My First "cover Tune" With Alexa :) |
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My First "cover Tune" With Alexa :) |
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Jul 17 2014, 12:49 AM |
This is my first Cover Tune with my fave German Vocalist ALEXA Give it a listen and let me know what you think! I'm doing guitars and the track was produced by John Wardlaw of the band ANTI-M.
https://soundcloud.com/techniqueswithtodd/see-me-in-shadow-cover-version-feat-alexa-todd-produced-by-john-wardlawanti-m |
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Jul 17 2014, 06:36 AM |
COOL, looks like the german tour comes closer
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Jul 17 2014, 07:05 AM |
Very beautiful song and I really enjoyed your guitar solo that start at 3:52 Was damn tasty!!! |
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Jul 17 2014, 06:34 PM |
Cool track, great playing!
The 'volume' of the guitars (rhythm chunk and solo) is fine. It might be a soundcloud or just general file compression thing but I feel that the reason some of the parts get lost or seem quieter is because there's way too much effect on them. Reverb should come down IMO. 'Dry' it up a little they'll become more present in the mix. Though I assume you have zero control over that aspect of the tune. This post has been edited by klasaine: Jul 17 2014, 06:35 PM -------------------- - Ken Lasaine
https://soundcloud.com/klasaine2/foolin-the-clouds https://soundcloud.com/klasaine2/surfin-at-the-country-hop Soundcloud assorted ... https://soundcloud.com/klasaine3 New record ... http://www.cdbaby.com/cd/kenlasaine Solo Guitar ... https://www.youtube.com/playlist?list=PLXZh...5iIdO2tpgtj25Ke Stuff I'm on ... https://www.youtube.com/playlist?list=PLXZh...b-dhb-4B0KgRY-d |
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Jul 20 2014, 12:10 PM |
My main thought when listening to it apart from the mix, is that she sounds like she's from a musical theatre background but it may well be that because it's not her native language she is articulating and annuciating more than a native english speaker would.
-------------------- My SoundCloud
Gear Tyler Burning Water 2K Burny RLG90 with BK Emeralds Fender US Tele with BK Piledrivers Epiphone 335 with Suhr Thornbuckers PRS SE Custom 24-08 Ax8 Fessenden SD10 PSG Quilter TT15 |
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Jul 20 2014, 02:51 PM |
The song, vocal and playing are all fine in my opinion but really let down by the mix and production (even if it is a demo).
As Ken very rightly says there is far too much reverb and delay effects throughout. The reverb has lead to a mix that is very muddy and where the timing is indistinct: at times you end up with a vocal where a note hasn't fully decayed before the next one starts, so the whole starts to suffer from timing and pitch. In addition it also means that various parts move back and forth in the feild rather than being in one place so levels and distance aren't consistent. To be brutal there i so much reverb that to me the entire song sounds like it was recorded in a bathroom. Drums - at least for me - lack power. The guitar level/placement in the field is ok but the mix needs to give it more space - at present there are too many parts fighting each other. Not sure what some of the various backing parts - particularly backing vox - add at times since to me they distract attention rather than add to or support the main vox. Fades need redoing, particularly the fade out as you can hear a very obvious click as something turns off and also the low synth just rumbles on indefinitely without fading properly. By the way - You position vocals and instruments both back and forward in the sound stage and not just left to right so as to get a more 3d soundscape: if you don't your mix will sound flat and unnatural. Most songs which have a lead vocal will be produced with that as the focal track. Consequently the lead vocal will often be forward in the mix and are the focus as most people tend to remember the vocals and sing along to the lyrics - pharell's 'happy' is a case in point here, a cut and paste*, simple, repeated vocal chorus line. So simple that people remember it easily and sing it. *Cut and paste as most of the lead vocal is based on just 2 different takes which have been cut and pasted through the song. This post has been edited by tonymiro: Jul 20 2014, 02:52 PM -------------------- Get your music professionally mastered by anl AES registered Mastering Engineer. Contact me for Audio Mastering Services and Advice and visit our website www.miromastering.com
Be friends on facebook with us here. We use professional, mastering grade hardware in our mastering studo. Our hardware includes: Cranesong Avocet II Monitor Controller, Dangerous Music Liasion Insert Hardware Router, ATC SCM Pro Monitors, Lavry Black DA11, Prism Orpheus ADC/DAC, Gyratec Gyraf XIV Parallel Passive Mastering EQ, Great River MAQ 2NV Mastering EQ, Kush Clariphonic Parallel EQ Shelf, Maselec MLA-2 Mastering Compressor, API 2500 Mastering Compressor, Eventide Eclipse Reverb/Echo. |
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