Kristofer Dahl6th May 2016Killer sound Gab - I need to check out this band!
MisterM6th May 2016Very Nice lesson Gab.
I shall have liked that it is longer.
Alex58th May 2016bookmarked
Daeron8th May 2016Also bookmarked. I love the craggy sound of your rhythm section and the feel of the solo section. Thank you for this nice lesson !
Gabriel Leopardi8th May 2016Thanks for the comments guys!
Phil6627th October 2016Brilliant lesson. One of those, what I call "tongue twister tunes". Your fingers get mixed up with the very similar phrases. Nice one Gab, thank you ;o)
- Gabriel Leopardi31st October 2016Brilliant lesson. One of those, what I call "tongue twister tunes". Your fingers get mixed up with the very similar phrases. Nice one Gab, thank you ;o)
hehehe thank you Phil.
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- Members only2
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- Difficulty: 2
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Play Rest...
Pedja Simovic, In class collaboration #5, Play Rest collaboration solo, G minor, G natural minor, G harmonic minor, G blues scale, Bending, Phrasing, Superimposing, Vibrato, Slidingby Pedja Simovic - Difficulty7
Pop Punk Solo
Pop Punk, Legato, Phrasing, Riffing, Foo Fighters, Slash, Sweep Picking, Major Scale, Bendingby Gabriel Leopardi - Difficulty5
- Difficulty4
- Difficulty3
Blues Duet: Rhythm &...
Blues, Blues solo, Blues rhythm, major pentatonic, pentatonic scaleby Stephane Lucarelli - Difficulty8
Pantera: Walk Solo
Pantera, Dime, Dimebag, Blues, Raga Savithri, Mixolydian Pentatonic, Slides, Bending, Legatoby Zsolt Galambos - Difficulty8
Pantera: Cemetery...
Pantera, Dime, Dimebag, Blues, Raga Savithri, Mixolydian Pentatonic, Slides, Bending, Legato, Cemetery Gatesby Zsolt Galambos - Difficulty7
Pop Rock Ballad Solo
alternate picking, legato, vibrato, slide, bending, whammy bar, phrasing, pop rock, Steve Lukather, Jeff Beck, Jimi Hendrix, blues, melodic solo, improvisationby Guido Bungenstock - Difficulty10
45 Guitar Scales In...
Major natural, Minor natural, Major pentatonic, Diminished, Harmonic minor, Blues major, Hungarian minor, Balinese, Minor pentatonic, Bartok, Whole tone, Arabian, Dorian mode, Ethiopian Tizita minor, Chromatic, Phrygian mode, Enigmatic, Iwato, Byzantine, Lydian mode, Super Lydian mode, Mixolydian mode, Kumoi, Locrian mode, Locrian minor mode, Neapolitan minor, Neapolitan major, Spanish, Spanish 8 tone, Melodic minor, Aeolian mode, Hirajoshi, Hindu, Japanese, Altered, Yo, In Sen, Bebop, Yona Nuki major, Blues minor, half whole, hungarian major, Algerian, Persian, Symmetricalby Sinisa Cekic
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Jump to start: Home or `s` , you can also click/tap the lesson part again (the numbers above player)
Go to next part: PageUP or End. ( iOS: swipe right or left over video )
Volume: ArrowUp / ArrowDown keys
Go to any part: Number keys (combinations also possible)
Pause or play: `k` or space key
Fullscreen: `f`, esc to close
- Lesson
- My notes
- Statistics
Hi GMC!
Welcome to this new lesson based on the style of the great blues guitarist Gary Clark Jr. Let's see what wiki says about him:
"Gary Lee Clark, Jr.[1] (born February 15, 1984) is an American guitarist and actor based in Austin, Texas.[2][3][4] Clark has shared the stage with various legends of rock and roll,[5] and has stated that he is "influenced by blues, jazz, soul [and] country, as well as hip hop".[6] Clark's musical trademarks are his distorted guitar sound and smooth vocal style." from wiki.
Music Style:
Gary is one of the new aga blues guitarists and I think that he added some fresh air to this style because he is not only influenced by the biggest blues players, he is also influenced by more modern bands and hip hop artists. His style is blues mostly played with fuzz pedals, but with production that takes elements from alternative rock, neo soul and hip hop. That's why his riffing and grooves are totally fresh for blues genre. In this lesson I tried to recreate his most recent music which reflects exactly that mix of influenced but strong blues roots.
Tonality, Chord Progression & Scales:
If you want to know all the theory behind blues I recommend you to check out THIS thread. In this case, I've used a minor blues chord progression in Em7 to build this tune that starts with a cool riff played with E Pentatonic minor followed by some bluesy phrases played also with minor Pentatonic with some extra notes from aeolian and dorian mode, as well as the characteristic b5 note which is also called the blue note.
Techniques:
This lesson is great for beginners that want to get into riffing and blues phrasing. In this lesson we cover down picking, alternate picking, bending, vibrato, sliding, among some other elements.
Sound:
I used LePoin plugins to create the guitar tone. These are free amp emulators that are extremely recommended. The cabinet used for this guitar tone is HyBrit which is a Marshall amp emulation and before it a tube screamer emulation. Check out the settings:
