Trying To Create Meshuggah Tone, POD Farm GX |
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Trying To Create Meshuggah Tone, POD Farm GX |
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Sep 29 2011, 09:46 AM |
It's not actually that easy to comment on the quality of a recording based on an mp3 due to the compression, possible cascading and other issues with soundcloud's transcoding.
I have a few days off so just as an idea... If you can send me the track as a wave file then I'll take a proper listen etc. and send you the result, no charge. If you want to make any additions to the track before you send go ahead and if you have any questions about how to make it ready just ask. I won't be able to spend a lot of time as I've other things to do so it won't be a proper mastering session but it may give you an idea and an insight in to how the track might come to sound. If you're also happy I'll post edited comments and a sample of before and after here. I can't guarantee how long it will take as I'll have to work it around other stuff but if you want to do this it will help if you can send ti asap. Anyway it's just an idea - drop me a pm if you're intersted. -------------------- Get your music professionally mastered by anl AES registered Mastering Engineer. Contact me for Audio Mastering Services and Advice and visit our website www.miromastering.com
Be friends on facebook with us here. We use professional, mastering grade hardware in our mastering studo. Our hardware includes: Cranesong Avocet II Monitor Controller, Dangerous Music Liasion Insert Hardware Router, ATC SCM Pro Monitors, Lavry Black DA11, Prism Orpheus ADC/DAC, Gyratec Gyraf XIV Parallel Passive Mastering EQ, Great River MAQ 2NV Mastering EQ, Kush Clariphonic Parallel EQ Shelf, Maselec MLA-2 Mastering Compressor, API 2500 Mastering Compressor, Eventide Eclipse Reverb/Echo. |
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Sep 29 2011, 12:12 PM |
This sounds already much better then the previous recording. Did you record these guitar tracks separately?
Here's some compression with software, tony will probably notice lots of problems with this one, but it's enough for now. The thing I did is added lots of low end (maybe a bit too much), but track sounded thin without it. It feels better with more energy. I did to the track something that they do to every similar track these days - slammed it flat. Like tony said, being loud is not about raising the levels only, you need to have a balanced mix where everything can stand out. Lots of times when I master already mixed track I wish I could have instruments by tracks, that would make the task so much easier but well... -------------------- - Ivan's Video Chat Lesson Notes HERE
- Check out my GMC Profile and Lessons - (Please subscribe to my) YouTube Official Channel - Let's be connected through ! Facebook! :) |
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Sep 29 2011, 12:44 PM |
... Lots of times when I master already mixed track I wish I could have instruments by tracks, that would make the task so much easier but well... Stem mastering can help in some instances but usually comes with it's own issues. It always takes longer than you think and always longer than mastering since it's a combination of mixing and mastering. It's compromised as far too often, just like if you atempt to master your own mixes, you end up too close to the mix and so lack objectivity to master. So it's better to get the original mix engineer to improve the mix and to then master separately. The original engineer will often do the recall for free anyway as part of the original deal. IME it's only something to do if the band have the stems and the mix engineer has either gone awol or really isn't up to the job. -------------------- Get your music professionally mastered by anl AES registered Mastering Engineer. Contact me for Audio Mastering Services and Advice and visit our website www.miromastering.com
Be friends on facebook with us here. We use professional, mastering grade hardware in our mastering studo. Our hardware includes: Cranesong Avocet II Monitor Controller, Dangerous Music Liasion Insert Hardware Router, ATC SCM Pro Monitors, Lavry Black DA11, Prism Orpheus ADC/DAC, Gyratec Gyraf XIV Parallel Passive Mastering EQ, Great River MAQ 2NV Mastering EQ, Kush Clariphonic Parallel EQ Shelf, Maselec MLA-2 Mastering Compressor, API 2500 Mastering Compressor, Eventide Eclipse Reverb/Echo. |
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Oct 1 2011, 03:54 PM |
also, the Angel P-Ball is another good amp to use for that beefy low end that works well in low tunings.
