GMC:er Posts: 25.297
Joined: 23-December 09
From: Atlanta, Georgia, USA
The Video is in our class notes but I'm still working on the FINAL FINAL video for the COLLAB THREAD. It will feature each players name as a graphic and will have a detailed feedback of each Solo. It's in the works and should be up very soon!!
GMC:er Posts: 25.297
Joined: 23-December 09
From: Atlanta, Georgia, USA
I did have to adjust things around with each track to make it work as a whole. Trying to get everyone squeezed in with the backing was quite tough in the end. I did like your solo It was a tad thick with effects though so layering it over the backing was tough. I was thinking about using everyones takes with their combined backing, but levels were sorta all over the place so I had to cut and paste and jog it around Thanks again for participating!
QUOTE (Ulrik @ Sep 18 2013, 02:09 AM)
Some cool solos, but I think my part is painfully out of sync compared to my original video. The solo is late compared to the backing.
Learning Rock Star Posts: 7.676
Joined: 14-June 08
From: Odense, Denmark
QUOTE (Todd Simpson @ Sep 18 2013, 08:27 AM)
I did have to adjust things around with each track to make it work as a whole. Trying to get everyone squeezed in with the backing was quite tough in the end. I did like your solo It was a tad thick with effects though so layering it over the backing was tough. I was thinking about using everyones takes with their combined backing, but levels were sorta all over the place so I had to cut and paste and jog it around Thanks again for participating!
I did notice mine was moved a bit as well, but you have to do what you have to do. Looking forward to the comments!
GMC:er Posts: 25.297
Joined: 23-December 09
From: Atlanta, Georgia, USA
QUOTE (Slavenko Erazer @ Sep 18 2013, 03:50 AM)
Todd It seems like you've added some odd delay reverb to my solo??
I think I did add some reverb to it. It was sorta poking out a bit compared to the others so I just added a bit of "wet" to it
FINAL VERSION WITH TITLES
Six Demon Collab
Student Critique!
**Let me apologize if your solo was one of the ones that got joggled around to make the entire piece work and stay below 6 minutes. I did have to slide things around a bit.
EVERYONE RAWKED!!! You guys really did some fine work on this. Here is the Critique!!
BLEEZ: KRUSHED IT:Very cool interpretation using Pentatonic Structures. Good technique and tasty chops. Glad you could join in!! TIPS & TRICKS: I did notice your right hand is resting a tad high on the bridge which is not a huge deal, but putting it a bit more toward the center will make some licks, such as open string work, easier to mute.
CAEL: KRUSHED IT: Nice chops and really spiff Streeeeeettch technique! Also incorporating Pentatonic Structures to great effect. Nice use of the “Double Tap” during the tapping section as well TIPS & TRICKS: One thing to maybe try, your ending sequence ascending works well and given how good your picking is coming along, throw in some Doubles/Quads to give a percussive effect now and again
GITARRERO: KRUSHED IT: We can always count on a great themed costume and you didn’t dissapoint The “Men In Black Metal” was a nice touch! Not to mention a very spiff solo highlighted by the “One Handed” Technique! It’s visual, it sounds cool, Bingo! TIPDS AND TRICKS: Just to balance the one handed technique, maybe add something crazy as a lead in as well, just to announce here comes the shiznickle!!!!
SLAVENKO: KRUSHED IT: You nailed the “motif”/”theme” idea that we talked about in the lesson following your solo submission. Good timing on this bit as well. TIPS AND TRICKS: Your note choices are interesting and unique in the later part of the solo using dissonance for contrast. Maybe balance some harmony with the dissonance just to even things out here there.
STACEYD KRUSHED IT: You really did KRUSH IT. The solo was pretty incredible I must say and I found myself relistening trying to figure out what you were doing and even after looking at the tab it’s still hard to wrap my head around. Great solo construction and balancing elements along with great execution. Nice. TIPS AND TRICKS: A pinch harmonic here and there just for a sorta BANG STOP might be cool
ULRIK KRUSHED IT: Very interesting “Atmospheric” interpretation and choice of effects. Good combination of elements and licks. TIPS AND TRICKS: The tone/fx sometimes almost overwhelms the playing in bits. Maybe submit a clean take just for reference in subsequent collabs.
VERC: KRUSHED IT: The most adventurous Solo I think I’ve ever seen. Pure popping and pulling leading into an overhand 8 finger tapping routine. It really looked cool too TIPS AND TRICKS: It’s always tough to make notes close to the same level/volume on this type of play so using a compressor/expander & gain stage can help the notes stick out.
