This trick is certainly very effective - great illustration and explanations of the delay setting Conrad!
Excellent delay application lesson Conrad!
Nuno did something very similar with Flight Of BumbleBee, well done Conrad!
Yeah it was the intro of "He-man woman hater". Awesome trick. I think that you can also hear this kind of thechnique in the intro of Malmsteen´s Black Star. Thanks for the great lesson!
Great lesson Conrad and great Info too!!!
Very interesting lesson! Sounds great!
Very cool use of delay, sounds cool indeed!
Great idea to use effect this way!
Cool setup, very useful
cheers for the comments guys - hope you found this useful...yes , Nuno Bettencort uses this effect brilliantly, ana at a really high tempo.
Wow... that's awesome
Very cool effect
thanks guys, glad you liked it
Great job Conrad!
It would be awesome if you could pick that!
thanks guys...yes it would be good to pick all of those notes...I'll go away and practice for 10 years!!
Cool lesson Conrad!
Thats a real great delay exercise
Thanks guys - glad you liked the lesson, and cheers for your comment on my porfile itsme!
hehe, great trick, cool lesson
I am beginner, who cannot play at a very high tempo yet. But this trick is killer to just show off. Thanks Conrad....I usually say awesome..cool sounding.......but for you I will say BRILLIANT LESSON.
Thanks pal - really glad you found this useful!
This is something that took so long to figure out, you guys are lucky to have a lesson like this
This exercise shows how to use the delay pedal to double the speed of your licks, quickly and easily. Adopted by Albert Lee within the country blues scene, by Malmsteen in the neo- classical world and of course U2's The Edge, this technique can add some interesting effects. Musically, I'm playing in the key of Em, so not too much to worry about there apart from dorian / lydian runs and a short diminished part.
Throughout the exercise i am picking 8th notes alternately at 170 bpm, and setting the delay pedal to slap right back to create 16th notes - therefore the lick sounds twice as fast as it actually is! Setting the dealy pedal is probably the hardest part of this lesson -
Firstly delay time: Set a click or metronome to 125 BPM, and count 8th notes (1,2,3,4,5,6,7,8,). The initial note is on the count of "1", and the delayed note must come back on the count of "2and".In other words a dotted 8th note later. Easy enough if you have a winder - if you have a tap tempo delay it may take a little longer to get - try at 125bpm first, and use the backing track. If you pick alternate 8th notes, the delay should come back to make 16ths. This is demonstrated in part 1 of the video. When you are ok at setting the dealy at 125 bpm, try the higher tempo of 170bpm.
Secondly delay feedback: You need just one delay to come back.
Thirdly, delay volume: The delayed part needs to be the same volume as the initial note.
Try and play the lick with a staccato feel, by either palm muting or realising the pressure of the left hand slightly.
The lick firstly involves a sequenced descent in Em with some fairly large position shifts, then ascent in Em, followed by an E Dorian descent, E diminished ascent and an E lydian descent to end.
This idea workes well for rhythm parts also (check out The Edge from U2), but as demonstrated, also adds a different dimiension to your lead work, as long as it is used sparingly.
I hope you find this useful, and i'm of course open to any questions you may have. Good luck with it!