Alternate Picking: The Hand Angle Factor |
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Alternate Picking: The Hand Angle Factor |
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Jun 16 2014, 01:00 PM |
Alternate Picking: The Hand Angle Factor
The 2 main factors that influence the physicality of our picking technique are 1. The angle / direction that the pick hits the strings and 2. The angle at which our hand approaches the strings. Of those 2 factors, I believe the 2nd one has the most effect. The angle of the pick undoubtedly does have an affect but to me, it's more like fine tuning rather than something that dictates the whole technique. Hand angle, I believe, has much more effect to whether we can achieve significant speeds. The direction at which your hand is approaching the strings can determine which types of movements are most effective in making the pick move rapidly. For example, a side to side motion (that looks like waving) or a rotational movement where the wrist moves inwards and back (almost like shaking your wrist in a loose manner) are 2 movements that, on the surface, may appear to the observer to be the same thing but are not the same and do not feel the same at all. But only by feeling the difference for oneself can we determine how natural it feels or how effective the movements are. To a guitarist who is trying to learn about alternate picking and is using someone else's visual playing as an example, they may try to copy the way someone else's hand looks but not realising just what physical mechanics are occurring. To refer to my previous 2 examples, the observer may think that the guitarist is using a side to side motion when in fact they may be using an inward / outward rotation. But such things are not always apparent just by observing a video of somebody else. That's why it's necessary for the individual to experiment and find what feels natural instead of trying to ape somebody else's physical movements. I've only mentioned 2 differing hand mechanics.. I haven't really touched upon the different hand positions themselves. Some players hands stay near the lowest strings and sort of dangle over the high strings. Their hand almost seems straight when they pick (see Steve Vai) Rusty Cooley brings his hand very low so that his whole wrist and forearm are level with the bridge and keeps his hand parallel with the strings with little inward or outward angle. Then you've got Marty Friedman, MAB, Yngwie, Paul Gilbert, John Petrucci. All very different players with differing hand positions. But all able to pick as fast as they need. If we take anything from this, we can reasonably conclude that you can learn to make almost any hand position work for you at attaining faster speeds. Each adjustment of your hand will begin to yield a different set of mechanics that will appeal to you or not. Some might feel more comfortable than others. But experimenting and seeing what options are out there is key. Until you start seeing what your body is capable of you can be stuck thinking that you're not doing something right because you're not 'getting it'. It could just be that all you need is a little adjustment. Of course, you'll still have to work for it but whilst you experiment with hand angles there will be something that just stands out to you above the rest and says 'this feels right, keep going with this' Darius's methodical picking lesson looks at these factors and is a great point of study: https://www.guitarmasterclass.net/ls/Altern...Picking-Basics/ I'd really like to hear your input on this, too. Who has experimented with different picking angles until they found one that works ? Who's still looking ? Maybe you haven't considered this yet ? Let's get some discussion going on this because let's face it.. the picking issue is the predominant issue that we see all the time so this should resonate with most of you ! |
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Jun 16 2014, 02:34 PM |
Ha ha Thanx for mentioning me, Ben
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Jun 16 2014, 03:12 PM |
Ha ha Thanx for mentioning me, Ben You put lot of work into that lesson ! It's very extensive |
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Jun 16 2014, 06:30 PM |
Great post!!!!! Some killer points In the final equation, one really has to work it out for themselves as with many other things guitar related and life related. As instructors, a bit part of what we do is show you what works for us as players and try to guide our students to adapt what works for them.
Each of us has developed our own style of picking and playing over years and years practice and trial/failure/adjust/trial/etc. There isn't much you can do to avoid this process, just like you can't skip practice You can take what we show you, and see how it might apply to what will become "Your Style". Hopefully, you guys can take all the best elements (for you) of what's offered and end up a better player than any of us who are showing you the ropes Todd Alternate Picking: The Hand Angle Factor The 2 main factors that influence the physicality of our picking technique are 1. The angle / direction that the pick hits the strings and 2. The angle at which our hand approaches the strings. Of those 2 factors, I believe the 2nd one has the most effect. The angle of the pick undoubtedly does have an affect but to me, it's more like fine tuning rather than something that dictates the whole technique. Hand angle, I believe, has much more effect to whether we can achieve significant speeds. The direction at which your hand is approaching the strings can determine which types of movements are most effective in making the pick move rapidly. For example, a side to side motion (that looks like waving) or a rotational movement where the wrist moves inwards and back (almost like shaking your wrist in a loose manner) are 2 movements that, on the surface, may appear to the observer to be the same thing but are not the same and do not feel the same at all. But only by feeling the difference for oneself can we determine how natural it feels or how effective the movements are. To a guitarist who is trying to learn about alternate picking and is using someone else's visual playing as an example, they may try to copy the way someone else's hand looks but not realising just what physical mechanics are occurring. To refer to my previous 2 examples, the observer may think that the guitarist is using a side to side motion when in fact they may be using an inward / outward rotation. But such things are not always apparent just by observing a video of somebody else. That's why it's necessary for the individual to experiment and find what feels natural instead of trying to ape somebody else's physical movements. I've only mentioned 2 differing hand mechanics.. I haven't really touched upon the different hand positions themselves. Some players hands stay near the lowest strings and sort of dangle over the high strings. Their hand almost seems straight when they pick (see Steve Vai) Rusty Cooley brings his hand very low so that his whole wrist and forearm are level with the bridge and keeps his hand parallel with the strings with little inward or outward angle. Then you've got Marty Friedman, MAB, Yngwie, Paul Gilbert, John Petrucci. All very different players with differing hand positions. But all able to pick as fast as they need. If we take anything from this, we can reasonably conclude that you can learn to make almost any hand position work for you at attaining faster speeds. Each adjustment of your hand will begin to yield a different set of mechanics that will appeal to you or not. Some might feel more comfortable than others. But experimenting and seeing what options are out there is key. Until you start seeing what your body is capable of you can be stuck thinking that you're not doing something right because you're not 'getting it'. It could just be that all you need is a little adjustment. Of course, you'll still have to work for it but whilst you experiment with hand angles there will be something that just stands out to you above the rest and says 'this feels right, keep going with this' Darius's methodical picking lesson looks at these factors and is a great point of study: https://www.guitarmasterclass.net/ls/Altern...Picking-Basics/ I'd really like to hear your input on this, too. Who has experimented with different picking angles until they found one that works ? Who's still looking ? Maybe you haven't considered this yet ? Let's get some discussion going on this because let's face it.. the picking issue is the predominant issue that we see all the time so this should resonate with most of you ! |
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Jun 16 2014, 06:59 PM |
BINGO!!!
That's very valid.. advice is only good for you if it actually works ! |
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