> Rules

Here is where the magic happens: the REC board turns bedroom guitarists into real pros. Remember - it doesn't matter if you fail or pass, as long as you keep posting REC takes you will progress.

The entries will be graded by a number of instructors. After grading, members will be accredited with the appropriate points if they pass, and adjustments will be made to their REC level.
Passing grade is 6 or higher.

* Submit your REC take!
* More info
* Score board
* Recording tutorial

 
Closed TopicStart new topic
> Post Rock, Lesson By Gabriel Leopardi
Grade
1-10
1 [ 0 ] ** [0.00%]
2 [ 0 ] ** [0.00%]
3 [ 0 ] ** [0.00%]
4 [ 0 ] ** [0.00%]
5 [ 0 ] ** [0.00%]
6 [ 0 ] ** [0.00%]
7 [ 0 ] ** [0.00%]
8 [ 1 ] ** [33.33%]
9 [ 2 ] ** [66.67%]
10 [ 0 ] ** [0.00%]
Total Votes: 3
  
Ken Slocum
post May 26 2016, 05:24 AM
Post #1


Learning Apprentice Player
*

Group: Members
Posts: 47
Joined: 28-February 15
From: Spokane, Washington
Member No.: 20.760



Original lesson: Post Rock by Gabriel Leopardi

My version of GMC Post Rock lesson by Gabriel Leopardi. I tried to mix it up by utilizing different guitars and changing up the tone. I am still learning and loving every minute. I always add a little bit of me when I am playing. My fingering will be slightly different, along with my picking. I also used a different version of the power chords at the end when playing the bass notes. Thank You Gabe for the lesson.



--------------------
Ken (a.k.a. starman4) sends...............................keep making music.


Ken Slocum
Fender Strat
Ibanez RG655 FSO
Gibson Les Paul Studio Deluxe III
Boss ME-80
Go to the top of the page
 
+Quote Post
Ben Higgins
post May 27 2016, 07:28 PM
Post #2


Instructor
Group Icon

Group: GMC Instructor
Posts: 13.785
Joined: 11-March 10
From: England
Member No.: 9.820



Hi Ken, I imagine this was a really enjoyable lesson to work on, am I right? The slow build up, etc, makes you feel like part of the music.

Playing wise, this looks and sounds pretty solid. Your pick attack at the moment is quite soft but you can be forgiven that, as you're being meticulous and accurate. With time, you'll get a bit more positive with your picking and can inject a bit more attack into it. It doesn't have to be aggressive, just more assertive.

When you move from position to position during the main lead section, you can hear that your finger moves to the new note just a fraction before you pick it. Sometimes a player does this deliberately for effect but other times it sounds like it's not quite coordinated. In this piece, I'd go for making the finger and pick land at the same time smile.gif

Your guitar takes are mixed way too low in comparison with the backing, though... don't be shy - whack yourself up!


--------------------
Go to the top of the page
 
+Quote Post
Gabriel Leopardi
post May 28 2016, 05:52 PM
Post #3


Instructor
Group Icon

Group: GMC Instructor
Posts: 28.424
Joined: 3-March 07
From: Argentina
Member No.: 1.289



Hey! It's great to find this lesson here!

The main goal of this lesson is to get into this type of composition and arranging based on creating layers and textures. By playing this stuff you feel how the different guitars connect together and build the whole thing. I strongly recommend you to analyze a bit what's playing each guitar in order to get the most of this one.

Regarding technique and mix, I think that Ben shared interesting tips to have in mind for the next take. There is nothing to add about it.

Keep on the good job!


--------------------
My lessons

Do you need a Guitar Plan?
Join Gab's Army

Check my band:Cirse
Check my soundcloud:Soundcloud

Please subscribe to my:Youtube Channel
Go to the top of the page
 
+Quote Post
Darius Wave
post May 30 2016, 11:09 AM
Post #4


Instructor
Group Icon

Group: GMC Instructor
Posts: 5.257
Joined: 29-November 12
From: Poland
Member No.: 17.069



Hey there! smile.gif

This is a great piece of music (great job Gab!) so I'm not surprised you enjoy it - I do as well. Same as Ben, my main observation here is the picking strength. Picking strength is a tricky thing - it affects the tone, it affects the gain and it affects the comfort of playing. The harder picking is, the harder is to keep it consistent and even (timing wise). Sometimes soft picking is a way to go for because of the tone. I think in this particular lesson you could increase your picking strength. The tone would stay nice and warm but you would be able to easy notice some picking problems and would force you to search for solution. Also...stronger picking makes better ration between amps/fx ground noise and a guitar signal level smile.gif

As for the mix...I would go for a little louder guitar level in the mix, but this is of course subjective.

From any other side I have nothing to complain smile.gif Well done


--------------------
Go to the top of the page
 
+Quote Post
Fran
post May 31 2016, 09:34 PM
Post #5


Learning Rock Star - Wiki Coordinator
Group Icon

Group: GMC Senior
Posts: 7.887
Joined: 20-November 07
From: Spain
Member No.: 3.338



Pass: 8.7


--------------------
Guitars:
Fender American Deluxe Stratocaster, Ibanez RG2570MZ, Epiphone SG G-400
Amp:
Vox AC4TVH head + V112TV cab
Effects:
Vox Satchurator, Vox Time Machine, Dunlop CryBaby, Boss MT-2, Boss CE-5, Boss TU-2, Boss ME-70
Recording:
Line-6 POD X3 + FBV-Express, Pandora PX5D

GMC wants YOU to take part in our Guitar-Wikipedia!
Have a good time reading great articles and writing your own with us in our GUITAR WIKI!
Share your playing and get Pro-advice from our Instructors: Join REC
Go to the top of the page
 
+Quote Post

Closed TopicStart new topic
1 User(s) are reading this topic (1 Guests and 0 Anonymous Users)
0 Members:

 


RSS Lo-Fi Version Time is now: 23rd March 2017 - 09:26 PM