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#21
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![]() Instructor ![]() Group: GMC Instructor Posts: 22.808 Joined: 14-June 10 From: Bucharest Member No.: 10.636 ![]() |
It all depends on how the progression is built - you have two options here:
If the chord changes are quick and you have a modal progression such as Am Dmaj (A dorian progression) you can use the A dorian mode over all the chords, making sure to emphasize the characteristic scale degree (F#) (remember our little discussion in the PM) If each chord lasts for more bars and you have time, deploy a different mode over each chord - Am works well with A dorian and D major works well with D mixolydian as Marius suggested ![]() Hope I didn't complicate it too much for ya, so let us know how it goes and we'll help further ![]() This post has been edited by Cosmin Lupu: May 17 2014, 08:26 AM -------------------- |
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#22
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![]() Learning Tone Seeker ![]() Group: Members Posts: 197 Joined: 28-June 13 From: Den Helder (Holland) Member No.: 18.421 ![]() |
It all depends on how the progression is built - you have two options here: If the chord changes are quick and you have a modal progression such as Am Dmaj (A dorian progression) you can use the A dorian mode over all the chords, making sure to emphasize the characteristic scale degree (F#) (remember our little discussion in the PM) Yes man thats what i mean. That i can play a dorian over more chords that fitting in the scale, and that i don't need to move on with every chords. And with the other modes i'm not starting yet. First this mode and the other theory and than further. Step by Step ![]() Thanks. Grtzz |
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#23
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![]() Instructor ![]() Group: GMC Instructor Posts: 22.808 Joined: 14-June 10 From: Bucharest Member No.: 10.636 ![]() |
Yes man thats what i mean. That i can play a dorian over more chords that fitting in the scale, and that i don't need to move on with every chords. And with the other modes i'm not starting yet. First this mode and the other theory and than further. Step by Step ![]() Thanks. Grtzz Try both approaches ![]() ![]() -------------------- |
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#24
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GMC:er ![]() Group: Members Posts: 3 Joined: 17-July 14 Member No.: 20.015 ![]() |
C D Eb F G A Bb C
D E F G A B C D E F# G A B C# D E F G Ab Bb C D Eb F G A Bb C D E F G A B C D E F# G A B C# D E F# G# A B C# D# E F# G# A# B C Eb F Gb Ab Bb C Db Eb F# G# A B C# D# E F# Ab Bb Cb Db Eb F Gb Bb C Db Eb F G Ab Is it correct? |
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#25
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![]() Instructor ![]() Group: GMC Instructor Posts: 22.808 Joined: 14-June 10 From: Bucharest Member No.: 10.636 ![]() |
C D Eb F G A Bb C D E F G A B C D E F# G A B C# D E F G Ab Bb C D Eb F G A Bb C D E F G A B C D E F# G A B C# D E F# G# A B C# D# E F# G# A# B C Eb F Gb Ab Bb C Db Eb F# G# A B C# D# E F# Ab Bb Cb Db Eb F Gb Bb C Db Eb F G Ab Is it correct? That is correct mate - I followed the 1 2 b3 4 5 6 b7 formula from each tonality and it was correct ![]() Now, you have discovered the notes making up the Dorian mode in all these keys - have you managed to grasp the sound of the Dorian mode? What dictates the characteristic sound of this mode? -------------------- |
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