JaxN418th September 2011Hey Cosmin, This is a great lesson...limitless potential from developing this concept and mastering it. Thanks, and It's added on my bookmark! Chhers
Bossie18th September 2011Great concept to work on my sundaypractice, and still amazed about that fretting, it's almost like he slightly brushes the strings instead of fretting:-))
thefireball18th September 2011Cool lesson!
Cosmin Lupu18th September 2011hey guys! thank you! I guess I am in the classically inspired period so, why not try a thing or two, I thought
Adrian Figallo18th September 2011i might give this one a go, i don't know much about neo classical approaches
zoom18th September 2011Cool Cosmin! I play these arpeggios a bit in my playing but there takes it further. I'll get into these.
Remember,you are what you play?
You mean sloppy as opposed to clean playing or somthing else?
Sinisa Cekic18th September 2011Cool mix, nice clean tone
Gabriel Leopardi18th September 2011Great concept and explanations! Well done Cosmin!
Daniel Realpe18th September 2011Yes! this is something everyone should learn!
Ben Higgins19th September 2011Great melodic lesson C-Maestro !!
- Cosmin Lupu19th September 2011 wow, thank you again guys! well to answer zoom's question - yeah, that's the stuff was thinking about pay attention to every detail and you'll get things right from the beginning to the end
rhoads19th September 2011Cool lesson ! and.. no, I won't say it
Ivan Milenkovic19th September 2011Excellently made
Great concept, and the lightning is very good, looks pro 
Blister20th September 2011I love a lesson that makes arpeggios fun! Thanks Cosmin!
- Cosmin Lupu20th September 2011
@ Ivan: thank you mate!
@ Rhoads - what was it that you wanted to say young man? 
Kristofer Dahl20th September 2011Very nice lesson concept Cosmin!
- rhoads20th September 2011
Well, was something like... that's a nice t-shirt.. good motivation for practicing.. the better you play guitar the richer your wardrobe gets.. the reason why may started playing... you pick one
) I have a couple more but can't post them here. - Cosmin Lupu20th September 2011
Thank you Kris! ooooh THE T-SHIRT!
well, that's a very, very rocknroll piece of garment 
Nava16th June 2013missed it :-)
Love this stuff and will work on this soon- Cosmin Lupu16th June 2013
Hey man! Thank you
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Hey there GMC army!
In this lesson, we'll start exploring a little bit of classically inspired combination between arpeggios and scales, harmonizing the D major scale and highlighting its modes.
What are they good for? Why, you can always use them when playing over a chord which could harmonize the D major scale and moreover, if you are curious, you can apply this idea in the context of other scales!
What does harmonizing mean? Instead of playing single notes of the major scale, we can play chords instead, belonging to each step of that scale. These chords are usually made up of notes belonging to that particular scale!
What can you develop with the aid of this lesson:
- learn how to combine arpeggios and scales
- using the modes
- working out your alternate picking skills
Tuning: Drop D (D A D G B E)
Meter: 4/4
Tonality: D major
Modes:
- D Ionian (D E F# G A B C# D)
- E Dorian (E F# G A B C# D E)
- F# Phrygian (F# G A B C# D E F#)
- G Lydian (G A B C# D E F# G)
Progression: (only the bass is heard, but you can play the following chords) Dmaj, Emin, F#min, Gmaj, Dmaj
Tone settings:
Bass – 10 o’clock
Mids – 9 o’clock
Highs – 12 o’clock
Gain – 2 o’clock
I have obtained this by using the clean channel of my AMT ss20 Pre-amp.
Related material - You could look around the following links for some more insight on the matter:
Lessons on harmonizing the major scale
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