression. Your phrasing was ok but sometimes too many long notes in a row. I wish you went for just a few more busier melodic runs. That’s just a stylistic thing, nothing to do with your actual playing but also improves the overall quality of the take. I liked when you switched to the higher octave and broke that low register continuity. It refreshed the melody and made it much more interesting. Your notes in that part were really good. Always felt like you’re targeting somewhere to resolve while you kept just the right amount of tension. The resolution came in the end which was nicely composed but you went a bit far after the backing stopped. I like this take but for the next time try to think of some tips that I mentioned in order to make it even better. I can hear that you’re talented musician and no reason why every next one wouldn’t sound better and better. Good work. Thanks a lot for these comments Emir ![]() I actually didn't hear the wrong note until you pointed it out, but I can hear it now. And it sounds better as you say with A#.. Yes the sound is pretty clean, and too clean for this backing. I'm experimenting with my rig and I didn't wanna switch things up at the moment, sorry about that ![]() And I kinda forgot I could just add some distortion with Amplitube or GuitarRig *shame on me* ![]() It sounds better now in your mix! I'll try some more varied and busier melodic runs in the next one if there's room for it ![]() Next time I'll trake these comments and make something better, as I feel I learn quite a bit from reading what I'm doing wrong and what I can do better! So thanks for the great comments, and I'll be sure to take them to heart ![]() Great job Emir, fantastic mix! edit: typo This post has been edited by audiopaal: Aug 30 2009, 03:45 PM |
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![]() Instructor ![]() Group: GMC Instructor Posts: 7.201 Joined: 14-July 08 From: London UK Member No.: 5.490 ![]() |
I feel I learn quite a bit from reading what I'm doing wrong and what I can do better! So thanks for the great comments, and I'll be sure to take them to heart ![]() I think that's the point of collaborations. To learn, to get experience and to have fun ![]() Thanks for playing in this one and use those tips next time. I am sure we will see the improvement. Cheers -------------------- Check out my <a href="https://www.guitarmasterclass.net/instructor/Emir-Hot" target="_blank">Instructor profile</a>
www.emirhot.com www.myspace.com/emirhotguitar www.myspace.com/sevdahmetal |
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![]() Veteran Guitar Lord ![]() Group: Members Posts: 2.337 Joined: 2-May 09 From: Kathmandu Member No.: 7.127 ![]() |
Wow, that was really nice feedback comments in there. Like I have been saying before I have virtually zero theory knowledge. I had to struggle what F# Phrygian Dominant scale meant only to later find out that its the same scale as B harmonic minor and the name only given coz it start at F#. Aint I stupid now.
![]() ![]() Thank you so much. I have been composing songs since I was 15 (thats 15 yrs already wow) but just been able to compose 2 guitar tracks till date. The main reason i joined GMC is that I can learn more theoretical knowledge and all those scales and get some nice guitar instrumentals on my name. ![]() I had also noticed that I was going too fast too early in the end but how many times I was trying to take the take it wasn't improving. Perhaps I will practice a lesson that deals with timing. Really need that to understand thirds and what not. The main problem I think is I don't practice on a mentronome. Anyway, I will definitely be more careful next time. Thank you Emir for bringing this beginner stuff collaboration. And Thank you GMC for this opportunity! Well done everyone. This collab is so nice to listen! Cheers!!! This post has been edited by maharzan: Aug 30 2009, 04:06 PM |
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![]() Experienced Rock Star ![]() Group: Members Posts: 2.118 Joined: 15-October 07 From: Leiria, Portugal Member No.: 3.056 ![]() |
I'm not in there!!! :'( :'(
![]() -------------------- Currently Practicing
Rhythm: Finnish Power Metal III: Nightwish Legato: Ben's Land Of Legato Alternate Picking: Alternate Picking Workout #5 Chords: Chord Melody Technique ![]() |
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![]() Instructor ![]() Group: GMC Instructor Posts: 7.201 Joined: 14-July 08 From: London UK Member No.: 5.490 ![]() |
Thanks maharzan. I am very happy if I could help with my feedback. There were some very nice melody ideas in your take. Regarding the theory, you have many lessons about it. Learn intervals, major scale modes and chords with the chord structure for each of the modes. When you get to the point to understand it then you'll see that it's a piece of cake
![]() I'm not in there!!! :'( :'( ![]() Hehehe not yet ![]() -------------------- Check out my <a href="https://www.guitarmasterclass.net/instructor/Emir-Hot" target="_blank">Instructor profile</a>
www.emirhot.com www.myspace.com/emirhotguitar www.myspace.com/sevdahmetal |