BLISTER: KRUSHED IT: You’ve really come a long way!! This is only your Second Collab and you are drilling and killing Great use of various licks that we’ve been working on and blending of bits you’ve improved. Saweet TIPS AND TRICKS: Keep going like you’ve been going. Keep adding variation in your solos. You’ll do just fine
MAD: KRUSHED IT: Really nice combination of single note work and scales. Good tone as well and clean picking. TIPS AND TRICKS: One of the bends was maybe not all the way sunk in but it still worked. Also, maybe add other elements (tapping/open string work) to compliment the scale runs and single note work.
SAMMETAL92: KRUSHED IT: Good note choice and blend of elements, bending, vibrato, legato, etc. Very clean picking and good use of negative space. TIPS AND TRICKS: The solo construction is working well Maybe throw in something flashy at the end to give it a sense of climax.
VONHOTCH: KRUSHED IT: The Award for Best Animation in a Collab goes to!! VONHOTCH!! Really creative video man! Did you make this just for the collab? Also, very well matched solo with the Wah Wah and blues licks. Overall vibe matched great! TIPS AND TRICKS: As Kirk Hammet used to say “Sweet Spots and Dirty Spots”. You are starting to use tension and release quite well so keep focusing on “setting it up”(tension) and “paying it off” (release).
Learning Rock Star Posts: 7.676
Joined: 14-June 08
From: Odense, Denmark
QUOTE (Todd Simpson @ Sep 18 2013, 10:01 AM)
CAEL: KRUSHED IT: Nice chops and really spiff Streeeeeettch technique! Also incorporating Pentatonic Structures to great effect. Nice use of the “Double Tap” during the tapping section as well TIPS & TRICKS: One thing to maybe try, your ending sequence ascending works well and given how good your picking is coming along, throw in some Doubles/Quads to give a percussive effect now and again
Thanks for the comment, Todd! I didn't know double picking when I did the take, but I'll remember it for sure...when I get a good grip on it. It's still causing me troubles, as you could see
Learning Apprentice Player Posts: 782
Joined: 31-January 11
From: Florida
This is a really great video Todd! I was a little disappointed that there wasn't a "Todd Unleashed" or "Todd Gone Wild" take in it.
I love how it turned out. All the GMC'ers who took part did an amazing job. Some real cool styles & ideas going on in there. It feels great to be a part of it.
QUOTE (Todd Simpson @ Sep 18 2013, 03:01 AM)
BLISTER: KRUSHED IT: You’ve really come a long way!! This is only your Second Collab and you are drilling and killing Great use of various licks that we’ve been working on and blending of bits you’ve improved. Saweet TIPS AND TRICKS: Keep going like you’ve been going. Keep adding variation in your solos. You’ll do just fine
You are so right! I have come a long way from when I started GMC. Back then I could just play a major scale & chords. Sometimes I'm not able to get much practice in during the week so this proves spending weekends at Midnight Metal Madness chats can really improve one's playing skills.
I tried to use bits from the chats & then played around in the scale to the backing track until the bt would finally "speak" to me where I could finally nail down a solo I was happy enough with. I even noticed it while I was playing my take that it does need syncopated variation rather than just the straight eighth notes.
Thanks again for all you do for GMC & the chats. It's appreciated more than you know!
Learning Rock Star Posts: 853
Joined: 11-December 07
From: Copenhagen
QUOTE (Todd Simpson @ Sep 18 2013, 08:27 AM)
I was thinking about using everyones takes with their combined backing, but levels were sorta all over the place so I had to cut and paste and jog it around
Yes, I can see the problem, when we all record differently.
SAMMETAL92: KRUSHED IT: Good note choice and blend of elements, bending, vibrato, legato, etc. Very clean picking and good use of negative space. TIPS AND TRICKS: The solo construction is working well Maybe throw in something flashy at the end to give it a sense of climax.
Thanks Todd! Great job everyone And do you mean some fast stuff at the end? Like a tapping phrase? I only had a little ascending legato phrase at the end
Experienced Tone Seeker Posts: 3.348
Joined: 4-November 11
From: Scotland
QUOTE (Todd Simpson @ Sep 18 2013, 09:01 AM)
BLEEZ: KRUSHED IT:Very cool interpretation using Pentatonic Structures. Good technique and tasty chops. Glad you could join in!! TIPS & TRICKS: I did notice your right hand is resting a tad high on the bridge which is not a huge deal, but putting it a bit more toward the center will make some licks, such as open string work, easier to mute.
thanks todd the finished piece sounds really cool. Funny that you mentioned how my right hand is because I do often find certain things I try to mute seem more awkward than others thanks for the tip, dude.