Cage the elephant, Indie Rock, Guitar arrangements, triad, power chords, strumming, composition, two guitars, beginners, alternative rock, rhythm, rock rhythm, texture, layers, guitar layers, song arrangement, by Gabriel Leopardi
making a metal song, metal composition, two guitars, rhythm guitar, riffingby Chowy Fernandez
Scrubbing / forward / rewind: arrow right, arrow left keys Jump to start: Home or `s` , you can also click/tap the lesson part again (the numbers above player) Go to next part: PageUP or End. ( iOS: swipe right or left over video ) Volume: ArrowUp / ArrowDown keys Go to any part: Number keys (combinations also possible) Pause or play: `k` or space key Fullscreen: `f`, esc to close
Lesson focused on a rhythm (riffs) playing in the style of Disturbed. Combines Heavy Strumming on powerchords, palm muting and pinch harmonics. Inspiration taken from a few of most popular songs of this band.
Make sure to use bridge pickup position. It's recommended to have humbucker pickup - it handles more distortion with less noise and it's much more tight/focused in the midrange.
Proper amount of gain (only as much as necessary) will be crucial to keep things clear and tight. Too much gain will destroy good separation between notes, and will make the whole riffing more blurry. Too much gain can cause less effort from player himself, and will affect the overall profit, that could have been taken from the lesson.
Notice that in main video guitar has been recorded twice and panned one 100% left and the other 100% right(double tracking). This trick helps to squeeze more power out of backing guitar tone. These days it's a kind of must for anything from rock to metal. Otherwise single guitar track may not be able to transfer the amount of energy you would usually feel while playing your part live, on the amp. Double tracking is also a great way to verify how well you can execute the licks. Precisely played part with double tracking should make you able to recognize each note while both guitars play. Any timing or articulation issue will immediately come out. It's a great way for a self-test.
Gear used (in order of connection chain placement):
1.SX SST57 guitar with Seymour Duncan JB Junior bridge pickup
2. Presonus Inspire 1394 firewire audio interface (input gain 40%)
3. Poulin Legion plug-in:
- Channel - green
- Mode - Lead
- All knobs (eq, drive, input etc.) - 50%
4. Kefir impulse loader (mix 100%)
5. Impulse - Catharsis 2off_preshigh
6. Cubase 7.5 equalizer:
- 1.6 kHz -4dB Q=0.6
- 4.46 kHz - 4,9 dB Q=9.3
- 11.47 kHz - 3.5 dB Q=2.5 Low Pass II mode
Tempo: Main song tempo is 145 bpm. There are also backing tracks available at 50, 75, 90, 115 and 145 bpm. Slowest backing track contains additional layer of metronome in double tempo, for more comfortable practise.
Time signature: 4/4
Scales used in this lesson:
D minor scale
D phrygian scale
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