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![]() GMC:er ![]() Group: Members Posts: 1.049 Joined: 6-May 09 From: Austin, TX Member No.: 7.145 ![]() |
jafomatic (5:29 - 6:33) Very good playing Jafo. Your melodic ideas are really nice. Not repetitive at all. Always something unexpected but never overplayed which I like. I wish your vibrato was much wider. It sounds almost flat. Read audiopaal’s comment about the vibrato. The take would definitely sound better if you applied some vibrato. Your faster phrases are very nice but sometimes they sound like you pick them weak. Don’t be afraid to pick harder. It also reflects in your sound. You just can’t get out all the power of you good guitar sound if you don’t pick the note properly. While speaking about the sound you could have a bit more drive. All your faster melodic shapes were excellent but sometimes sloppy in rhythmical placement. They need to sound tight and that’s the impression I want to have where we can all say “hey this guy knows how to do this” ![]() So much stuff to cover, amazingly detailed feedback! So, vibrato comes up first: Vibrating at 8th note feel was new for me, I actually sat and practiced with a straight drum backing (closed hat on 8ths) to make sure I was feeling it correctly. Even so, it seems I then didn't do it wide enough. My vibrato habits seem to be stronger on quarter and sixteenths. At sixteenths I'm wider but that's way too fast for most things that I'd actually play. Picking: I feel pretty heavy-handed sometimes, but I notice in unfamiliar musical style (or arrangement) that I will soften up too much as confidence is lower. Seems like the only answer for this is to play more often in more styles. Drive: I swear you said "Don't give me your screaming metal drive here" so I lowered mine quite a lot and tried to create a fairly warm setup with just some tube OD. Once I heard Chris' take, I really REALLY wanted to change that as well. Rhythmic placement: This usually isn't quite so much of an issue for me but the way I recorded this take really didn't help matters. I was selecting small regions of time and recording JUST those measures (1 measure, 2 measures maybe) and that gave me only 4 clicks before recording to get into the groove. A foolish way to record, on top of my own (less) imperfect rhythmic placement in an unfamiliar musical style. First time choosing my own notes in this major phrygian. I'd only really played with it in a few passages of your Turkish March lesson (at least, it sounds to me like that's what some of those passages are played in). Wrong notes: I remember the one weak bend that became a poor note choice. I'll go listen for the other. I listened to this take after rendering it and decided it wasn't going to get much better. I listened again in the morning and already hated it because of that bend. Stereo vs. Mono: I never noticed a choice to export mono and I rarely would. This particular tone is the same on both channels but quite often I will split tone and the difference between left/right channel will actually matter. I will look for a mono (or summed mono) option for future recordings. I talk too much! This was fun, thanks so much for giving us your time and suggestions; I look forward to putting them to use very soon ![]() -------------------- ::jafomatic
http://jafomatic.net/tunes/ <-- Here lies the master collection of my collaboration and other improvisation recordings. |
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![]() Instructor ![]() Group: GMC Instructor Posts: 7.201 Joined: 14-July 08 From: London UK Member No.: 5.490 ![]() |
So much stuff to cover, amazingly detailed feedback! So, vibrato comes up first: Vibrating at 8th note feel was new for me, I actually sat and practiced with a straight drum backing (closed hat on 8ths) to make sure I was feeling it correctly. Even so, it seems I then didn't do it wide enough. My vibrato habits seem to be stronger on quarter and sixteenths. At sixteenths I'm wider but that's way too fast for most things that I'd actually play. Picking: I feel pretty heavy-handed sometimes, but I notice in unfamiliar musical style (or arrangement) that I will soften up too much as confidence is lower. Seems like the only answer for this is to play more often in more styles. Drive: I swear you said "Don't give me your screaming metal drive here" so I lowered mine quite a lot and tried to create a fairly warm setup with just some tube OD. Once I heard Chris' take, I really REALLY wanted to change that as well. Rhythmic placement: This usually isn't quite so much of an issue for me but the way I recorded this take really didn't help matters. I was selecting small regions of time and recording JUST those measures (1 measure, 2 measures maybe) and that gave me only 4 clicks before recording to get into the groove. A foolish way to record, on top of my own (less) imperfect rhythmic placement in an unfamiliar musical style. First time choosing my own notes in this major phrygian. I'd only really played with it in a few passages of your Turkish March lesson (at least, it sounds to me like that's what some of those passages are played in). Wrong notes: I remember the one weak bend that became a poor note