Mixing With A Backing Track |
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Mixing With A Backing Track |
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Sep 1 2015, 04:56 PM |
If you don't want your core tone to change (changing cab. ir.'s) eq'ing should be enough. But I'm aware this answer is probably not enough for you, could you share an example?
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Sep 1 2015, 06:31 PM |
If you don't want your core tone to change (changing cab. ir.'s) eq'ing should be enough. But I'm aware this answer is probably not enough for you, could you share an example? I thought my latest take, assignment 6 for the GMC Borderline group was a good example. There's just so much going on and it all got a bit flubby to my ears. I tried a bit of EQ on my two guitar tracks (rhythm and lead), I just notched the rhythm and boosted the lead at a frequency I wanted to highlight. I know EQ and compression are some of the primary tools, but am a relative beginner at their application. What's a good way to develop this skill? -------------------- |
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Sep 1 2015, 08:29 PM |
In both videos everything is center panned. I've listened to both a few more times and don't hear the limiter effect you're describing. I academically understand what you're saying, but my ears aren't skilled enough to hear it. How do you train your ears to hear what a mix "needs" in a general sense? I'm going to start working through the book "Mixing Secrets for the Small Studio" but it can only instruct, I have to hear the things a track needs.
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Sep 2 2015, 09:40 AM |
Sure, pm any link you'd like me to listen I'll reply as soon as possible
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