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Oct 1 2011, 04:21 PM |
also, the Angel P-Ball is another good amp to use for that beefy low end that works well in low tunings. Okay. I was wondering when I could actually use that one. |
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Oct 1 2011, 07:39 PM |
http://www.soundclick.com/bands/page_songI...songID=10113974
Play hi-fi. QUOTE (google) Choose the "Angel P-Ball" model Cab: 22 4x12 Treadplate Mic: 1:57 on-axis Treble at 4 o'clock Mid at 5 o'clock Bass at 12 o'clock Presence at 5 o'clock You want to add the "Screamer" pedal into the mix, drive at 20, gain at 20, tone at 80. This should be a nice starting point if thats the djenty tone you're looking for. Using software emulation "can only get you so far" though. You can google how to EQ djent to get the djent to come forward, and the hiss to go away. Also use minimal gain and 4x double it with different amps, or at least double it. - nothing that have not already been said I'm sure This post has been edited by Sollesnes: Oct 1 2011, 07:51 PM |
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Oct 1 2011, 08:39 PM |
the whole 'djent' thing is basically a massive mids boost in general.
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Oct 1 2011, 09:54 PM |
Thanks, Sollesnes and The Uncreator. Hey..oh, just remembered your name, Brett, I thought you were supposed to clip (scoop) the mids.
Brandon |
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Oct 2 2011, 12:09 AM |
So what do you think of this? The audio is just a quick demo of one of Cosmin's lessons I'm working on.
Attached File(s)
Djent_Tone___metal_metrics_2.mp3 ( 425.3K )
Number of downloads: 165
Djent.l6t ( 3.04K ) Number of downloads: 94 |
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Oct 2 2011, 04:49 AM |
Much better I think, definitely heading in the right direction.
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Oct 2 2011, 12:22 PM |
...A lot of the perceived 'distortion' is actually due to multi-tracking and the final stages in mastering (generally), ... IMHO mixing not mastering . -------------------- Get your music professionally mastered by anl AES registered Mastering Engineer. Contact me for Audio Mastering Services and Advice and visit our website www.miromastering.com
Be friends on facebook with us here. We use professional, mastering grade hardware in our mastering studo. Our hardware includes: Cranesong Avocet II Monitor Controller, Dangerous Music Liasion Insert Hardware Router, ATC SCM Pro Monitors, Lavry Black DA11, Prism Orpheus ADC/DAC, Gyratec Gyraf XIV Parallel Passive Mastering EQ, Great River MAQ 2NV Mastering EQ, Kush Clariphonic Parallel EQ Shelf, Maselec MLA-2 Mastering Compressor, API 2500 Mastering Compressor, Eventide Eclipse Reverb/Echo. |
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Oct 2 2011, 01:01 PM |
Pretty close, although it feels like it needs more compression. Just a tad bit. I'd also ease the gain off a bit. A lot of the perceived 'distortion' is actually due to multi-tracking and the final stages in mastering (generally), so when your just sitting there jamming it might sound a bit 'dry', but once you double, or quad track it, mix it in, get your drums, bass and everything going - then do your final eq, it will sound more distorted than it really is on its own, and this will give it more clarity as well. On that last sentence, I would have to say that adding lots of hi gain tracks will eventually decrease clarity. When quad tracking, and all 4 tracks are hi gain, dynamics will be descreased. In order to retain punch from these tracks, additional pair of crunch tracks is needed. I would also choose to decrease gain on the quad tracks as this is the only way to make it sound more defined. Once you add other instruments as well, it will be a mess. -------------------- - Ivan's Video Chat Lesson Notes HERE
- Check out my GMC Profile and Lessons - (Please subscribe to my) YouTube Official Channel - Let's be connected through ! Facebook! :) |
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Oct 2 2011, 02:55 PM |
A little OT -
Fireball was kind enough to send me an uncompressed wave file of his take. So we've looked at how to get it 'loud' and he's kindly agreed that we can discuss what we did. I'll post this in a separate thread asap . -------------------- Get your music professionally mastered by anl AES registered Mastering Engineer. Contact me for Audio Mastering Services and Advice and visit our website www.miromastering.com
Be friends on facebook with us here. We use professional, mastering grade hardware in our mastering studo. Our hardware includes: Cranesong Avocet II Monitor Controller, Dangerous Music Liasion Insert Hardware Router, ATC SCM Pro Monitors, Lavry Black DA11, Prism Orpheus ADC/DAC, Gyratec Gyraf XIV Parallel Passive Mastering EQ, Great River MAQ 2NV Mastering EQ, Kush Clariphonic Parallel EQ Shelf, Maselec MLA-2 Mastering Compressor, API 2500 Mastering Compressor, Eventide Eclipse Reverb/Echo. |
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