choice. I'll go listen for the other. I listened to this take after rendering it and decided it wasn't going to get much better. I listened again in the morning and already hated it because of that bend. Stereo vs. Mono: I never noticed a choice to export mono and I rarely would. This particular tone is the same on both channels but quite often I will split tone and the difference between left/right channel will actually matter. I will look for a mono (or summed mono) option for future recordings. I talk too much! This was fun, thanks so much for giving us your time and suggestions; I look forward to putting them to use very soon ![]() Good to hear that you're aware of all the things you have mentioned ![]() ![]() -------------------- Check out my <a href="https://www.guitarmasterclass.net/instructor/Emir-Hot" target="_blank">Instructor profile</a>
www.emirhot.com www.myspace.com/emirhotguitar www.myspace.com/sevdahmetal |
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#9
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![]() GMC:er ![]() Group: GMC Instructor Posts: 1.769 Joined: 28-April 09 From: Buenos Aires, Argentina Member No.: 7.117 ![]() |
Let's get on work guys!!. Very nice Collab Emir. Comments are amazing. Let's see the other group
![]() -------------------- Check out my lessons!
My Band: Thabu Myspace New Thabu Official Site!! My Websites: http://www.santiagodiazgarces.com.ar Myspace |
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#10
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![]() Instructor ![]() Group: GMC Instructor Posts: 7.201 Joined: 14-July 08 From: London UK Member No.: 5.490 ![]() |
Let's get on work guys!!. Very nice Collab Emir. Comments are amazing. Let's see the other group ![]() Cheers Santiago, the next one very soon to come -------------------- Check out my <a href="https://www.guitarmasterclass.net/instructor/Emir-Hot" target="_blank">Instructor profile</a>
www.emirhot.com www.myspace.com/emirhotguitar www.myspace.com/sevdahmetal |
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#11
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![]() Instructor ![]() Group: GMC Instructor Posts: 8.109 Joined: 13-September 08 From: Nis, Serbia Member No.: 5.892 ![]() |
Excellent takes guys, well done Emir for the comments. As always they are very useful, I am sure members will appreciate them
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#12
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![]() Instructor ![]() Group: GMC Instructor Posts: 7.201 Joined: 14-July 08 From: London UK Member No.: 5.490 ![]() |
Excellent takes guys, well done Emir for the comments. As always they are very useful, I am sure members will appreciate them ![]() Thanks man ![]() -------------------- Check out my <a href="https://www.guitarmasterclass.net/instructor/Emir-Hot" target="_blank">Instructor profile</a>
www.emirhot.com www.myspace.com/emirhotguitar www.myspace.com/sevdahmetal |
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#13
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![]() Learning Tone Guru - Community Coordinator & Moderator ![]() Group: GMC Senior Posts: 6.319 Joined: 24-September 07 From: Sittingbourne, UK Member No.: 2.860 ![]() |
wow thank you for the wonderful comments Emir, my only regret was a lack of vibrato on the very final bend of my take, but I was concentrating more on finishing the note at the right place
![]() ![]() I was actually using this backing earlier on today, you guessed right, I really enjoyed it, and I`ve said before that the best backings always inspire the most. This was a good exercise for me, I would definatly have got a little carried away in certain places normally ![]() your comments were very kind and certainly made me feel quite chuffed with myself ![]() -------------------- |
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#14
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![]() Instructor ![]() Group: GMC Instructor Posts: 7.201 Joined: 14-July 08 From: London UK Member No.: 5.490 ![]() |
it is the first collab take that I have done that I`ve felt happy with what I had played and composed ![]() You should feel happy because it sounds just awesome. Well done once again -------------------- Check out my <a href="https://www.guitarmasterclass.net/instructor/Emir-Hot" target="_blank">Instructor profile</a>
www.emirhot.com www.myspace.com/emirhotguitar www.myspace.com/sevdahmetal |
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#15
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![]() GMC:er ![]() Group: Student Instructor Posts: 1.202 Joined: 23-September 08 From: Istanbul Member No.: 5.945 ![]() |
Thanks man, I'll do better, inconsistencies exists vibrato wise and composing wise, because as you know I replaced wrong scales in my first take with correct scales, and that being correct note wise, it really damaged integrity of first part creativity wise and as I mentioned you earlier, I am trying to play perfect with the least possible number of step recording takes and maybe that's why faster muted runs and vibrato have suffered. But I am working constantly on those flaws to get it right.
One of the greatest collabs, as always, your comments motivate me a lot to get better and better and I can be nothing but being glad about that fact! Thank you again bro! This post has been edited by enforcer: Aug 31 2009, 12:19 AM -------------------- ![]() incoming spoiler read it at your own risk! Spoiler: it, surely, spoiled me!!! and may the force be with you :) |
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#16
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![]() Instructor ![]() Group: GMC Instructor Posts: 25.396 Joined: 20-November 07 From: Belgrade, Serbia Member No.: 3.341 ![]() |
This is great Emir, you done some very good comments on this one, great job. Well done everybody with their playing, I enjoyed listening to the final mix.
-------------------- - Ivan's Video Chat Lesson Notes HERE
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#17
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![]() Instructor ![]() Group: GMC Instructor Posts: 7.201 Joined: 14-July 08 From: London UK Member No.: 5.490 ![]() |
Thanks man, I'll do better, inconsistencies exists vibrato wise and composing wise, because as you know I replaced wrong scales in my first take with correct scales, and that being correct note wise, it really damaged integrity of first part creativity wise and as I mentioned you earlier, I am trying to play perfect with the least possible number of step recording takes and maybe that's why faster muted runs and vibrato have suffered. But I am working constantly on those flaws to get it right. One of the greatest collabs, as always, your comments motivate me a lot to get better and better and I can be nothing but being glad about that fact! Thank you again bro! Thanks man. I know about your note corrections as we spoke on chat about it. It's all ok I just had to comment on what I had. I know you can play ![]() This is great Emir, you done some very good comments on this one, great job. Well done everybody with their playing, I enjoyed listening to the final mix. Thanks for popping in Ivan. Glad to hear you like the mix. -------------------- Check out my <a href="https://www.guitarmasterclass.net/instructor/Emir-Hot" target="_blank">Instructor profile</a>
www.emirhot.com www.myspace.com/emirhotguitar www.myspace.com/sevdahmetal |
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#18
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![]() GMC:er ![]() Group: Members Posts: 131 Joined: 10-June 09 From: Boston Mass Member No.: 7.261 ![]() |
Thanks for the comment Emir! Sorry about the stereo export. I didn't realize mono was a requirement. Expect mono from me in future collabs.
I don't usually use my wrist for vibrato (as you explained in Audiopaal's comment) and haven't put much practice time into vibrating within a specific rhythm. I'm on it now. Thanks again for the help! |
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#19
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![]() Instructor ![]() Group: GMC Instructor Posts: 7.201 Joined: 14-July 08 From: London UK Member No.: 5.490 ![]() |
Thanks for the comment Emir! Sorry about the stereo export. I didn't realize mono was a requirement. Expect mono from me in future collabs. I don't usually use my wrist for vibrato (as you explained in Audiopaal's comment) and haven't put much practice time into vibrating within a specific rhythm. I'm on it now. Thanks again for the help! Thanks man. Just try to practice that as it will help you a lot with the control and the feel. About the mono track I am only talking about the solo not the full track with the backing. Cheers. -------------------- Check out my <a href="https://www.guitarmasterclass.net/instructor/Emir-Hot" target="_blank">Instructor profile</a>
www.emirhot.com www.myspace.com/emirhotguitar www.myspace.com/sevdahmetal |
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#20
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![]() Instructor ![]() Group: GMC Instructor Posts: 7.201 Joined: 14-July 08 From: London UK Member No.: 5.490 ![]() |
Hi guys, get ready, the 2nd group is being posted. It will be here in 5 minutes.
I hope I didn't miss anybody ![]() -------------------- Check out my <a href="https://www.guitarmasterclass.net/instructor/Emir-Hot" target="_blank">Instructor profile</a>
www.emirhot.com www.myspace.com/emirhotguitar www.myspace.com/sevdahmetal |
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Lo-Fi Version | Time is now: 16th February 2019 - 08:18 AM |